Books like Diana Vreeland — picked by fans

The names Audrey Hepburn and Hubert de Givenchy are inextricably linked. Their union transformed the bond between two industries: fashion and film. This book wasn’t just a reference source for me; it has been a point of inspiration since it first arrived in my library many years ago.

I am a longstanding admirer of Givenchy and his timeless creations. His legacy is a testament to his dedication to quality construction, clean lines, and unique details. This book is an intimate look into Hubert’s life narrated in his own words and told through stunning photos showcasing his beautiful clothes and his ornately decorated homes. Each page makes it more evident why Audrey and Hubert weren’t just friends but fashion soulmates. 

Audrey filmed seven movies in Paris, three of which were directed by the multi-talented Stanley Donen. When they first worked on Funny Face, Audrey was twenty-seven, and Donen was thirty-two.

Their five-year age gap allowed for an ease between the two colleagues, which would manifest into a friendship spanning over 30 years. In fact, Audrey wrote a touching introduction to Dancing on the Ceiling. Silverman wonderfully chronicles Donen’s life in films during the golden age of Hollywood at a time when movie musicals were still box office hits. Best of all, the book covers all three of Audrey and Donen’s collaborations: Funny Face, Charade, and Two for the Road.  

This book is mouthwatering! Readers might be surprised to learn that Audrey met Avedon at the very start of her career. After she was discovered by Colette in 1951, Audrey sailed to New York to begin rehearsals for Gigi. In New York, donning her Gigi costume, Audrey was photographed by Avedon for the first time. Their friendship in front and behind the camera would blossom over the years, and in 1956, Audrey would star in the movie musical Funny Face, loosely based on Avedon’s life at Harper’s Bazaar.

Avedon’s genius is brilliantly highlighted in this visual biography. Avedon Fashion chronicles Avedon’s career with stunning fashion photographs and celebrity portraits, including memorable black and white shots of Audrey. This book grabs you from the moment you set eyes on the brightly colored cover. 

In many ways, this book is a precursor to Audrey Hepburn in Paris. Both books were conceived by Audrey’s son, Luca Dotti. I used Audrey at Home as a guide while writing my book. I was moved by Luca’s personal anecdotes and the private photos from his family albums.

Although the two books differ in subject—one is about Audrey’s home life, and the other is about her fashionable career—one concept I borrowed was the exploration of the woman behind the actress. Luca’s book changed the field for Audrey biographies. By inviting us into the intimate setting of his mother’s kitchen, we are given access to a rarely-shown side of Audrey. This book tenderly examines the actress, the mother, the wife, and the friend. 

Sarah Bradford also wrote one of the best biographies of Queen Elizabeth II. Her Jackie biography is authoritative. It covers everything from her parents' troubled marriage to Jackie’s own disappointing liaisons with powerful men. The life she built in New York after the death of Onassis is proof of what an extraordinary woman she was, perhaps the most important of America’s former first ladies. She was in a league with Eleanor Roosevelt and Abigail Adams. She had an intelligence and discernment equal to theirs but with style all her own.

A few months after President Kennedy’s assassination, Mrs. Kennedy sat down for a series of interviews with the historian and family friend Arthur Schlesinger, Jr. Her eight hours of tapes, which remained sealed until a few years ago, are riveting and full of intimate, powerful details.

It is most rewarding to hear her whispery voice as she offers often pointed observations about the people and events that shaped her husband’s presidency.   

I love how Smith tells the intimate story of Jack and Jackie’s relationship in the White House. Plenty of accounts describe how JFK exercised power during his brief tenure as president. That is not what interests Smith. She highlights how the pressure of the office impacted the relationship between the First Lady and the President.

There are plenty of juicy tales about JFK’s womanizing and his abuse of prescription medication. What I found most fascinating was how Jackie coped with it all. The Kennedys in Smith’s account are complicated and complex, talented and flawed, but above all else, very human. 

This e-book by The Washington Post’s book editor is the moving account of Jackie’s heartbreaking loss of her and the president’s baby, Patrick, in August 1963. Always plagued by problematic pregnancies, resulting in a miscarriage and stillborn daughter in the 1950s, as First Lady Mrs. Kennedy hoped to give birth to her and the president’s third child (to join five-year-old Caroline and two-year-old John Jr.) in September 1963. But the baby arrived more than a month early, suffering from undeveloped lungs, and died within two days. Jackie and Jack were devastated. As they clung to each other in grief, the First Lady told her husband that she couldn’t bear to lose him. She would just three months later.

This book is written by my dad, Christopher Andersen, who introduced me to the sheer fun of storytelling.

We know so much about Jackie as a first lady, and in the immediate aftermath of President Kennedy’s assassination. But his book gets at the heart of who she was and how she was able to pick up the shattered pieces of her life and reinvent herself. She made mistakes along the way, and they only make her more likable and more relatable.

The book celebrates her intelligence in a way I hadn’t considered before. Her life was shaped by tragedy, but it wasn’t the only thing that defined her.

This is an exhibition catalogue that began with a show at the Kennedy Library: the clothes Jackie wore in the White House. It has a smart introduction by Hamish Bowles, an editor at Vogue. He shows how her clothing choices were not just about looking pretty. They were about her historical vision for the role of the president’s wife, her sense of the women who had come before her, and of the American craftsmen at work in the fashion industry. The pictures are ravishing.