Here are 100 books that Cutter and Bone fans have personally recommended if you like
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I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.
The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”
The bestselling debut, with over a million copies sold, that launched Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
"Required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting." -The New York Times
Now airing as a Starz series.
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I’ve long been a fan of James Lee Burke’s novels. His lyrical and likely heartfelt descriptions of Louisiana’s land, water, and people offset and illuminate the contrasting violence. Burke acknowledges the darkness in humanity and the possibility of redemption.
Into that mix goes Dave Robicheaux, the protagonist, who had his own ups and downs. Robicheaux can read between the lines and keeps a pretty clear eye on the truth. Here’s the opening sentence of this book, Robicheaux narrating in his own way:
“Years ago, in state documents, Vachel Carmouche was always referred to as the electrician, never the executioner.”
'When James Lee Burke writes, the little birdies sing, the sun comes out and old men learn to dance again. That's how good he is. And now he's back . . . Purple Cane Road may be the finest novel Burke has written' INDEPENDENT ON SUNDAY
'At times Burke's writing and atmosphere remind one of William Faulkner; at other moments Raymond Carver. I cannot think of much higher praise that can be accorded a novel' THE TIMES
'No crime writer in America can hold a pen to Burke's mastery of style and powers of evocation and empathy' GUARDIAN 'PURPLE CANE…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
We all make choices we later have to live with. Back from war and trained as an Army ranger, Quinn Colson is the sheriff now in Tibbehah, Mississippi, and finds himself hunting an old high school friend turned arms dealer. When you open this book, it’s already flowing, a feel of which I love. It’s as if you’re not watching; you’re already in the boat and can hear the roar of the coming rapids. Colson is in motion. He’s on the hunt. Here’s the way the novel starts,
“A couple of roustabouts had been asking about guns at the Tibbehah County fair, but by the time the word had gotten back to Donnie Varner, they’d long since packed up their Ferris wheel, corn dog stands and shit, and boogied down the highway.”
When Army Ranger Quinn Colson, the new sheriff of Tebbehah County, is called out to investigate a child abuse case, what he finds is a horrifying scene of neglect, thirteen empty cribs, and a shoe box full of money. Janet and Ramon Torres seem to have skipped town - but Colson's sure they'll come back for the cash. Meanwhile, Colson's sister has returned - clean and sober for good she says. His friend Boom has been drinking himself into oblivion and picking fights at the local bar. And his old flame is pregnant.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I don’t know of anyone else who so captures time, place, and the idiosyncratic language of the moment that we tend to shake our heads at years later but is exactly right at the time. Winslow is a magician with the nuances.
Here’s how the novel opens in Laguna Beach, California.
"Is what O is thinking as she sits between Chon and Ben on a bench at Main Beach and picks out potential mates for them.
"That one?" she asks, pointing at a classic BB (Basically Baywatch) strolling down the Boardwalk."
"Chon shakes his head."
And further down,
"O was made for sunshine.'
"California girl."
I live in California. I grew up here. Winslow captures the moment. Future historians should read him.
From the New York Times bestselling author of The Cartel, The Force, and The Border
In Savages, Don Winslow introduced Ben and Chon, twenty-something best friends who risk everything to save the girl they both love, O. Among the most celebrated literary thrillers, Savages was a Top 10 Book of the Year selection by Janet Maslin in The New York Times and Stephen King in Entertainment Weekly.
Now, in this high-octane prequel to Savages, Winslow reaches back in time to tell the story of how Ben, Chon, and O became the people they are. Spanning from 1960s Southern California to…
From an early age, it became obvious there were two types of people in the world. There were those who played it safe, who sold life insurance or worked for the government, who took their kids to soccer games and dutifully hosted Thanksgiving dinner. Then there were those who were haunted and driven by inner forces they couldn’t begin to understand. After realizing that I fell into the second category, I discovered many kindred spirits who had written books. While some of them sugar-coated their stories into “page-turners” or “beach reads,” the core of human obsession was unmistakable. I resolved to explore the outer edge of that obsession.
Some of us marry our childhood sweetheart, while others carry a lifelong torch for a love that seems unattainable. For Inez Victor—married to a U.S. Senator and failed Presidential candidate, a woman who has spent her entire adult life being photographed—the memories of Jack Lovett come in and out of focus like a camera lens. For decades, the two of them nurture a fantasy that finally explodes into the open with the force of the munitions that Lovett sells to governments around the world.
From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean—a gorgeously written, bitterly funny look at the relationship between politics and personal life.
Moving deftly between romance, farce, and tragedy, from 1970s America to Vietnam to Jakarta, Democracy is a tour de force from a writer who can dissect an entire society with a single phrase.
Inez Victor knows that the major casualty of the political life is memory. But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his…
As someone who served in Iraq with the Army in 2004, I have been inspired and—in many ways—saved by the work of these American veterans who wrote before me. In their work, they showed me a path in which to write and live. While I would love to list more books, these are the ones that I’ve been going back to most recently. Beyond simply capturing “war,” all of these writers reckon with mortality, loss, longing, and love.
Micus’s poetry awed me with its beauty and precision of language. Because he published this book long after Vietnam, many of the poems confront that long “after” which comes with war: purpose, the search for community, PTSD and suicide, and moral injury.
I find myself going back to many of these poems to experience his remarkable voice.
“[Edward Micus's The Infirmary is] a rarity: a mature debut, a first book of poems with time-tested virtues. . . . Unlike many of the Vietnam poems written at the time of the war or shortly thereafter―poems of anger or protest―Edward Micus's poems are composed, in every sense of that word. They delineate and measure their subjects; they do not advocate or hector; they do not sentimentalize. Many of them, like ‘Ambush Moon' and ‘So We Shot,' will take their places among the very best war poems. . . .…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I have a strong, if contrarian, interest in modern history, Asian history in particular. I have published more than a dozen articles and book reviews on the subject, and I have taught courses on modern Asian history (China, Japan, Vietnam, India) at New York University, where I have been a professor since 1968. A brief history of my somewhat unusual academic career may be found in a 50-page memoir published via Amazon in 2020 together with an appendix containing a sampling of my short writings. It is titled Moss Roberts: A Journey to the East. The memoir but not the appendix is free via Researchgate. In addition, I have studied (and taught) the Chinese language for more than half a century, and published translations of classical works of literature and philosophy.
This work is thorough and informative on the US invasion and defeat but unlike many books on the war also provides extensive discussion of Vietnam’s long history, which dates back more than two millennia. It covers Vietnam’s contentious relations with China and France.
For many Westerners, the name Vietnam evokes images of a bloody televised American war that generated a firestorm of protest and brought conflict into their living rooms. In his sweeping account, Ben Kiernan broadens this vision by narrating the rich history of the peoples who have inhabited the land now known as Viet Nam over the past three thousand years.
Despite the tragedies of the American-Vietnamese conflict, Viet Nam has always been much more than a war. Its long history had been characterized by the frequent rise and fall of different political formations, from ancient chiefdoms to imperial provinces, from…
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
As a female journalist who has lived and worked abroad, including in sometimes unsafe situations but excluding war, I was drawn to Miller’s story about covering the Vietnam War. In 1970 young American women were not supposed to go to Vietnam. They were supposed to get married, and Miller did—to a member of the military whose job proves her ticket to Vietnam.
As one of the rare female reporters in Vietnam, Miller captured stories her male colleagues couldn’t or wouldn’t cover such as how young Vietnamese girls were often tricked into the sex trade. An outsider in the “old boys club” of news and war Miller is able to understand better than her male colleagues how the war is impacting the locals who have in some ways been made outsiders in their own country.
The year is 1970; the war in Vietnam is five years from over. The women's movement is newly resurgent, and feminists are summarily reviled as "libbers." Inette Miller is one year out of college-a reporter for a small-town newspaper. Her boyfriend gets drafted and is issued orders to Vietnam. Within their few remaining days together, Inette marries her US Army private, determined to accompany him to war.
There are obstacles. All wives of US military are prohibited in country. With the aid of her newspaper's editor, Miller finagles a one-month work visa and becomes a war reporter. Her newspaper cannot…
As a western mystery writer, rancher, veterinarian, wife, mother, farrier, horse trainer, gardener, seamstress, pilot, homeschooler, tractor jockey, and all-around hand, I conclude that every experience in life is grist for the mill leading to settings, scenery, plots, and character motivations.
In a rescue-gone-wrong, Reeder’s chopper went down, landing on its side and leaving the pilot frantically attempting to disentangle himself from the safety harness to escape the burning craft. Years later, after relaying this story to a large audience, Reeder was told by a fellow veteran that he had witnessed the incident and had Reeder in his gunsight, intending to save him from burning to death. The would-be shooter had looked away an instant, and when ready to fire, found Reeder gone. Reeder managed to evade the enemy for a time but was eventually captured and subjected to unfathomable cruelty and deprivation.
Through the Valley is the captivating memoir of the last U.S. Army soldier taken prisoner during the Vietnam War. A narrative of courage, hope, and survival, Through the Valley is more than just a war story. It also portrays the thrill and horror of combat, the fear and anxiety of captivity, and the stories of friendships forged and friends lost In 1971 William Reeder was a senior captain on his second tour in Vietnam. He had flown armed, fixed-wing OV-1 Mohawks on secret missions deep into enemy territory in Laos, Cambodia, and North Vietnam on his first tour. He returned…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As someone who served in Iraq with the Army in 2004, I have been inspired and—in many ways—saved by the work of these American veterans who wrote before me. In their work, they showed me a path in which to write and live. While I would love to list more books, these are the ones that I’ve been going back to most recently. Beyond simply capturing “war,” all of these writers reckon with mortality, loss, longing, and love.
I love these passionate and powerful poems by a former Navy SEAL who served in Vietnam.
Hood uses humor, wit, and an attention to the world—both in combat and back home—that’s unlike much “war” poetry out there. He takes us into what he calls “the dark of the word” and brings us out to the light.
