Books like Death and the Seaside — picked by fans

Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.

I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.

This is Agatha Christie's creepiest novel. A love story between a chauffeur and an heiress, who move to a majestic house in the countryside and find themselves the victims of a local curse. Strange things start to happen. But is any of it real? The shocking truth doesn't become clear until the last few pages.

This is Auster exploring all the themes he’s well known for now, and crafting them into a beautifully absurd almost surreal tale. Not strictly a noir book this has a protagonist struggling with his place in the world and his identity, whilst getting drawn into situations out of their control—all tropes which are seminal to the genre. 

Auster’s first book released under the pseudonym Paul Benjamin, called Squeeze Play, is a more typical crime, or pulp noir. And it's easy to see his blend into literary fiction whilst holding the noir handles close for The Music of Chance.

Often writers start out literary then a genre attaches itself. Here, Auster appears to have hit big by penning a commercially aimed work, then shifting back to where his core themes ring out.

I’m a huge fan of these themes he’s so good at; stories within stories, back-tales of characters,… show more.

A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.

A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.

Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself. 


I first met Laura at Theakston’s Crime Writing Festival in Harrogate not long after reading her debut novel, Friend Request and I’ve been a fan of her writing ever since.

And so, when I was offered an advance copy of My Husband’s Killer, I jumped at the chance. Laura does interpersonal relationships brilliantly and I knew I was in for an intriguing read.

The novel opens as the victim’s widow prepares for his funeral, having learned a shocking secret about her husband who drowned off the Amalfi coast.

What she thought had been an accident now looks very different and so we go back in time, gradually filling in the gaps until the truth emerges.

At the age of seventy-two, William Golding, British author of Lord of the Flies, set off on a trip down the Nile with his wife and an Egyptian guide. Golding had long had a burning passion for Egypt, stating that ". . . for the last sixty years I must have read every popular book ever written about Egypt." But as his journalistic observations illustrate, there was still so much more to be learned by personal experience. I love this book for Golding's wry, gentle sensibility, his cozy erudition, his intellectual warmth, his wisdom about life and interpersonal relationships in general, and his wonderful sense of humor. I laughed aloud at many points in this book.

I love stories crammed with internal strife and triumph in the end, especially ones about finding yourself.

In this YA contemporary, teen Ben faces the worst possible reaction from their parents when they come out to them as nonbinary. Fortunately, they round up some supportive family, but this marks the beginning of a long struggle to build up their confidence and come out to everyone, not just their family. Ben may know who they are, but being honest about it is hard, especially in certain places.

There are big differences in being nonbinary or trans in conservative states versus liberal states, and also between smaller towns and bigger cities. This book reminds readers that as long as you’re safe, being true to yourself is more rewarding than hiding yourself. 

I love how honest David Brooks is about his own challenges with opening up to people and really leaving them feeling seen and heard. As he reviewed many of his own inadequacies, it allowed me to review the ways in which I might be falling short of my own ideals to leave each person I meet feeling seen and heard.

Since I teach people how to do this in my own workshops, I was constantly able to add David’s insights to my own. 

Trans sci-fi? Yes, please. This delightful collection of short stories—which I have read twice now—consistently wows with its relatable queer and trans body-suffering, body-shifting protagonists. It is not so much a book about queer futures as it is a futurist rendering of the past twenty years, including climate disaster, endless wars, gentrification, digital subcultures, and a bit of high school nostalgia. A trans gay boy enters a portal in the woods; a young menstruating person pulls a screwdriver from their vagina; job opportunities on the moon entice anti-capitalist, ennui-filled teenagers. If Muñoz imagined queerness as a utopian space-time rupture, Jarboe reminds us that our queer dystopia is inescapably here. We wrestle now in our flesh in this fucked-up world. 

What I love most about this collection is how it begins with an ending: printed on the inside jacket flap of the book is the end poem, 'The End of Poetry,' which demands an end to the intangibles of poetic clichés and calls instead for physical sensation.

The intense desire to be touched is heightened with the COVID-19 pandemic hanging over each poem; the pandemic is never named, but I felt the ache of social distancing. The pandemic is another kind of catastrophe, one that is tenderly and vividly captured in this book.