Here are 100 books that Crow Lake fans have personally recommended if you like
Crow Lake.
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I grew up on the wild island of Tasmania. I saw the Vietnam War on TV, then went to a farm my father was ‘developing.’ It felt like war. The natural beauty that I’d once played in was destroyed by machines, poisons, and fire. During agricultural college in mainland Australia, I recognized an absence of reverence for Mother Nature. Women were missing from the rural narrative that increasingly held an economics-only mindset when it came to food. I’m a co-founder of Ripple Farm Landscape Healing Hub–a 100-acre farm we’re restoring to natural beauty and producing loved meat and eggs for customers. And I’m a devoted mum, shepherd, and working dog trainer.
Divine, divine, divine! This novel taught me so much about the landscape in Appalachia. The female characters were rich and deep. Running throughout the story was the thread of women standing for farming systems that partner with nature versus male characters who want to dominate or decimate.
It was musical and mystical, and I just adored being transported to the cabin in the woods and the rich gardens of the women who knew how Mama Earth rolls. There was also a wonderful exploration of female desire. It was lush and leafy, and I’m so grateful to Barbara for writing this book
It is summer in the Appalachian mountains and love, desire and attraction are in the air. Nature, too, it seems, is not immune. From her outpost in an isolated mountain cabin, Deanna Wolfe, a reclusive wildlife biologist, watches a den of coyotes that have recently migrated into the region. She is caught off guard by a young hunter who invades her most private spaces and interrupts her self-assured, solitary life. On a farm several miles down the mountain, Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself marooned in a strange place where she must declare or…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
This is by far my favorite novel by John Grisham. I loved that he delivered a sensational narrative of Luke Chandler, the son of a poor cotton farmer. The boy must learn to deal with life faster than a seven-year-old should ever have to, as life on the farm comes with many obstacles and plenty of secrets he must manage to juggle.
It is masterfully told, and the life as Luke sees it is well depicted. I recommend this highly.
#1 NEW YORK TIMES BESTSELLER • Until that September of 1952, Luke Chandler had never kept a secret or told a single lie. But in the long, hot summer of his seventh year, two groups of migrant workers — and two very dangerous men — came through the Arkansas Delta to work the Chandler cotton farm. And suddenly mysteries are flooding Luke’s world.
A brutal murder leaves the town seething in gossip and suspicion. A beautiful young woman ignites forbidden passions. A fatherless baby is born ... and someone has begun furtively painting the bare clapboards of the Chandler farmhouse,…
I’ve always loved unreliable narrators and how they place us as readers into the role of detectives, piecing the "truth" of a story together. The narrators I’ve picked below vary in their intent: some deliberately deceive, and others do so unconsciously or through omission. In several, the twist hinges on the use of an unreliable narrator, while in others, narrative unreliability poses a moral dilemma for the reader. In a few, an added layer of unreliability emerges: the narrator’s perception is distorted by technology. In an age of AI, simulations, and deep fakes, the unreliable narrator is arguably more needed than ever, holding a mirror up to the unreliability of our own world.
I recently discovered Reid’s writing and I love the slow literary suspense of Foe, his twist relying upon an unreliable first-person narrator.
Farmer Junior is selected by lottery as a possible candidate for an off-world workforce colonising space. The narrative takes place on earth, however, and it is a domestic portrait of a marriage as much as it is science fiction. Junior is a transparent and sincere narrator. His unreliability comes from what he himself does not know and his hazy memory of his own past. ("Everything blends into a nebulous fog.")
His narrative reveals more than he realises, including through his treatment of a horned beetle in their closet. As with the best fiction, it holds a mirror up to our own humanity.
“Foe is a tale of implacably mounting peril that feels all the more terrifying for being told in such a quiet, elegantly stripped-down voice. Iain Reid knows how to do ‘ominous’ as well as anyone I’ve ever read.” —Scott Smith, author of The Ruins and A Simple Plan
A taut, psychological mind-bender from the bestselling author of I’m Thinking of Ending Things.
We don’t get visitors. Not out here. We never have.
In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow.
This was one of my favorite books as a kid. One of the things I loved about it was that it featured a regular girl with no special abilities embarking on a grand adventure.
I could easily relate to Rose Larkin and imagine myself in her shoes. I was captivated by the simple way Rose entered the new world—stepping into her aunt’s root cellar and traveling back in time to Civil War-era United States.
As a kid, I loved that Rose brought modern money with her and that just a little bit was enough to purchase quite a lot in the 1860s. I also appreciated the little historical details, like how everyone in the past assumed Rose was a boy just because she had short hair and wore jeans.
The Root Cellar thrilled my eleven-year-old heart and was such a fun way to explore another time and place.
It looked like an ordinary root cellar—and if twelve-year-old Rose hadn’t been so unhappy in her new home, where she’d been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn’t, she never would have climbed up into another century, the world of the 1860s, and the chaos of the Civil War.
“Melds past and present neatly . . . suspenseful.”—Publishers Weekly
I grew up in a farming community where everyone understood where our food comes from; we were all either farmers or related to farmers. I’ve since discovered that is not the case everywhere. Many kids honestly believe our food comes from grocery stores. Those that have been told our food is grown, are still unfamiliar with the extent of our reliance on agriculture—not just for food, but clothing; building and cleaning supplies; sports equipment; fuel; and so much more! They also don’t understand the amount of time and hard work (even technology) required to grow, harvest, and process the plants used to create their favorite foods. Hopefully these books—mine included—will help.
Written for slightly older readers, I love the browsable format of this nonfiction title. It makes the information accessible to lots of different reading and interest levels.
Want to know what machines modern farmers use? Check out the “springtime chapter” Farm Machinery. Want to know about the animals you saw at the county fair? Check out the “summertime chapter” Heading to the County Fair. Interested in orchard farming? Read each season’s chapter dedicated to orchard farming to learn how your favorite fruits are grown throughout the year.
Spot illustrations help break up the text and give readers, who may not be familiar with agricultural terms or phrases, the context they need to understand the information.
Where does our food come from? What role do farms play? What's it like to be a farmer? In this charmingly illustrated book, follow a farm throughout the year to discover how the farmer grows fresh and tasty food for us to eat in a sustainable and natural way.
Explore the workings of a small-scale, organic family farm and experience the rhythm of farm life. In the spring, visit the chicken coop, till the fields and tour the farm machinery. When summer comes, plant corn, meet the pollinators and head to the county fair. In the fall, make pies and…
I was a military spouse for 26 years. My husband was stationed at MCAS Cherry Point NC and MCB Camp Lejeune NC, both for two years. We (he and I and our four children) lived on the base. He also served two tours in Vietnam, just like Doreen’s husband, and also at Headquarters, Marine Corps later. The fictional Marine base and town where this takes place is modeled after Camp Lejeune and the adjacent town. I did see the same sign welcoming us to Klan country, on Easter Sunday morning 1972 and have never forgotten it. I also knew Queenie’s counterpart. This novel is in no way autobiographical—I was never as brave as Doreen.
Mudbound is about post-WWII in the Jim Crow south. It tells the stories of two returning soldiers in a muddy farm setting. I was raised on a dairy farm with plenty of mud, so I easily identified with the setting. The situation of the two men, one White, one Black, and their families' struggles, physically with the constant mud, and emotionally with the politics of both the era and the place, were graphic. It was a book that was difficult to put down and also difficult to read. In ways I was reminded of 12 Years A Slave.
NOW A MAJOR MOTION PICTURE STARRING CAREY MULLIGAN, GARRETT HEDLUND & MARY J. BLIGE
When Henry McAllan moves his city-bred wife, Laura, to a cotton farm in the Mississippi Delta in 1946, she finds herself in a place both foreign and frightening. Henry's love of rural life is not shared by Laura, who struggles to raise their two young children in an isolated shotgun shack under the eye of her hateful, racist father-in-law. When it rains, the waters rise up and swallow the bridge to town, stranding the family in a sea of mud.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
James D. Houston is an underrated California novelist, and Continental Drift is his best book.
I love this story of a family trying to re-establish a life in a world haunted by the aftermath of the Vietnam War and threatened by a string of inexplicable murders.
Houston’s descriptions of the land rival Steinbeck’s, and he situates the family’s home on the legendary San Andreas Fault—symbolically invoking the potential for disaster that lurks beneath the fertile soil.
The San Andreas Fault is both a real and a metaphorical player in this novel of northern California in the early 70s. Set on a ranch near Monterey Bay, it explores relationships in a family jarred by the return of a son from Vietnam, almost whole but shaken and confused. His return coincides with a series of bizarre killings that panic the community a reminder that in the legendary land of promise abundant possibilities and agents of destruction live side by side.
History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.
Unlike the novels of warfare and suffering, The Moonflower Vine is an intimate portrait of family life, set in 1920s Missouri. It was a bestseller when it was first published in the early 1960s, but has since suffered neglect. But it richly rewards the reader with its heartfelt depiction of three sisters and their aging parents, whose passions, aspirations, and failures are portrayed with complex sensitivity. I don’t think historical novels have to focus on historical events – capturing the spirit of an era is just as important. And this novel took me into rural life of a hundred years ago with great generosity.
“Wit, emotion and undiminished boldness. . . . This is a book which celebrates life and warms the heart.” —Tulsa World
A timeless American classic, this beloved family saga of the heartland is “deeply felt . . . dramatic . . . constantly alive” (Harper’s Magazine)
On a farm in western Missouri during the first half of the twentieth century, Matthew and Callie Soames create a life for themselves and raise four headstrong daughters. Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate…
I’m a writer who grew up in the Midwest, moved away for a while, and has now raised my own kids here. I love reading other writers' takes on what kinds of stories they see unfolding here. As I get older, I realize that great stories can grow out of the ground anywhere, with the right amount of sunshine, darkness, and water.
I still remember reading this book, which takes place on a farm in Iowa. It was my first glimpse of the idea that something so epic could be set in a place that I thought of as so boring.
Smiley's retelling of King Lear is one for the ages and a good lesson that greatness is only limited by your imagination, not your geography.
This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Being a historical fiction writer, I spend much time researching people and places for my novels with my focus being on the South, particularly Florida, where I’m from, as well as Western North Carolina, where I’ve lived for nearly two decades. Family dynamics and character development have always held a special interest for me; particularly the humanness of being flawed, but also the resilience and strength found within us, too. I enjoy creating characters we can identify with, and become emotionally connected to, so much so that when the final page is turned, readers feel a sense of loss at saying goodbye to characters they’ve come to love.
Writing on a theme that is near and dear to my heart, that being Old Florida, the author of the award-winning, The Yearling, accurately portrays her life living on Cross Creek in rural Central Florida. After buying an old orange grove, sight unseen, this divorced Washington, DC writer brought it back to life, and made a life for herself living among the shy and suspicious people on the creek. Rawlings’ accurate use of local dialect and effective nuances in this beautiful vignette of stories is almost poetic, and magically transports the reader to the creek’s mossy banks. Though the writing and her viewpoints are antiquated in places, Cross Creek remains a classic, and a true work of art to be treasured.
Cross Creek is the warm and delightful memoir about the life of Marjorie Kinnan Rawlings—author of The Yearling—in the Florida backcountry.
Originally published in 1942, Cross Creek has become a classic in modern American literature. For the millions of readers raised on The Yearling, here is the story of Marjorie Kinnan Rawlings's experiences in the remote Florida hamlet of Cross Creek, where she lived for thirteen years. From the daily labors of managing a seventy-two-acre orange grove to bouts with runaway pigs and a succession of unruly farmhands, Rawlings describes her life at the Creek with humor and spirit. Her…
