100 Books Like Deaf Sentence

On the Greek island of Skios, the philantropic foundation Fred Toppler brings together once a year the scientifical elite. But this summer, nothing works as planned following a suitcase mix-up at the airport. The misunderstandings follow one another, leading the characters to connect with people of other social backgrounds. The pompous and eminent academic Norman Wilfred finds himself trapped in a remote house with Georgie, a nice but limited young woman, when Oliver Fox, a good-looking playboy, deliberately takes Norman’s place at the Toppler foundation, to the delight of the guests. I enjoyed very much the social satire and the brilliant dialogues of Skios. This funny and acidulous book is perfect for reading at the beach. 

Let’s imagine the English people have decided to abolish the monarchy. We are back in the eighties, and the Windsor family, expelled from Westminster, is relocated to a poor neighborhood of London and is required to work. The ex-Queen tries to cook, Philip is depressed, Diana wonders about her wardrobe and Charles discovers gardening talents...The Queen and I is a book that plays wonderfully on the human and linguistic gap between high society and common people. Funny situations and the satirical tone made me laugh on each page. I recommend it to all the people who are struggling to make a living—they’ll think it could be worse. 

A. J. Jacobs, a journalist, decides to read the Bible and try to follow it literally for a whole year, to the point of eating locusts, throwing small pebbles at couples he suspects of adultery, slaying idolatry, and speaking the naked truth… Struggling to follow archaic rules, he lives a disconcerting experience under the perplexed eyes of his family and becomes quickly out of step with the present time. The Year of Living Biblically depicts a clash of worlds with a caustic humor and I’ve burst out laughing a couple of times. I recommend it to believers and non-believers, both will be amused by this witty book that gives us food for thought.

Henry Wilt is a disillusioned teacher who feels stuck between his collegues who look down on him, and his super positive wife Eva, who wants to enjoy life in every fashionable way possible. When walking his dog, Henry imagines how to kill Eva. Reality catches up with fiction when he is charged by the police for her murder… Ludicrous situations follow one another, and Wilt 1 is hilarious. I enjoyed the book because it is based on a collision between Henry, a man who does not believe in the seriousness of things, and the other characters, who all embody their social roles to the point of caricature. I recommend it to people who sometimes feel trapped in their lives—as most of us do. 

I read this book almost 30 years ago, but it’s still one of my all-time favorites—an enthralling blend of romance, history, and paranormal suspense.

For me, this book checks all the boxes: a mysterious haunting, intriguing history, fascinating settings, and star-crossed former lovers who come back into each other’s lives. Madeleine’s Ghost shifts between the past and the present, revealing secrets and layers to the story along the way.

The characters came to life for me, and I relished traveling with them between New York City’s colorful East Village and the sultry bayous and boisterous streets of New Orleans. 

I think Blake Snyder’s original book simplified, codified, and added to the most key fundamental precepts for screenwriters and did it in a light, breezy style that’s an easy read.

I find it to be full of practical wisdom delivered succinctly from a dedicated professional who knows the craft and how to communicate it.

There is no other book I have read that offers greater insights into the elements and structure of writing than this book. Written for screenplay writers, I find it an excellent source of guidance and support.

It offers a detailed, step by step review of story progression and structure, from the beginning of a scene/chapter through the build-up and to an ending too enticing to not turn the page. It has guided me just as it has Dominick Dunne, as quoted in Amazon’s review of the book: "In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" - Dominick Dunne, Novelist

Reading this book was a career-changing experience for me. Growing up and advancing through film school, I was convinced that if I had a good story, my screenplays would sell. Oh, how naïve I was! Because the truth is that there are thousands of good stories out there.

To sell a screenplay, it’s not just about the quality of the tale but the mastery of the screenplay format that matters. This book helped me to see what a “good” screenplay looks like from the reader's perspective. What’s amazing is that years after I first read this book, I became one of those Hollywood Readers myself–and this book helped me to learn the ropes of my job much faster than most. So, yeah, this book got promoted. Thank you, book. 

This book is single-handedly responsible for the first screenplay I ever wrote. Syd Field’s 1984 book Screenplay: The Foundations of Screenwriting revolutionized how Hollywood writes movies. It was also kind of boring to read. But the 1988 Screenwriter’s Workbook turned a theory-driven book into a practical step-by-step guide that helped a very young and ambitious neurodiverse filmmaker (me) write my first script.

I read each chapter and completed the “homework” assigned before moving on. By the end of the book, I had a screenplay! It wasn’t great, but it was there! Syd Field updated his Workbook in 2006 with new references and answers to frequently asked questions about non-traditional plot structures, but I found that version was more confusing and contradictory than the more concise original release.  

No Other Life combines three of Gary Young’s books into one volume. There is such unique style and quiet beauty to Young’s work. I am truly inspired by it. He has a knack for capturing the extraordinary in the mundane in brief but deep prose poems that grip the soul. 

Young was one of my professors in college and was a driving force for why I pursued a creative writing degree and chose to continue to write after graduating. His work will always hold a special place in my nature-loving creative heart.