Here are 100 books that Crow Lake fans have personally recommended if you like
Crow Lake.
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I grew up on the wild island of Tasmania. I saw the Vietnam War on TV, then went to a farm my father was ‘developing.’ It felt like war. The natural beauty that I’d once played in was destroyed by machines, poisons, and fire. During agricultural college in mainland Australia, I recognized an absence of reverence for Mother Nature. Women were missing from the rural narrative that increasingly held an economics-only mindset when it came to food. I’m a co-founder of Ripple Farm Landscape Healing Hub–a 100-acre farm we’re restoring to natural beauty and producing loved meat and eggs for customers. And I’m a devoted mum, shepherd, and working dog trainer.
Divine, divine, divine! This novel taught me so much about the landscape in Appalachia. The female characters were rich and deep. Running throughout the story was the thread of women standing for farming systems that partner with nature versus male characters who want to dominate or decimate.
It was musical and mystical, and I just adored being transported to the cabin in the woods and the rich gardens of the women who knew how Mama Earth rolls. There was also a wonderful exploration of female desire. It was lush and leafy, and I’m so grateful to Barbara for writing this book
It is summer in the Appalachian mountains and love, desire and attraction are in the air. Nature, too, it seems, is not immune. From her outpost in an isolated mountain cabin, Deanna Wolfe, a reclusive wildlife biologist, watches a den of coyotes that have recently migrated into the region. She is caught off guard by a young hunter who invades her most private spaces and interrupts her self-assured, solitary life. On a farm several miles down the mountain, Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself marooned in a strange place where she must declare or…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
This is by far my favorite novel by John Grisham. I loved that he delivered a sensational narrative of Luke Chandler, the son of a poor cotton farmer. The boy must learn to deal with life faster than a seven-year-old should ever have to, as life on the farm comes with many obstacles and plenty of secrets he must manage to juggle.
It is masterfully told, and the life as Luke sees it is well depicted. I recommend this highly.
#1 NEW YORK TIMES BESTSELLER • Until that September of 1952, Luke Chandler had never kept a secret or told a single lie. But in the long, hot summer of his seventh year, two groups of migrant workers — and two very dangerous men — came through the Arkansas Delta to work the Chandler cotton farm. And suddenly mysteries are flooding Luke’s world.
A brutal murder leaves the town seething in gossip and suspicion. A beautiful young woman ignites forbidden passions. A fatherless baby is born ... and someone has begun furtively painting the bare clapboards of the Chandler farmhouse,…
I’ve always loved unreliable narrators and how they place us as readers into the role of detectives, piecing the "truth" of a story together. The narrators I’ve picked below vary in their intent: some deliberately deceive, and others do so unconsciously or through omission. In several, the twist hinges on the use of an unreliable narrator, while in others, narrative unreliability poses a moral dilemma for the reader. In a few, an added layer of unreliability emerges: the narrator’s perception is distorted by technology. In an age of AI, simulations, and deep fakes, the unreliable narrator is arguably more needed than ever, holding a mirror up to the unreliability of our own world.
I recently discovered Reid’s writing and I love the slow literary suspense of Foe, his twist relying upon an unreliable first-person narrator.
Farmer Junior is selected by lottery as a possible candidate for an off-world workforce colonising space. The narrative takes place on earth, however, and it is a domestic portrait of a marriage as much as it is science fiction. Junior is a transparent and sincere narrator. His unreliability comes from what he himself does not know and his hazy memory of his own past. ("Everything blends into a nebulous fog.")
His narrative reveals more than he realises, including through his treatment of a horned beetle in their closet. As with the best fiction, it holds a mirror up to our own humanity.
“Foe is a tale of implacably mounting peril that feels all the more terrifying for being told in such a quiet, elegantly stripped-down voice. Iain Reid knows how to do ‘ominous’ as well as anyone I’ve ever read.” —Scott Smith, author of The Ruins and A Simple Plan
A taut, psychological mind-bender from the bestselling author of I’m Thinking of Ending Things.
We don’t get visitors. Not out here. We never have.
In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow.
This was one of my favorite books as a kid. One of the things I loved about it was that it featured a regular girl with no special abilities embarking on a grand adventure.
I could easily relate to Rose Larkin and imagine myself in her shoes. I was captivated by the simple way Rose entered the new world—stepping into her aunt’s root cellar and traveling back in time to Civil War-era United States.
As a kid, I loved that Rose brought modern money with her and that just a little bit was enough to purchase quite a lot in the 1860s. I also appreciated the little historical details, like how everyone in the past assumed Rose was a boy just because she had short hair and wore jeans.
The Root Cellar thrilled my eleven-year-old heart and was such a fun way to explore another time and place.
It looked like an ordinary root cellar—and if twelve-year-old Rose hadn’t been so unhappy in her new home, where she’d been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn’t, she never would have climbed up into another century, the world of the 1860s, and the chaos of the Civil War.
“Melds past and present neatly . . . suspenseful.”—Publishers Weekly
I am a novelist who loves stories that express deep emotions and life-changing experiences, suspenseful stories that explore how humankind responds to tragedy, to heartache, and to joy, so that is what I write. My stories don’t come from me; they come through me. I often listen to scene-setting music full blast over and over again as scenes form in my head and the words pour onto the page. I don’t write my stories in order. I usually know the beginning and end, but I write whatever scene I “see” and then arrange them in the right order when I’m done.
Christian Schwarz deftly creates a rising tension between two sisters who are torn apart by secrets. Ruth gradually pieces together memories from her childhood, bringing the story to a climax when her secrets are revealed and the consequences come to pass. This story was one I read and studied multiple times during my journey to publication.
'POWERFUL . . . SUSPENSEFUL . . . RICHLY TEXTURED . . . [A] CHILLING, PRECOCIOUSLY GOOD START TO A BRIGHT NEW NOVELIST'S CAREER' New York Times
'[A] gripping psychological thriller . . . In the winter of 1919, a young mother named Mathilda Neumann drowns beneath the ice of a rural Wisconsin lake. The shock of her death dramatically changes the lives of her daughter, troubled sister, and husband . . . The narrative gradually and tantalizingly reveals the dark family secrets and the unsettling discoveries that lead to the truth of what actually happened the night of the…
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
The main character, Robert was so relatable to me as he played around his family’s farm and I loved all of the beautiful descriptions of the countryside and surrounding farmland.
I fell in love with him even more when he got to keep the piglet. I could feel the pure joy of watching their bond grow. I was brought back to my own childhood and fully immersed in the setting, the characters, and the way that childhood decisions and perspective can be robbed from you in one day.
Originally published in hardcover in 1972, A Day No Pigs Would Die was one of the first young adult books, along with titles like The Outsiders and The Chocolate War. In it, author Robert Newton Peck weaves a story of a Vermont boyhood that is part fiction, part memoir. The result is a moving coming-of-age story that still resonates with teens today.
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This exquisitely written, dark saga of family intrigue is worth reading over and over, and I do.
The protagonist’s devotion to family and the land that feed her, both physically and emotionally, is rich and consuming.
Events are seen from her point of view and her antagonist’s, giving opposing slants that generate an exquisite tension throughout the book.
This story was instrumental in my education as a writer, as was the author, both showing the use of deep interiority in every character, and a setting that made me live within the story.
Enidina Current and Mary Morrow live on neighboring farms in the flat, hard country of the upper Midwest during the early 1900s. This hardscrabble life comes easily to some, like Eddie, who has never wanted more than the land she works and the animals she raises on it with her husband, Frank. But for the deeply religious Mary, farming is an awkward living and at odds with her more cosmopolitan inclinations. Still, Mary creates a clean and orderly home life for her stormy husband, Jack, and her sons, while she adapts to the isolation…
Linda is an award-winning author and travel enthusiast. Her two-book memoir series, French Illusions, is based on her diaries from 1979 and 1980. She has completed an adaption of these books into a screenplay and is currently seeking representation. Originally from Seattle, Linda now resides in Saint Petersburg, Florida with her longtime husband near her youngest daughter and grandchildren. To this day, she tells people that she is thankful for her storybook life.
Written in an engaging style, A Long Way from Paris centers on a young women's experiences living with a small family and working as a goat herder in southern France in 1980. Elizabeth soon discovers that it is hard work dealing with the animals, especially during the frigid winter months. The language barrier between her and the family adds an unwelcome layer of complexity to an already challenging experience.
In this searing, authentic memoir, Elizabeth is hired to herd goats on a remote mountain farm in the South of France where she carves out a life for herself without heat, running water, or even a good grasp of French. Far from her younger life as a New England preppie and Oregon hippie, the challenges of farm work daunt her. She befriends an Australian shepherd, reflects on her spirituality, and muses on the man she left behind. As she grows stronger, Elizabeth faces her self-doubt while maintaining her humor, eking fun wherever she can. When tragedy strikes Elizabeth's adopted family,…
I’m the youngest of five, and my siblings are what shaped me and my world. Growing up, I never felt alone, except climbing the stairs to bed half an hour before anyone else (such an injustice!). We played cards and games and had noisy discussions throughout my childhood and youth, and we still do. I wouldn’t be me without siblings. It’s the relationship that most fascinates me. There are siblings in all the books I’ve written and probably in all the books I’ll ever write. It’s not a theme I look for when I read, but I recognize the feeling when I encounter it and it feels like home.
I just read this book—it’s been in my TBR pile since 2004—and it’s why I chose the theme of siblings. I loved the voice of this novel, the narrator’s young outsider perspective, her humour and heart—Daisy is such an unexpected character to tell a war story through. But what I loved most about the book is the sibling vibe in the house of her cousins. Edmond, Piper, Osbert, and Isaac—each of them is who she/he is because of their siblings. You could remove one from the plot (well, not Edmond!) but the others wouldn’t be themselves anymore. We feel that through Daisy’s thin bones: these people belong to each other, and maybe she could belong there too.
How I Live Now is an original and poignant book by Meg Rosoff
How I Live Now is the powerful and engaging story of Daisy, the precocious New Yorker and her English cousin Edmond, torn apart as war breaks out in London, from the multi award-winning Meg Rosoff. How I Live Now has been adapted for the big screen by Kevin Macdonald, starring Saoirse Ronan as Daisy and releases in 2013.
Fifteen-year-old Daisy thinks she knows all about love. Her mother died giving birth to her, and now her dad has sent her away for the summer, to live in…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
My first animal story, Lost in the Snow, was based on stories that my mum and I invented together when I was very small, about our stray cat Rosie. She walked into my dad’s office and sat down in his chair when he was out at lunch! I loved imagining her adventures as a stray kitten, and those stories could be scary, sad, emotional as anything – because we knew she came home to live safe and happy with us. I’ve been creating stories about animals ever since.
I loved Betsy Byars’s books growing up. Being English, these American childhoods were so fascinatingly different! The Midnight Fox is a funny, bittersweet story of city boy Tom falling in love with the wildlife of the forest – and most of all with the beautiful midnight fox and her cub. But by making them more familiar with humans, he ends up attracting them closer to the farm and putting them in danger – it’s such a heartbreaking, beautiful book.
The Midnight Fox is an atmospheric and heartfelt story, and one of Betsy Byars' best-loved classics.
And then, this afternoon,' Uncle Fred said to me, 'you and I'll go after the fox.'
Tom, a town boy, is horrified when his parents tell him he has to stay on Aunt Millie's farm while they are away. He finds country life every bit as strange and uncomfortable as he feared. But soon, he discovers a rare black fox with green eyes, living with her cubs in the forest. Suddenly, the summer is full of excitement. That is, until Uncle Fred decides to…
