74 Books Like Death and the Conjuror

I could listen to Fredrik Bachman’s characters monologue about life all day, so to get to read a book where eight of his quirky—and yes, anxious—people share bits of their lives and hard-fought wisdom is a gift to humanity.

Not to mention, many of the chapters are formatted as witness interviews between the authorities and the characters caught in a hostage crisis.

Heavy? Not when it’s Backman writing. He creates the most vivid scenes, even when all he’s working with on the page is dialogue.

I’m not a fan of novels that are paced like greased rockets, as if the author’s afraid you’ll suddenly throw the book across the room, turn on Netflix, and order a pizza. Which is a key reason I love this book. Precious Ramotswe is a “traditionally built” woman who solves crimes in a superbly witty yet unhurried fashion and with deep compassion that stops short of sentimentality.

Her heart (huge) and brain (gently incisive) work in perfect tandem in this book. The plot is simple, which will frustrate readers who prefer intricate puzzles in their crime fiction. But for me, the pleasure lies in leisurely getting to know this wise, ingenious detective and her humble neighborhood in Botswana’s capital city.

This book was such fun to read! It's really unusual in that it's told entirely by letters, emails, and text messages. It has no chapters and invites lots of flicking pages back and forth to go back and check things, so it's super interactive (I was glad I got the paperback!). I really liked that most of the characters are unlikeable, and none of them seem to like each other very much, either. I LOVE unlikeable characters.

On top of that, much of the information they give in the letters is unreliable at best or completely untrue at worst. This book is a murder mystery, but it takes ages to find out who's dead, and by the time I found out, I'd wanted most of the characters to have been killed off–they really are a nasty lot! This book was totally original and very clever, and I adored it from… show more.

A year or so ago, I read a lot of factual books about India, so I was delighted to find this Golden Age cozy mystery set in a land I was falling in love with through books. This book took me back to a pre-partition India still under British rule, with a realistic glimpse of life under colonialism alongside a hefty–hopefully less realistic–dose of murder and mystery.

I adored how Harini Nagendra created a strong, independent female character who still feels genuine and believable in the time and place in which the book is set–a time when most women were stifled, submissive, and governed by their husbands–and how the observations of colonization feel true to life while remaining both sympathetic and observant to the Indian culture and ways of life.

The setting is vividly portrayed, and the sights and sounds of 1920s India are an absolute delight. The main characters… show more.

A retro pulp-fiction novel from one of the world’s best-selling authors, David Baldacci.

A Gambling Man is the second intriguing story in Baldacci’s Archer Series about a former WWII veteran working as a private detective. Archer is joined en route to Los Angeles by a beautiful young lady with ambitions in Hollywood who leads them into dangerous territory with murderous gangsters and politicians trying to improve the odds in their favour.

Baldacci’s Archer Series is modeled on the early detective stories of authors like Raymond Chandler and Mickey Spillane. He creates a tough guy detective in the style of the early masters while making Archer more appealing to modern readers – less macho and more respectful of the independent women joining his fight to stop the death and destruction. 

In this historical mystery set in the 1920s, the hero-narrator is likable and a bit goofy. He reminded me of Bertie Wooster in the Jeeves stories by PG Wodehouse, but Heathcliff is more intelligent. The mystery was complicated and puzzling, with added fun from the 1920s setting. It’s hard to investigate when phone lines are down and roads become impassable in poor weather. I've read the rest of the series, and they’re all pretty strong. Some move the action to Scotland or Egypt for extra 1920s travel excitement. They’re perfect reads when you want a light cozy with historical charm and some chuckles along the way.

One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.

The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer. 

Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.

This book introduces one of my favorite sleuths, Albert Campion. But what’s fun is that Allingham never tells the story from Campion’s point of view.

We only see him from the outside, as others do. This adds to the fun and intrigue. And there’s lots of that. In a spooky old English country mansion full of strangers, the host is murdered, and the rest of the crew goes on a twisty, scary roller-coaster ride driven by an assortment of secrets and criminal schemes—which we must slowly figure out.

This one had me on the edge of my chair, wondering what outrageous turn the plot would take next.

Another writer-hero, Anthony Horowitz writes as himself in this page-turning whodunit. Well-known for his television work on Midsomer Murders, Poirot, and Foyle’s War, Horowitz knows how to craft a mystery. When ex-cop turned private investigator Nathaniel Hawthorne approaches Horowitz about ghostwriting a book about his cases, Horowitz isn’t interested. Annoying and eccentric, Hawthorne isn’t someone Horowitz wants to be around, let alone write about. But when a famous actor’s wealthy mother is murdered six hours after planning her own funeral, Horowitz gets pulled into the investigation anyway. Though very much a Sherlock Holmes and Watson relationship, Hawthorne and Horowitz are more adversarial, making them an entertaining team. You want them to be friends, but then again, you don’t. The word isn’t just murder, but funny, engaging, and endearing, too.  

As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.

To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.

I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.