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The year I spent in Palestine from 2011 to 2012 was the first time in my life that I encountered racism firsthand. Growing up in America, I was aware of my country’s racist history and I knew that my country’s history was indelibly marked by prejudice. But in Palestine I witnessed racism in action. It reminded me of segregation in the American South. Every aspect of daily life in Israel and in the territories it occupied is segregated: buses, roads, lines waiting to pass through checkpoints. After I witnessed a Palestinian man being refused entry into an Israeli tourist site simply because he was Palestinian, I knew this was a book I had to write.
There is no better place to start learning about Palestine than with the stories of Ghassan Kanafani, a writer and militant activist who was assassinated by Mossad, the Israeli Secret Service, in 1972.
Kanafani combined activism with a powerful ability to recreate the Palestinian experience of displacement and forced migration. In one of his most moving and disturbing stories, Men in the Sun, Kanafani tells of three Palestinian migrant workers who travel from the refugee camps of Iraq to Kuwait in the hopes of finding work.
The story was made into a film called The Dupes by Egyptian director Tawfiq Saleh in 1973.
This collection of important stories by novelist, journalist, teacher, and Palestinian activist Ghassan Kanafani includes the stunning novella Men in the Sun (1962), the basis of the film The Deceived. Also in the volume are "The Land of Sad Oranges" (1958), "If You Were a Horse . . ." (1961), "A Hand in the Grave" (1962), "The Falcon" (1961), "Letter from Gaza" (1956), and an extract from Umm Saad (1969). In the unsparing clarity of his writing, Kanafani offers the reader a gritty look at the agonized world of Palestine and the adjoining Middle East.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A speculative comedy comprised of a carousel of Black and Queer voices being pushed further underground by urban prosperity.
New Stockholm, a metropolis like any other across North America, is unofficially divided between two worlds. Its upwardly mobile form the centre of its gleaming eye, but their prosperity and affluence are not the focus of Zeynab' s government-funded abstract documentary. Her lens trails to the city' s margins instead, in polluted industrial wastelands such as Cipher Falls, one of New Stockholm' s last affordable neighbourhoods, where creatives and other anti-capitalist voices increasingly find themselves pushed into demeaning, dead-end jobs. In…
