Books like Dead Inside — picked by fans

This was one of the hardest books to "get into," but a friend of mine told me to stick with it because the rewards of getting through the first quarter would be so great. I'm glad I did. It is an astounding piece of work, quite different from anything I've ever read before or since, and remains one of my top five books.

The tangents the book takes, and the blasé attributes of the leading character are superbly crafted. It was suggested it was "unfilmable," and there's one scene in particular I thought they'd never get away with, but if you look at the movie version carefully, it's in there. 

An engrossing read about a food critic’s life, bumpy career, and murders. There is death and consumption, sex and violence; there is depravity in the mundane. Sometimes voices sparkle, others pop off the page, and then there is Chelsea G. Summer’s Dorothy Daniels. She dug into my brain and picked at it like a scab. From the first page, Summers hooked me on a razor-sharp fishing line. Dorothy recounts stories like an old friend would—if your old friend would describe killing a man and her vagina in equal parts disturbing and eloquent language. There was disgust but also a sense of empowerment. I wanted all of her dirty little secrets. And oh, does Dorothy love to talk.

Scarlett Clark is a bi serial killer who kills bad men. Carly Schiller is a queer student who just escaped an abusive father. Their storylines are equally gripping, with moments of unexpected intensity in both lust and fear. Layne Fargo creates a world so grounded in reality that, as a woman, it was painful to read at times—micro-aggressions, normalized inappropriate touching. Fargo doesn’t exaggerate it, she just exposes it as part of the narrative. Better yet, she gives a glimmer of equalization in the form of Scarlett who focuses her urge to kill in a direction that’s easy to root for, to want to read. It was wanting a serial killer to go on with her work that made this book and Scarlett a standout.

The biggest strength of this book is a large spoiler, which is a shame. I’d love to gush about it. You (should you choose to read it) get to learn about it as the work unfolds, though. For that, I’m jealous. Who doesn’t love to enjoy something so fun for the first time? The choice of victims and the reason for the kills makes the serial killer so compelling I rooted for the detective to always be one step behind. I loved him, don’t get me wrong. He is flawed and damaged, and I wanted him to succeed eventually. Thomas Holgate makes it easy to do that—want them both to “win”—as both have a point-of-view. The book was fun, interesting, and just a little brutal. 

If You Tell reads like a fiction mystery novel. I wasn’t paying attention when I started reading this, and I thought it was fiction. When I realized this book was based on a true story it bewildered me. You hear stories about people, how horrible they can be, but this mother had to be a fictional character – she’s not. She will give you nightmares.

As any objective historian can tell you, there are very few spotless heroes in history, and very few villains whose wrongdoing isn't firmly rooted in the psychological and sociological forces that shaped them.

So I really admire writers who, like Kali Nicole Gross, take pains to put the bad actions of their subjects in the context of their time and circumstances. In this measured and nuanced account of a sensational 19th-century murder, Gross carefully examines Gilded Age attitudes toward race and gender, tracing their influence on the crime, its investigation, and its punishment.

The result is a book both scholarly and absorbing – not an easy feat for any author to pull off.

What woman hasn’t desired justice for some horrible crime that a man has gotten away with? What mother wouldn’t want revenge for something done to her child?

These are the kinds of questions that swept me up in the believable “fantasy” of an underground group of women taking justice into their own hands when law enforcement and civil society fail. It’s the kind of book where I cheered for people to do very bad things for vigilante justice and only felt slightly bad about it later. It’s also a taut thriller full of believable characters. I loved every dark minute of it.

This novel masterfully blends journalism, magical realism, and detective fiction. The story is told by a narrator who returns to his town to reconstruct the events that provoked Nasar’s death. Nasar was young and wealthy and was accused of dishonoring Angele Vicario. 

Garcia Marquez explores the concept of honor in Latin American culture and how it drives individuals to commit extreme acts. The community's failure to prevent the murder highlights themes of complicity and social responsibility. I recommend this novel because of its rich details and the author’s ability to blend reality with elements of magical realism, creating a haunting and entertaining narrative. 

Not a big romance/romcom reader? No worries, Never Coming Home is the perfect poolside book for you.

This summer YA mystery/thriller follows a group of teen influencers who are invited to a hot new exclusive island, but everyone’s hiding secrets, and then people start dying. I enjoyed this book as a poolside summer read because it’s so fast-paced and intriguing that I was sucked right into the story.

It’s a summer slasher read full of twists and perfectly unlikeable characters that kept me turning pages until it was done in one sitting.

I love that a normal human being, Ig Perrish (awesome character name), wakes up one morning and notices he is physically transforming into a supernatural being. The progressive growth of the horns (excellent anatomical descriptions of their extension from the cranium) coinciding with his gradual distaste and rejection of all things Judeo-Christian is brilliant.

I also love that Joe Hill turned the idea of what a demon is on its head, that they are not inherently evil but become that way because they can detect the hypocrisy of human thought, which drives them mad. They are so mad that they want to harm the very beings that tell them one thing but believe in another. Something I believe is responsible for all that is truly evil in the natural world.