Here are 100 books that Concert Hall Hit fans have personally recommended if you like
Concert Hall Hit.
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I am fascinated by the process of sharing stories and finding unique ones to experience. A member of the LGBTQIA+ community, I share my unmanageable at times life with others so they can see my life as typical, not abnormal. I believe I was put here on this earth to witness to others and open eyes and hearts to alternate lifestyles. I want to make a difference, and hope my writing may touch readers. No one else could have written my story, and it needs to be told. Mental health issues are difficult to share, but if we all remain silent, it will never get any easier.
I absolutely loved this book because it opened my eyes.
I listened to it first then bought a hard copy to share. I thought I would understand the Trans world, but I didn’t even come close. Amanda, who now goes by Rowan, made me want to be a part of her family. With the transition of her daughter, I could feel the love. When another member also came out as trans, I could feel the turmoil.
I haven’t stopped thinking of this book or this family since I read it. I’ve recommended it to multiple people when they ask me questions about being Trans. Because I am a part of the LGBTQIA+ community, I was pleasantly surprised at the support and generous outpour of acceptance this book has gotten, I only hope I can write something as deeply felt that others remember long after they close the cover. This book…
An inspirational story of accepting and embracing two trans people in a family--a family who shows what's possible when you "lead with love."
All Amanda Jetté Knox ever wanted was to enjoy a stable life. She never knew her biological father, and while her mother and stepfather were loving parents, the situation was sometimes chaotic. At school, she was bullied mercilessly, and at the age of fourteen, she entered a counselling program for alcohol addiction and was successful.
While still a teenager, she met the love of her life. They were wed at 20, and the first of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a Canadian freelance writer, who has a BA in honours history from Smith College, an MA in history from McGill University, and a Bachelor in Journalism from Carleton University. As I have a special interest in Canadian history and Canadian biography, I have authored books in these subject areas. These include an award-winning biography of Sir William Van Horne, a polymath and railway general who pushed through the construction of the Canadian Pacific Railway, and Cairine Wilson. Canada’s first woman senator, who was celebrated for her work with refugees in the 1930s and 1940s, and a best-selling survey of Canadian immigration and immigration policy, Strangers At Our Gates.
Journalist, author, and retired United Church minister, Kenneth Bagnell has written a vivid account of the thousands of slum children (not all of them were orphans) who were dispatched to Canada from 1869 to the late 1930s by well-meaning philanthropists, philanthropic rescue homes, and parish workhouse schools. At the time, this seemed to be the ideal solution to a two-pronged problem: what to do with the tens of thousands of children from the slums of Britain who faced a bleak future there and how to meet the soaring demand for cheap labour on Canadian farms.
The Little Immigrants is a tale of compassion and courage and a vivid account of a deep and moving part of Canadian heritage. In the early years after Confederation, the rising nation needed workers that could take advantage of the abundant resources. Until the time of the Depression, 100,000 impoverished children from the British Isles were sent overseas by well-meaning philanthropists to solve the colony's farm-labour shortage.
They were known as the "home children," and they were lonely and frightened youngsters to whom a new life in Canada meant only hardship and abuse. This is an extraordinary but almost forgotten…
I moved to Canada because I fell wildly in love eighteen years ago. It wasn’t Canada I loved, but a man, and it’s taken me years to get over my homesickness for the country of my birth. I've found as I’ve grown older that the stories of this place have given me a sense of home and belonging—perhaps that’s why so many of the books I’ve recommended are about identity and what it means to the authors. I’m lucky enough to share my favourite books every month on CTV here in Saskatoon, and I focus almost exclusively on Canadian and local books. I hope you love these books as much as I do!
Not-so-secretly I wish I lived in a fairy story (maybe other writers feel like this too?) This novel is a fairy story for adults in the bravest and most beautiful way. The book begins with a meteor shower and features a real centaur and a love story at its heart that spirals out and impacts the survivors of the end of the world. At least, it’s the end of one world. The characters in The Centaur’s Wife are vivid and true, and the gorgeous, strange story lingers with me all the time, reminding me to be braver on the page and in the world.
Amanda Leduc's brilliant new novel, woven with fairy tales of her own devising and replete with both catastrophe and magic, is a vision of what happens when we ignore the natural world and the darker parts of our own natures.
Heather is sleeping peacefully after the birth of her twin daughters when the sound of the world ending jolts her awake. Stumbling outside with her babies and her new husband, Brendan, she finds that their city has been destroyed by falling meteors and that her little family are among only a few who survived.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
As a lifelong artist and drawing enthusiast, I am passionate about the world of drawing and its potential to inspire creativity and self-expression. I never planned to be an art teacher. Surprisingly, a part-time job as a school bus driver led me to develop Monart®, which has become highly successful in schools around the world. My experience enabled me to present at state art educator conferences without having any formal training. I have had the privilege of inspiring and empowering students of all ages and backgrounds. At 85, nothing makes me happier than when a former student tells me their passion for drawing has led to a successful career.
As a speaker at a conference on Howard Gardner's work on the "Nature of Intelligence," I learned that drawing what you are learning can result in eight times faster and longer retention of the information.
This inspired me to use drawing for learning. Nancy Margullies' book on using diagram drawings, to remember information, was invaluable to me.
As I trained teachers in my drawing methods across the U.S. and Canada, they reported improved student learning and retention. They suggested integrating the method into other subjects, such as drawing parts of a flower during a science lesson, which led to increased comprehension and retention.
I applied Margullies' Mind Mapping system to conference information and shared it with my drawing students, who successfully used the technique for homework and school subjects.
Visual Mapping is an easy-to-learn, straightforward system for generating and organising any ideas. Using a central image, key words, colours, codes and symbols, the process is both fun and fast. For many the traditional style of writing ideas in a linear fashion, using one colour on a lined piece of paper, is habit. Retraining the brain to draw ideas radiating from a central image takes practice and patience, but the benefits are considerable, particularly for students and teachers who like to see "the big picture". This second edition includes full colour maps, explores a range of mapping styles and takes…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
Our elders are maps to our history and lands. My grandmother taught me how to navigate America with grit and care and inspired my work in community.
This book narrates how to learn by honoring our ancestors, using the example of the Anishinaabeg tribes in Canada: how to draw maps and re-envision the world from the perspective of people without PhDs but who hold centuries of knowledge.
As an academic, I was taught that people outside of the university were sources of data that we could use to generate theory. I had to learn that everyday people hold powerful theories of the world that PhDs would do well to honor and uplift, especially if we want our knowledge to make the world a better place.
When was the last time you asked an elder the history of where you live and come from: the good, the bad, and the uncomfortable?
Winner: Native American and Indigenous Studies Association's Best Subsequent Book 2017 Honorable Mention: Labriola Center American Indian National Book Award 2017
Across North America, Indigenous acts of resistance have in recent years opposed the removal of federal protections for forests and waterways in Indigenous lands, halted the expansion of tar sands extraction and the pipeline construction at Standing Rock, and demanded justice for murdered and missing Indigenous women. In As We Have Always Done, Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking.
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I loved this book because it grapples with some of the really tough topics that our people have to face.
The characters were relatable and dynamic. I think America and Canada need a wake-up call and an effort to reconcile with their historical treatment of Native people, especially with regard to residential boarding schools. People can only handle calls to justice when they relate to those who were treated unjustly.
In spite of the heavy topics, this book does that really well.
Named a "Best Novel of the Decade" by Literary Hub
Saul Indian Horse is a child when his family retreats into the woods. Among the lakes and the cedars, they attempt to reconnect with half-forgotten traditions and hide from the authorities who have been kidnapping Ojibway youth. But when winter approaches, Saul loses everything: his brother, his parents, his beloved grandmother—and then his home itself.
Alone in the world and placed in a horrific boarding school, Saul is surrounded by violence and cruelty. At the urging of a priest, he finds a tentative salvation in hockey. Rising at dawn to…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.
This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.
It was spring in Nova Scotia when Neil Jamieson returned to Oak Falls. Wild and resentful, he had run away fourteen years before. Now, still blustering and belligerent, educated but not subdued, he took a fresh look at the citizens of Oak Falls and particularly at the timber town's decaying sawdust aristocracy.
I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell!
As a kids’ storyteller, I’ve often used this book, and it bears telling even without its gently comic pictures. When Farmer Joe complains of his daily toil, his clever wife tricks him into becoming so uncomfortable that, once returned to normal conditions, he will never complain again! The story carries a message about positive attitude, without being didactic. Best of all, kids can chuckle along with Farmer Joe’s wife, understanding her trick while hapless Joe does not. Kids, in my experience, love to be smarter than at least one grownup in a story, and this book delivers that in spades!
Farmer Joe has a problem: he works so hard that by the end of the day he is very hot and tired.
"What can I do?" he asks his wife.
You'll laugh at the clever way Farmer Joe's wife helps him keep his cool. Or does she?
Farmer Joe's Hot Day was both the author and illustrator's debut book, and the trilogy became a favourite with kids and teachers alike. Now the classic series returns in a bright levelled reader format for a new generation of book lovers!
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.
The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves. A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance.…
I am a Canadian freelance writer, who has a BA in honours history from Smith College, an MA in history from McGill University, and a Bachelor in Journalism from Carleton University. As I have a special interest in Canadian history and Canadian biography, I have authored books in these subject areas. These include an award-winning biography of Sir William Van Horne, a polymath and railway general who pushed through the construction of the Canadian Pacific Railway, and Cairine Wilson. Canada’s first woman senator, who was celebrated for her work with refugees in the 1930s and 1940s, and a best-selling survey of Canadian immigration and immigration policy, Strangers At Our Gates.
Canadian immigration policy has always been a subject of fierce political and public debate and in this authoritative work Ninette Kelley and Michael Trebilcock examine the interests, ideas, institutions, and rhetoric that have shaped it. The authors begin their study in the pre-Confederation period and interpret major developments in the evolution of Canadian immigration policy. Among the shameful episodes they describe are the deportations of the First World War and Great Depression and the uprooting and internment of Japanese Canadians after Pearl Harbour.
Immigration policy is a subject of intense political and public debate. In this second edition of the widely recognized and authoritative work The Making of the Mosaic, Ninette Kelley and Michael Trebilcock have thoroughly revised and updated their examination of the ideas, interests, institutions, and rhetoric that have shaped Canada's immigration history. Beginning their study in the pre-Confederation period, the authors interpret major episodes in the evolution of Canadian immigration policy, including the massive deportations of the First World War and Depression eras as well as the Japanese-Canadian internment camps during World War Two. New chapters provide perspective on immigration…
