Books like Cultural Semantics and Social Cognition

This seventeenth-century offering is where the famous Molyneux Man first appears in the form of a question: If a man born blind and capable of distinguishing a cube from a sphere by touch, was suddenly made to see, would he be able to distinguish the two objects by sight alone? The answer was a resounding “no!” Just as we must learn to read, we must learn to see, gradually building up connections between our sense of touch and our sense of sight. This was a revelation to me when I encountered it as a person going blind and learning to not-see. If humans are not exactly born blank slates, we are certainly unfinished ones, whose environments and education supply us with knowledge and brain power to perceive the world.

This book takes the reader back to another speech world, that of 16th and 17th century English, albeit one on which we have some purchase through the plays of William Shakespeare. Where someone today may hedge their words with I suppose or probably, people in this time peppered their speech with expressions conveying certainty like verily and forsooth. This contrast represents the ethos of truth and faith that reigned at this time before it was replaced by a modern spirit of epistemic detachment ushered in by the British enlightenment. Yet a by my troth was not interchangeable with a by my faith, and each chapter of the book opens the door on the specifics of an epistemic expression in 16th and 17th century English through colourful examples, cultural evidence and a statement of its meaning. I love this book.

This is a pioneering book which raises some fundamental questions about nouns and the concepts that they embody—not abstract nouns, but concrete nouns like ‘brother’, ‘angel’, ‘bee’, ‘foot,’ and ‘pond’? How can we study and compare such concepts across languages in a truly meaningful way that does not privilege the categories of one language over those in other languages? This collective volume seeks to provide answers to these questions and show how in-depth meaning analysis, anchored in a cross-linguistic and cross-domain perspective, can lead to unexpected insights into the common and particular ways in which speakers of different languages conceptualise, categorise and order the world around them. Many languages are included in the volume, including Arabic, Chinese, French, Hebrew, and the Papuan language Koromu.

Minimal languages are based on words which are clear, accessible and easy-to-translate. This book presents a diverse and fascinating range of studies, illustrating this new approach to meaning and communication. The authors show, how they are putting minimal languages into service; for example, to help language learners understand the invisible culture behind French or Korean ways of speaking; to improve “easy language” materials for people with linguistic and cognitive troubles; to inform better health communication about cancer or COVID-19. One of my favourite chapters shows how a pediatric tool for assessing mother-infant emotional connection was adapted into simply-worded versions in English, Finnish, Chinese, and four other languages.

Danish parenting advice is the best thing to come out of Denmark since hygge and in this book, authors Jessica Joelle Alexander and Iben Sandahl explain why. Stressing emotional health, free play, and – of course – hygge, The Danish Way of Parenting makes a strong case for a more empathetic way of raising children than the old school authoritarian style and gives parents practical tools to avoid yelling and spanking. A modern parenting classic with a decidedly Scandinavian flavor.

Since I’ve traveled a lot above the Arctic Circle, I relish a good Nordic noir.

Smilla, part Greenlander and part Dane travels from Copenhagen back to Greenland on a quest for truth about a brutal death deemed an accident.

The gripping ending included elements I found fascinating, Inuit culture, human evil, and extreme weather. 

I loved the character of Harald Olufsen, an 18-year-old reluctant spy. The characters' interactions, a blend of cooperation and conflict, created a narrative of brinksmanship that thrilled me. The author's use of suspense in an adventure story held me spellbound.

Among countless war stories, this small one provided a fresh perspective that I found engrossing. Follett is an acknowledged master of historical fiction, but this book is my favorite of all his works.

When I think of Kierkegaard, his story with Regina Olsen, his fiancée, always comes to mind.

What happened during and after their courtship will forever mark the life and work of an author who is considered by many to be the father of existentialism and a key figure in understanding the crisis of modernity in which we are immersed.

Philosopher of the Heart is not just a biography; it's a philosophical exploration that invites readers to engage with Kierkegaard's questions about our individual existence and the search for meaning. 

I enjoyed reading about the courage the young protagonist, Annemarie, had and her determination to keep her best friend safe.

Lowry’s lyrical words put you in the moment and make you feel part of that world. I learned a lot about what WWII looked outside Germany, how people reacted to it, and how many outwitted the enemy. 

While Snorri wrote in his native Old Norse in Iceland, unbeknownst to him, a Danish writer remembered as Saxo the Grammarian ('Grammaticus') was writing a monumental history of the Danish kingdom in Latin. Since the old gods were held to be the ancestors of the royal families of medieval Scandinavia, Saxo spends quite a bit of time in the first nine books of 'The History of the Danes' retelling their stories. Many fans of Norse mythology who read the Eddas still never approach Saxo's work, which in fact has been mined in recent centuries for many rich details that are preserved nowhere else. Like Snorri, Saxo tries to "rationalize" the old gods into becoming misguided or deceitful human beings from the distant past, and he does a more thorough job of it, but even through this veneer, it is hard not to recognize the same characters that we know from… show more.