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When I started researching the 1930s in Britain, I realised that I had only ever considered the period from the Irish perspective, as the tail-end of the long battle for independence. I had always seen Britain in the role of oppressor: Rich, where Ireland was poor; powerful where Ireland was weak. As I read more, a new picture of Britain began to emerge. The Great Depression, the numbers of people unemployed, the children with rickets and scurvy due to malnutrition. And with those things, the rise of socialism and fascism, both expressing the same dissatisfaction with life. I wanted to know more. And so I went looking for books to teach me.
The first half of this book is a deep immersion into the shockingly bleak living conditions of 1930s working-class families in the impoverished industrial north of England, then in the grip of the Great Depression. As an Irish person – and given the historic nature of the relationship between the two countries, in which Britain has always been the dominant and powerful one – it was genuinely eye-opening to me to understand how hard life was for ordinary English people.
Orwell’s writing was undertaken from the vantage point of his own experience. He spent months living with families in Lancashire and Yorkshire, and his descriptions of their lives are detailed and very vivid. The second half is an essay about the development of his own political conscience – interesting, but not essential in the way the first half is.
An unflinching look at unemployment and life among the working classes in Britain during the Great Depression, The Road to Wigan Pier offers an in-depth examination of socio-economic conditions in the coal-mining communities of England’s industrial areas, including detailed analysis of workers’ wages, living conditions, and working environments. Orwell was profoundly influenced by his experiences while researching The Road to Wigan Pier and the contrasts with his own comfortable middle-class upbringing; his reactions to working and living conditions and thoughts on how these would be improved under socialism are detailed in the second half of the book.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.
Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!
From critically acclaimed journalist Valerie Boyd comes an eloquent profile of one of the most intriguing cultural figures of the twentieth century—Zora Neale Hurston.
A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon.
I am an economics professor at Victoria University of Wellington. As a previous Secretary of the New Zealand Treasury and Governor of the Reserve Bank of New Zealand, I have had quite a bit of experience watching economists’ ideas succeed and fail in the real world. I have written a number of books about policy economists and their lives in peace and wartime. (And a couple of novels too!)
This is the story of four (European and American) central bankers fighting the dramas and crises during the lead-up to the Great Depression. When crisis looms, Bank of England Governor Montagu Norman puts on a disguise and boards a cruise ship to consult with his friend Benjamin Strong in New York. If only financial crises could still be fought that way today! I liked it because I used to be a central bank governor myself!
"Erudite, entertaining macroeconomic history of the lead-up to the Great Depression as seen through the careers of the West's principal bankers . . . Spellbinding, insightful and, perhaps most important, timely." -Kirkus Reviews (starred)
"There is terrific prescience to be found in [Lords of Finance's] portrait of times past . . . [A] writer of great verve and erudition, [Ahamed] easily connects the dots between the economic crises that rocked the world during the years his book covers and the fiscal emergencies that beset us today." -The New York Times
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My dad instilled in me a love of, and respect for, history and an avid interest in golden-era Hollywood. In my adult life as a professional writer, that paternal guidance has translated into eight books about various aspects of old Hollywood, with a growing focus on the intersection of Hollywood and World War II. My career to date was punctuated by the international success of Dutch Girl: Audrey Hepburn and World War II, which detailed the future star’s very hard life in the Netherlands under Nazi occupation. Dad didn’t live long enough to know I’d written anything, let alone a number of books he would have enjoyed reading.
When a New York Times correspondent and Yale Fellow sits down to write a book about the making of Casablanca for its 50th anniversary, one expects quality, and Harmetz delivers by detailing the times and people who created and marketed the timeless classic.
This book served as a primary source during the writing of my book. The extensively researched and footnoted book was repackaged in 2002 as The Making of Casablanca: Bogart, Bergman, and World War II and remains in print more than 30 years after its initial release.
I am a retired sociology professor with many academic publications. At Home and At Sea is my first trade book. The couple in the book are my parents. Reading the letters they wrote to one another during the war inspired me to tell their story. I realized the larger significance of this time in their lives and the importance of social history, which examines the lived experience of the past. The vast literature of war and naval history focuses on major battles and the actions of a few “great men”—admirals, generals, presidents. But these accounts omit the everyday lives of millions of “ordinary people,” like my parents, caught in the sweep of history.
Brokaw’s book popularized the term “Greatest Generation” for those who came of age during World War II. The book consists of stories of some 50 men, women, or couples who were representative of this generation. Some stories are of “famous” people, such as George Bush, but most of them are about ordinary people who “were not widely known outside their families or their communities.”
Reflective of this generation, these people interrupted their lives to answer the call to serve, got on with their lives when the war was over, were proud of their service, but rarely talked about the war years. Although aware of challenges to Brokaw’s general portrayal of this generation, I was inspired by the accomplishments of these people and believe they measure up to his label.
In this superb book, Tom Brokaw goes out into America, to tell through the stories of individual men and women the story of a generation - America's citizen heroes and heroines who came of age during the Great Depression and the Second World War and went on to build modern America. This was a generation united by common values - by duty, honour, courage, service and love of family and country. Here you'll meet people like Charles Van Gorder, who set up during D-Day a MASH-like medical facility in the middle of the fighting, and then came home to create…
Growing up, I often told neighborhood kids about my father’s internment, what he remembered of Camp Crystal City, Texas, where he spent three years, age seven to ten, going to school, swimming, playing in nearby orchards, and other normal experiences—except for the barbed wire, guard towers, and lack of freedom. Later, I wanted to know more and learned that what happened to my family can happen to anybody else if they are feared. More recently, families have been ripped apart, children put in cages, and countless people treated as less than human. My book reminds us of what can happen when fear leads to calling those among us enemies or worse.
Kennedy’s book is part of the Oxford series on American history, and as such, I know that any writer’s work must meet high standards, and I was not disappointed by Kennedy’s book.
I love this book as it is both readable to any non-historian, but it provides a great deal of depth and detail along with amazing storytelling. It came as no surprise to me that this book won the Pulitzer Prize—it is worth the read!
Even as the New Deal was coping with the Depression, a new menace was developing abroad. Exploiting Germany's own economic burdens, Hitler reached out to the disaffected, turning their aimless discontent into loyal support for his Nazi Party. In Asia, Japan harbored imperial ambitions of its own. The same generation of Americans who battled the Depression eventually had to shoulder arms in another conflict that wreaked worldwide destruction, ushered in the nuclear age, and forever changed their way of life and their country's relationship to the rest of the world. The American People in World War II--the second installment of…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I consider FDR the greatest of all presidents for leading America with distinction in the domestic crisis of the Great Depression and the foreign crisis of World War 2 and creating the modern presidency that survives today in the essential form he established. I have written books on Dwight Eisenhower, Richard Nixon, and Ronald Reagan during fifty years as a US history professor in UK universities. I always intended to write a book about how FDR reinvented the presidency that these Republicans inherited, something I finally did in ‘retirement’. My five chosen books explain the challenging times he faced and the leadership skills he displayed in meeting them.
This Pulitzer Prize-winning study is the best single-volume history of America in the Age of FDR. Meticulously researched, ambitiously conceived, and vividly written, it crafts superb portraits of the presidencies of Herbert Hoover and Franklin D. Roosevelt. Kennedy offers a balanced assessment of FDR’s New Deal, concluding that his reforms enhanced the socio-economic security of millions of Americans despite their overall failure in the 1930s to achieve economic recovery, which would only come about through the crucible of war in the early 1940s. However, the real heroes of the book are the American people for their resilience and resolve in the face of the Great Depression and World War 2, the two greatest challenges the United States faced in the twentieth century.
Between 1929 and 1945, two great travails were visited upon the American people: the Great Depression and World War II. Freedom from Fear tells the story of how Americans endured, and eventually prevailed, in the face of those unprecedented calamities.
The Depression was both a disaster and an opportunity. As David Kennedy vividly demonstrates, the economic crisis of the 1930s was far more than a simple reaction to the alleged excesses of the 1920s. For more than a century before 1929, America's unbridled industrial revolution had gyrated through repeated boom and bust cycles, wastefullly consuming capital and inflicting untold misery…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
The Good Companions by J.B. Priestley is a long novel from 1929—and it’s one of the few long novels I have eagerly returned to more than once. Three Britons (a young man, young woman, and older man) are dissatisfied with their lives, and they take to the open road. Along the way they create a travelling musical-comedy troupe, The Good Companions, and we travel along with them for the tryouts, the opening nights, the standing ovations, the missed opportunities, the lucky breaks: and the glories of friendship. The novel offers readers the delicious chance to live entirely in a world now completely vanished.
Three unhappy characters, flee from their old lives to seek adventure on the open road. Fate brings them together and into the presence of a broken-down theatrical touring company. Throwing caution to the winds they save the group and set off on an unforgettable tour of the pavillions and provincial theatres of England. First published in 1929.
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
I was utterly awed by Kase Johnstun’s boundless love for the characters in this novel, which I learned later was informed by memories of and letters by his grandparents.
It overflows with some of my favorite things about the literature that most often resonates with me: When an author of great skill can mine memory and history, spend time with it, apply the transformative agent of imagination, and emerge into the world with work laden with genuineness.
I find Johnstun’s work to be imbued with love, which he marries to considerable storytelling chops. He’s a writer more people should know about, so it’s become a bit of a mission of mine to shout his name.
"Beautiful and expansive…in Johnstun's Let the Wild Grasses Grow, Colorado has a successor to Kent Haruf." —SEAN PRENTISS, author of Finding Abbey
Let the Wild Grasses Grow chronicles the lives of Della Chavez and John Cordova, childhood friends separated by a tragic accident, who find each other again during World War II after leading separate lives of struggle through the Great Depression, the Dust Bowl, and, for John, abuse at the hands of his grandfather. This sweeping American love story celebrates the power of home landscapes, family heritage, and first love.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
I discovered this book in 1985, reading and re-reading the book during high school and, eventually, buying the worn-out copy from the library before graduation.
While it may seem to be a dystopian story – it takes place after a nuclear-biological armageddon, after all – it’s an early example of hopepunk. Candy Smith-Foster repeatedly puts the good of others, including her macaw, Terry (short for Terry Dactyl), ahead of her own welfare. Not bad for a preteen facing the destruction of all she knew.
How much of an impact did this have on me? One of the reasons Kendra’s name starts as Foster-Briggs is to honor Palmer’s masterwork.