Here are 55 books that Dark Origins fans have personally recommended if you like
Dark Origins.
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I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
The first of Lovegrove’s Cthulhu Casebooks series. This was my introduction to the idea of a mash-up between classic and modern stories.
In Shadwell Shadows we see the brilliant Holmes and loyal Watson that everyone is familiar with, but Lovegrove takes the characters and shakes up their worlds.
He takes their documented histories and adds new, darker elements among the old. These are the hidden stories which Watson could never commit to paper for fear of what they would do to humanity.
What if, while pursuing Doctor Moriarity, Holmes and Watson were actually on the trail of something much older and more evil.
It is the autumn of 1880, and Dr John Watson has just returned from Afghanistan. Badly injured and desperate to forget a nightmarish expedition that left him doubting his sanity, Watson is close to destitution when he meets the extraordinary Sherlock Holmes, who is investigating a series of deaths in the Shadwell district of London. Several bodies have been found, the victims appearing to have starved to death over the course of several weeks, and yet they were reported alive and well mere days before. Moreover, there are disturbing reports of creeping shadows that inspire dread in any who stray…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
The things that I am most interested in are books that are deliciously fun to read and books that pick you up out of your comfortable chair and drag you across a fantastic landscape. What does that require? Three Ws for starters. Wit: both on the part of the characters and the author—I like smart characters, biting banter, and clever turns of phrase and story. Weird: in the sense of the unusual and mysterious—good world-building coupled with mysteries meant to be unraveled by the reader as much as by the characters. Wild: fast-paced action filled with sudden turns and unexpected drops and conversations that are three parts well-written words and two parts fencing without a blade.
When I read this at 17, I bounced off it, surprising since I'd loved every previous Zelazny. It wasn’t until a reread in my thirties that it finally clicked, becoming a favorite book by a favorite author. In retrospect, I didn’t yet have the depth of experience to see beneath the surface simplicity to the brilliantly conceived complexity visible to the reader with a bit more knowledge and breadth of literary background.
Wit shines on every page, from dialogue to description to an offbeat chapter-a-day structure highlighting each night in a most singular October.
The wild includes plenty of murder and mayhem as a cast of sorcerers that includes Dracula, Rasputin, and Burke & Hare are all colliding in a struggle for the power to shape the world through the once-a-century Lonesome October.
The weird stretches from the story of a most sympathetic serial killer to the way it's told…
"One of Zelazny's most delightful books: Jack the Ripper's dog Snuff narrates a mad game of teams to cause or prevent armageddon." NEIL GAIMAN
All is not what it seems.
In the murky London gloom, a knife-wielding gentleman named Jack prowls the midnight streets with his faithful watchdog Snuff - gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. For soon after the death of the moon, black magic will summon the Elder Gods back into the world. And all manner of Players, both human and undead, are preparing to participate.
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Okay, so maybe you didn’t exactly miss at least hearing about this novel, but many readers skip over the original Lovecraft stories as being too difficult to read which is a shame.
This is the where the elder god mythos truly began for me, the first of any Lovecraft story I ever read. Split into three sections this book is linked together around nightmares, cults, and a sleeping god.
Call of Cthulhu was where I learned that not every question in a story requires an answer, and that heroes can face overwhelming odds and lose in the end. It is bleak and the perfect introduction to this world.
One of the feature stories of the Cthulhu Mythos, H.P. Lovecraft's 'the Call of Cthulhu' is a harrowing tale of the weakness of the human mind when confronted by powers and intelligences from beyond our world.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Craft’s books are not as well known as some other Lovecraftian writers on this list, but they should be.
He takes the expected details for any Lovecraft-inspired story then turns it sideways. He weaves in an atmosphere from the hardboiled mystery writers of Lovecraft’s era, such as Dashiel Hammett and Raymond Chandler.
Cthulhu’s Minions starts a series which follows the Arkham Detective as he falls deeper into a world he never knew existed. This book taught me that a writer can take an existing world that is familiar to readers and still make it their own.
Cthulhu’s Minions, in this story, are Pilot Demons. They originally came into being in my novel “The Alchemist’s Notebook” based on my screenplay for “The Cry of Cthulhu.” They are creepy little things that became such great supporting characters (in a terrible sort of way) that I thought that they deserved their own separate story.“Cthulhu’s Minions” takes place in an alternate universe somewhat like the 1930’s when H.P. Lovecraft was writing his Cthulhu Mythos and writers like Dashiell Hammett and Raymond Chandler were creating the hardboiled mystery drama. Indeed, it is as if we are being treated to a Dashiell…
I’m a kid that grew up during the Blockbuster era. I spent a lot of time in the horror and sci-fi section, going aisle by aisle renting everything they had. Monsters were like vital nutrients to me, but it wasn’t just the monsters themselves that I found appealing. It was what they taught us about ourselves. So many good stories use monsters as a tool to tell interesting and poignant stories about humanity. Doesn’t matter if it’s a walking undead creature or an otherwordly cosmic destroyer, monsters reflect people, and I try to embody that sentiment in my own work.
HP Lovecraft created a great cast of cosmic characters, but it’s debatable that other writers have done a better job utilizing them. Cthulhu Armageddon takes Lovecraftian horror and puts an adventure spin on it. The real highlight is the book’s main character, who has to navigate this post-apocalyptic world and the various creatures within it while coming to terms with his own insecurities.
“Under an alien sky where gods of eldritch matter rule, the only truth is revenge.”
CTHULHU ARMAGEDDON is the story of a world 100 years past the rise of the Old Ones which has been reduced to a giant monster-filled desert and pockets of human survivors (along with Deep Ones, ghouls, and other “talking” monsters).
John Henry Booth is a ranger of one of the largest remaining city-states when he’s exiled for his group’s massacre and suspicion he’s “tainted.” Escaping with a doctor who killed her husband, John travels across the Earth’s blasted alien ruins to seek the life of…
I am passionate about this topic because it dates back to my childhood. I have been interested in this subject for as long as I can remember and, as far as I can tell, gravitated towards it naturally, probably due to those unknown vectors within us all that gear us towards our loves, interests, and passions. I have written many novels in this field, and countless short stories, some published, others lying around my house. For me, this genre defines the best aspects of the imagination and is full of color, fantasy, and the entire broad spectrum of human emotions, including the most potent: fear.
Perhaps my favorite author of all time is Edgar Allan Poe, but HP Lovecraft is certainly within the running of my top five, perhaps three. His fiction is predicated upon the idea that we understand very little about the nature of reality and are ourselves rather insignificant in the grand scheme of things.
This notion in and of itself is rather humbling and petrifying. Not to mention the fact that Lovecraft’s work is downright cool, rife with slime, tentacles, and other unknown and indescribable horrors from beyond the cosmic veil of outer space…and beneath the ocean, which is without a doubt the scariest place on earth.
Another fantastic edition in the Knickerbocker Classic series is The Complete Fiction of H.P. Lovecraft, comprised of the author's fictional stories featuring the world's most bizzarre creatures and supernatural thrills. Written by H.P. Lovecraft between the years 1917 and 1935, the stories in this collection feature many horrific and cautionary science fiction themes that influence today's artists like Stephen King, Alan Moore, Paul Wilson, Guillermo Del Toro, and Neil Gaiman. For Lovecraft fans worldwide, this stunning gift edition has a full cloth binding, foil blocking on the spine, ribbon marker, and is packaged neatly in an elegant slipcase. The Complete…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am a rising literary star, crafting captivating narratives that blend classic and contemporary themes. My work, like Tolkien, Lovecraft, and King, delves into the darker side of humanity and explores complex characters in intricate worlds. My unique perspective and deep understanding of storytelling make my book recommendations invaluable. I have apassion for the craft, offering insightful analysis and curating diverse reading lists. By introducing readers to classic works, I foster a deeper appreciation for the art of storytelling.
This is a chilling dive into the depths of cosmic horror. Lovecraft’s masterful storytelling and vivid descriptions transport readers to a world of ancient, otherworldly beings and unspeakable horrors.
What sets Lovecraft’s work apart is its ability to induce a sense of existential dread and cosmic insignificance. His tales explore the darkest corners of the human psyche, revealing the terrifying potential of the unknown. The titular story, The Call of Cthulhu, is a prime example of Lovecraft’s ability to craft a truly unsettling narrative.
If you dare to venture into the realm of the truly bizarre and terrifying, I highly recommend this book. Be warned, however: once you’ve encountered the cosmic horrors that lurk in the shadows, you may never look at the world the same way again.
Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback
Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition
For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin's iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps,…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Laird Barron may be the Robert E. Howard of modern horror and weird fiction—or its Dashiell Hammett. So hard-boiled you could break rocks with it, his prose is ferociously energetic, brutally unsettling, and consummately capable of crafting its own phantasmagoric world. If Melville was resurrected and took to writing plots for Quentin Tarantino, the result might be Laird Barron. The Imago Sequence is among his best collections, but almost any of them is equally strong.
To the long tradition of eldritch horror pioneered and refined by writers such as H.P. Lovecraft, Peter Straub, and Thomas Ligotti comes Laird Barron, an author whose literary voice invokes the grotesque, the devilish, and the perverse with rare intensity and astonishing craftsmanship.
Collected here for the first time are nine terrifying tales of cosmic horror, including the World Fantasy Award-nominated novella "The Imago Sequence," the International Horror Guild Award-nominated "Proboscis," and the never-before-published "Procession of the Black Sloth." Together, these stories, each a masterstroke of craft and imaginative irony, form a shocking cycle of distorted evolution, encroaching chaos, and…
I wouldn't call myself a cosmic horror expert, but I've read quite a few of the expected authors--Dunsany, Machen, Lovecraft, Blackwood, Howard, etc--and I've written novels and short fiction in the genre and have been asked to panel and talk about it for years at professional events. How can a fictional narrative contain villains so powerful that human beings have no way to understand, let alone resist them? I like exploring that impossibility in my own writing, and I feel compelled to subvert its historical legacy of colonialism and racism where I can. It is not a genre that needs reclaiming but rewriting, and it is rife with possibilities.
This book of poems is a truly unexpected combination of current pop culture, social commentary, and cosmic horror--and a hugely enjoyable read. It deals with the themes of sacrifice, thoughtless loyalty, collusion, survival, colonialism, and the very idea of the monstrous. How do we know when the forces around us are asking too much of us? How can we trust what we will get in return? How do our personal histories inform how we will respond to the void when it comes knocking? A lively, thoughtful read.
#1 New Release in Caribbean & Latin American Poetry Cthulhu meets hip-hop in this book of horror poems that flips the eldritch genre upside down. Lovecraftian-inspired nightmares are reversed as O'Brien asks readers to see Blackness as radically significant. Can You Sign My Tentacle? explores the monsters we know and the ones that hide behind racism, sexism, and violence, resulting in poems that are both comic and cosmic.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…