Here are 100 books that Cruising Utopia fans have personally recommended if you like
Cruising Utopia.
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I have always loved history, ever since my childhood obsessions with Boudica, Anne Boleyn, and the witch trials. I love exploring different historical periods through literature, as books can help us develop real feelings of connection and empathy with people who lived in times and places very different from our own. I like to think that, in turn, this encourages us to be more empathetic with others in our own time. Since coming out as lesbian when I was 14, I have read a great deal of queer fiction, seeking to immerse myself in my own queer heritage and culture.
Jordy Rosenberg does something clever and innovative with the historical fiction genre and reimagines the historical figure of Jack Sheppard as a transgender man. This is a bit of a two-for-one as there’s also the metatextual story, told through footnotes, of a contemporary trans academic who comes across the ‘confessions’ of Jack. It’s playful, knowing, and slippery. It made me think a lot about the nature of history and what we project onto the people of the past. It pairs beautifully with the Bad Gays podcast.
I’ve never been to the marsh and fenlands of East England, but the descriptions of them in this book have made me really want to visit them!
Finalist for the Lambda Literary Award, 2019 Finalist for the Publishing Triangle Award, 2019
A New Yorker Book of the Year, 2018 A Huffington Post Book of the Year, 2018 A Buzzfeed Book of the Year, 2018
'Quite simply extraordinary... Imagine if Maggie Nelson, Daphne du Maurier and Daniel Defoe collaborated.' Sarah Perry, author of The Essex Serpent
Jack Sheppard - a transgender carpenter's apprentice - has fled his master's house to become a notorious prison break artist, and Bess Khan has escaped the draining of the fenlands to become a revolutionary mastermind. Together, they find themselves at the center…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
This book fundamentally reshaped my notion of how biography–especially biographies of women–can be written. Shapland felt intimately connected to McCullers as a person and as a writer and also had an inkling there was more to her personhood than previous biographical treatments suggest.
By inhabiting McCullers’s spaces and putting herself in proximity to the writer’s material past, Shapland demonstrates the ways in which convention has limited both the stories we tell and, thus, the possibilities we can envision for our lives as women.
Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award
Finalist for the National Book Award
Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction
How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.
Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a…
I am a queer transgender woman living in the Appalachian South. When I moved here in 2015 I threw myself into doing community-based LGBTQ history. I co-founded the Southwest Virginia LGBTQ+ History Project, an ongoing queer public history initiative based in Roanoke, Virginia. As a historian and an avid reader, I am fascinated by how queer and trans people think about the past, how we remember and misremember things, and what role historical consciousness plays in informing the present and future.
Trans sci-fi? Yes, please. This delightful collection of short stories—which I have read twice now—consistently wows with its relatable queer and trans body-suffering, body-shifting protagonists. It is not so much a book about queer futures as it is a futurist rendering of the past twenty years, including climate disaster, endless wars, gentrification, digital subcultures, and a bit of high school nostalgia. A trans gay boy enters a portal in the woods; a young menstruating person pulls a screwdriver from their vagina; job opportunities on the moon entice anti-capitalist, ennui-filled teenagers. If Muñoz imagined queerness as a utopian space-time rupture, Jarboe reminds us that our queer dystopia is inescapably here. We wrestle now in our flesh in this fucked-up world.
Winner of the 2021 Lambda Literary Award for LGBTQ Science Fiction/Fantasy/Horror, this collection of body-horror fairy tales and mid-apocalyptic Catholic cyberpunk, memory and myth, loss and age, these are the tools of storyteller Jarboe, a talent in the field of queer fabulism. Bodily autonomy and transformation, the importance of negative emotions, unhealthy relationships, and bad situations amidst the staggering and urgent question of how build and nurture meaning, love, and safety in a larger world/society that might not be "fixable."
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I am a queer transgender woman living in the Appalachian South. When I moved here in 2015 I threw myself into doing community-based LGBTQ history. I co-founded the Southwest Virginia LGBTQ+ History Project, an ongoing queer public history initiative based in Roanoke, Virginia. As a historian and an avid reader, I am fascinated by how queer and trans people think about the past, how we remember and misremember things, and what role historical consciousness plays in informing the present and future.
Somewhere in their fourteen-page digression on the 18th-century non-binary American prophet Universal Publick Friend did I realize—once again—that I was nearly done with T Fleischmann’s enchanting book-length essay on transness, time, and art. I have read it three times! As a trans person, I love this book for its meditations on the transitioning body and its sexy tales of intimate encounters. It also offers a critical engagement with the artist Felix Gonzalez-Torres’s work, as well as a memoir of discovery that, like Fleischmann themself, bounces from New York City to rural Tennessee and back again, charting a geography of queer friendship and memory.
How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzales-Torres's artworks-piles of candy, stacks of paper, puzzles-as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity…
Anime and manga have always been the biggest influences on my own writing, from the drastic tonal shifts and bizarre scenarios to the frenetic pacing and strange characters. Underdogs fighting tooth and nail against increasingly overwhelming foes in a perpetual struggle to take the slightest step forward—those are the characters I relate to, the stories I want to tell.
Through a masterfully balanced blend of straightforward and poetic prose, the late counter-cultural figure Izumi Suzuki depicts raw humanity against proto-cyberpunk landscapes.
People are transplanted into others’ dreams, interstellar border politics are navigated by junkies, and aliens roleplay as human in a world left to ruin. The mix of high emotion and high weirdness that makes the best anime is present in every story of this book.
On a planet where men are contained in ghettoised isolation, women enjoy the fruits of a queer matriarchal utopia -- until a boy escapes and a young woman's perception of the world is violently interupted. Two old friends enjoy cocktails on a holiday resort planet where all is not as it seems. A bickering couple emigrate to a world that has worked out an innovative way to side-step the need for war, only to bring their quarrels (and something far more destructive) with them. And in the title story, Suzuki offers readers a tragic and warped mirroring of her own…
When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.
The Manuels give an exhaustive but very readable history of utopian thought from the Renaissance (Thomas More) to Marxism, with backward glances to ancient Judaic and Hellenic cultures. This book explains how and why utopias have been central to Western thought, showing how the utopias of one age seem dystopian in another age (or even their own), presented in wry prose that draws readers into the story.
This masterly study has a grand sweep. It ranges over centuries, with a long look backward over several millennia. Yet the history it unfolds is primarily the story of individuals: thinkers and dreamers who envisaged an ideal social order and described it persuasively, leaving a mark on their own and later times.
The roster of utopians includes men of all stripes in different countries and eras--figures as disparate as More and Fourier, the Marquis de Sade and Edward Bellamy, Rousseau and Marx. Fascinating character studies of the major figures are among the delights of the book.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I love our planet. That’s the long and short of it. I have stretched belly-down upon the earth and hugged this whole world as if it is an extension of myself, or I am an extension of it. We are one, as I think we all are, with this world that is our home. After receiving my Master's in Nature Study and Environmental Education, I taught grade school for many years, spending as much time outside with the students as I could. At the same time, I have been writing stories and loving nature, loving our world, and working on stewardship. Eco-fantasy is a genre that just seems natural to this mission.
This was one of the first books to open my mind to the possibility of a country that would put social responsibility and ecological sustainability at the forefront of its goals.
Ernest Callenbach’s story is told through the journalist reports and personal writings of William Weston, who visits Ecotopia to report on this unique country, originally the Pacific Northwest and Northern California.
I love how Weston’s skepticism turns toward understanding. He eventually embraces what Ecotopia stands for and decides to live there himself to be a conduit of connection to the world outside of Ecotopia.
I was so moved by how a fictional story could so illuminate our own fears, our own hopes, and the possibilities of our future, that my own writing turned toward eco-fantasy after reading this book.
Twenty years have passed since Northern California, Oregon, and Washington seceded from the United States to create a new nation, Ecotopia. Rumors abound of barbaric war games, tree worship, revolutionary politics, sexual extravagance. Now, this mysterious country admits its first American visitor: investigative reporter Will Weston, whose dispatches alternate between shock and admiration. But Ecotopia gradually unravels everything Weston knows to be true about government and human nature itself, forcing him to choose between two competing views of civilization.Since it was first published in 1975, Ecotopia has inspired readers throughout the world with its vision of an ecologically and socially…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
This, and its sequel, is truly one of the strangest books I’ve ever read. It’s a punk rock road trip following Danielle Cain as she struggles to deal with the grief of losing her best friend while also going up against some truly bizarre characters and creatures in a utopian squatter town called Freedom. I loved the raw and unapologetic attitude of the main protagonist and the diversity of the supporting cast. This book is dark and brooding, fun and poignant in equal measure. It’s a paranormal riot and I loved every minute of it, and the follow up called The Barrow Will Send What It May.
Danielle Cain is a queer punk rock traveller, jaded from a decade on the road. Searching for clues about her best friend's mysterious and sudden suicide, she ventures to the squatter, utopian town of Freedom, Iowa. All is not well in Freedom, however - things went awry after the town's residents summoned a protector spirit to serve as their judge and executioner. Danielle shows up in time to witness the spirit - a blood red, three antlered deer - begin to turn on its summoners. Danielle and her new friends have to act fast if they're going to save the…
At one point in my life, I took Ph.D. classes in the morning, taught philosophy in the afternoon, and tended bar at night. I was always working, and money was tight. Then, one day at a faculty meeting, my colleagues and I discussed developing an appealing new course. I suggested one on the philosophy of work and ended up teaching it and writing my dissertation on work and moral values. I loved teaching the class to the part-time students. They came to class straight from work and shared their experiences. Those students taught me more about work than any book in the library. Years later, I wrote The Working Life.
This is a wise and witty philosophical reflection on the meaning of games and life. Suits asks: If we didn’t ever have to work again, would we have to replace work with things like the housebuilding game or the lawyer game? If so, would the game about work satisfy the need to work?
In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. "Nonsense," said the sensible Bernard Suits: "playing a game is a voluntary attempt to overcome unnecessary obstacles." The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Through the jocular voice of Aesop's Grasshopper, a "shiftless but thoughtful practitioner of applied entomology," Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a central part of the ideal…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’ve spent my life obsessed with utopias, knowing from a young age that the human world is unnecessarily cruel. Utopias aren’t a delusion, nor a destination; they’re navigation tools. As an activist-researcher on climate, new economics, and mental health, I experiment with practical routes to radically better worlds. It’s a prefigurative stroke of luck that the pleasure and connection we long for are vital for creating radical change. I nearly died in 2019, after a suicide attempt tied to the dire state of the world. Rebuilding myself, including learning to walk after losing both of my legs, forced an epistemological and ontological reckoning. Now, I’m more realistically hopeful than ever.
I was recommended this book as a teenager by someone I deeply respect and admire. I’ve come back to it a lot, most recently from a hospital bed with an epidural in my spine. I think the book lifted more pain then than the drip.
Resurrection was the last novel Tolstoy wrote and it led to his excommunication from the Russian Orthodox Church. It’s a complex quasi-love story about a beautifully flawed protagonist’s struggle to give away all the land he owns out of a tangle of duty, guilt, and a wide-eyed love for his fellow human.
In 19thC Russia, that’s extremely complicated: economically, socially, ethically, spiritually. It’s about why anyone can claim to ‘own’ anything, what fairness looks like to different people, and whether it’s possible to enjoy life while rampantly battling to perfect yourself (short answer: no).
The novel plays out on vast tracts of peasant-farmed land, dank,…
This powerful novel, Tolstoy's third major masterpiece, after War and Peace and Anna Karenina, begins with a courtroom drama (the finest in Russian literature) all the more stunning for being based on a real-life event. Dmitri Nekhlyudov, called to jury service, is astonished to see in the dock, charged with murder, a young woman whom he once seduced, propelling her into prostitution. She is found guilty on a technicality, and he determines to overturn the verdict. This pitches him into a hellish labyrinth of Russian courts, prisons and bureaucracy, in which the author loses no opportunity for satire and bitter…
