26 Books Like Columbine

I was shaken to my core not only by Capote’s character study of two different yet partnered killers but also by his behind-the-scenes depiction of the death penalty process. For the first time, I began to see how capital punishment affects all those involved in its machinations.

Like most Americans, I grew up hearing the codified version of the Charles Manson/Helter Skelter saga, so when I saw yet another Manson book, I had two thoughts: "This sounds like a cash-grab," and, "Ugh...it's probably some lunatic conspiracy theory."

Suffice it to say, I was wrong—dead wrong—on both counts. By now, there's a good chance you've heard the backstory to Tom O'Neill's book: how he came to write it, how long it took him to finish, and (most importantly) what he learned about the Manson case. If you don't know any of this, take my advice and go in blind. CHAOS will floor you.

I admire this book for its measured erudition on a topic (guns) that the author feels is the most formative cultural chasm in the US. Winkler, a renowned legal scholar, uses the 2008 Supreme Court Heller decision that enshrined the second amendment as an individual right to bear arms as the touchstone for a riveting and more wide-ranging investigation of the history of gun rights as well as gun control laws. Winkler finds historical precedents for the concept of an individual right (if not a mandate, in some cases) to bear arms.

However, what I found most surprising is Winkler’s account of the equally sturdy and deeply-rooted history of gun control and regulation. This revises the popular wisdom that gun control, essentially, has no history—that the US was a land of unfettered gun-toting and gun-owning that was only later thwarted by modern, liberal gun restrictions. On the contrary, by the… show more.

That this book even exists is amazing. By the end, it seems less like an exposé than an all-in wager on the power of truth. The final few chapters alone are worth the price of admission, and while Alex Gibney's documentary of the same name is well worth watching, Lawrence Wright's book is—for now, and perhaps for all time—the definitive look at a secretive world.

Busse offers the new perspective of an insider—an erstwhile gun executive. I’ve always held that the gun industry has gotten far too little attention historically, and that commercial forces substantially helped to create and then maintain the American gun mystique and culture long after the “frontier” closed. Busse’s work shows just how explicitly the gun industry today, since 9/11 and the Iraq and Afghanistan wars, relies on “manufactured fear” to push products. The book teems with examples of fear marketing, including endorsements from social media celebrities that created a new breed of “couch commandos,” steeped in the “glorification of violence, the utter rejection of political correctness, and the freewheeling masculinity and objectification of women.” And in Busse’s view it’s not just that gun marketing has changed, but that the gun industry has transformed American culture itself, radicalizing it and shifting it toward authoritarianism.

We’ve seen and felt this malevolence of… show more.

Rather than reprising hackneyed debates between the usual political actors—for example, gun control liberals versus gun rights libertarians—this book argues that American ‘gun culture’ was never really about hunting, freedom fighters, the militia, or constitutional liberty in the first place. From the country’s inception, Dunbar-Ortiz describes, guns were about racial subjugation, the genocide of Native Americans, the enforcement of enslavement, and the privileges and wealth that flowed from this subordination to the dominating class.

For Dunbar-Ortiz, the use of guns for subjugation and the expropriation of labor, land, and wealth from non-white populations wasn’t lamentably incidental to the American gun culture but at its very heart. I especially appreciate how the author shifts the terrain of the gun discussion: This book left me wondering if we spend too much time thinking about what guns have meant in the abstract and too little about what guns have done in the specific—the… show more.

Jennifer Carlson, Citizen-Protectors: The Everyday Politics of Guns in an Age of Decline, does the rare thing of actually asking gun owners (she interviewed sixty of them) why they have guns, and what guns mean to them. As a sociologist, Carlson immersed herself in the “gun carry culture”—Americans who carry guns with them in everyday life, which is a new wrinkle in American gun culture. I was surprised by many of her findings and insights, and in some cases I was struck by their elegance; for example, Americans carry guns because they feel the US is “in decline” because of social chaos, and “guns are perceived as solving the problem” of that chaos.

What’s new and surprising here, and that I especially appreciated, is that Carlson in her own words “does something different” in this book, rejecting both the “gun politics” narrative that the “gun culture is an affirmation… show more.

I love fiction and nonfiction and part of the reason I’ve included one of Krakauer’s books is because he’s an excellent author of nonfiction.

I feel like I needed to include a nonfiction book, and I’ve thought much about Krakauer’s book since reading it a decade ago.

This book has it all: a compelling story, murder, the history of a myth (the Mormon religion), the reasons for religious extremism, and more. It’s a great story, well told, within the kind of context you look for in a nonfiction book. And, like the other books on this list, it opened my eyes about many different perspectives. 

I love this book because it is a classic example of how movements based on hate and evil can quickly take hold and spread. The parallels from 1920s Indiana to modern-day America jump out of this story about the rise of the Ku Klux Klan.

Egan’s meticulous research and storytelling paints a vivid picture of the moment and the surroundings of one of our nation’s darkest periods. It explains so many shortcomings about modern-day middle America that the eerily true account almost seems made up. 

Do you like to root for the bad guy? Then George Jung, the central figure in this true crime classic about the Columbia-to-America cocaine snowstorm of the 1980s, might just be your man.

Author Porter weaves a brisk, vivid narrative about his anti-hero Jung, a likable goofball stoner who stumbles into the big-time international coke biz and isn’t smart enough to get out (and he had his chances, lord knows).

Johnny Depp did a memorable job of portraying Jung in the film version of Blow (released in 2001), but the Porter’s book takes the reader three or four levels deeper into the absurdities of Jung’s narcotics hellscape.