Here are 100 books that Collecting Shakespeare fans have personally recommended if you like
Collecting Shakespeare.
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I am a historian at the University of St Andrews, and an expert in the history of books, media, and communication. My working life has revolved around libraries: I stacked shelves at my local university library while I was an undergraduate, and have since worked as a researcher in some hundred reading rooms in twenty countries (and I am therefore the proud owner of many library cards, expired and current). I am also an avid book collector, and have a growing collection of seventeenth and eighteenth-century books, mostly printed in my native Netherlands. Writing a history of libraries was an enjoyable tribute to those fine institutions, historic and present.
Why do our libraries, those at home, at university, or in the public library network, look the way they do? Many people would agree that books are best stored upright on shelves, spine out, but how did we come to that conclusion? This delightful book offers all the answers, and incidentally reveals more than you could ever think of to ask about the manner in which we take care of, store, and display books. It might even give you some inspiration on how to arrange your own collection.
He has been called "the poet laureate of technology" and a writer who is "erudite, witty, thoughtful, and accessible." Now Henry Petroski turns to the subject of books and bookshelves, and wonders whether it was inevitable that books would come to be arranged vertically as they are today on horizontal shelves. As we learn how the ancient scroll became the codex became the volume we are used to, we explore the ways in which the housing of books evolved. Petroski takes us into the pre-Gutenberg world, where books were so scarce they were chained to lecterns for security. He explains…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a medieval historian, and I’ve written academic books and articles about the history of the medieval world, but I have also written two historical novels. I became interested in history in general and the Middle Ages in particular from reading historical fiction as a child (Jean Plaidy!). The past is another country, and visiting it through fiction is an excellent way to get a feel for it, for its values, norms, and cultures, for how it is different from and similar to our own age. I’ve chosen novels that I love that do this especially well, and bring to light less well-known aspects of the Middle Ages.
It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.
I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature.
I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I am a historian at the University of St Andrews, and an expert in the history of books, media, and communication. My working life has revolved around libraries: I stacked shelves at my local university library while I was an undergraduate, and have since worked as a researcher in some hundred reading rooms in twenty countries (and I am therefore the proud owner of many library cards, expired and current). I am also an avid book collector, and have a growing collection of seventeenth and eighteenth-century books, mostly printed in my native Netherlands. Writing a history of libraries was an enjoyable tribute to those fine institutions, historic and present.
This is the most recently published book on my list of recommendations, and also the most beautiful. Books on libraries are often lavish, but few offer as striking and sad a history as this. This is the first in-depth examination of one of the greatest lost libraries in the world, that of King John V of Portugal (1689-1750). John was a true bibliophile, and arguably the greatest librarian-king. Although he rarely travelled, he amassed one of the most magnificent court libraries in Enlightenment Europe. This book tells its story, which also dips into a broader history of elite collecting, and of the devastating earthquake that struck Lisbon in 1755 and wiped the library off the face of the earth. Knowing the haunting fate of the library makes this a mesmerizing read.
The destruction on the morning of All Saints Day 1755 of the heart of the city of Lisbon by an earthquake, tidal wave and the urban fires that followed was a tragedy that divides the 18th century in Portugal. One casualty on that fatal morning was the Royal Library, one of the most magnificent libraries in Europe at the time. The Lost Library of the King of Portugal tells the story of the lost library – its creation, collection and significance.
This 18th-century library was founded by the Bragança monarch Dom João V shortly after he came to the throne…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
I love this utterly unexpected book for its deadpan humor, animated prose, and strange and wondrous facts about the horror-filled history of libraries and the humans who run these book depositories. That CIA-trained librarians, a mere few decades ago, guillotined newspapers and books in the worship of microfilm is an incredibly painful truth in today’s digital age.
Baker’s outrage is palpable, and yet he made me laugh out loud on almost every nerdy page. I’m jealous of his way of speaking. I put this one on syllabi whenever I can.
The ostensible purpose of a library is to preserve the printed word. But for fifty years our country’s libraries–including the Library of Congress–have been doing just the opposite, destroying hundreds of thousands of historic newspapers and replacing them with microfilm copies that are difficult to read, lack all the color and quality of the original paper and illustrations, and deteriorate with age.
With meticulous detective work and Baker’s well-known explanatory power, Double Fold reveals a secret history of microfilm lobbyists, former CIA agents, and warehouses where priceless archives are destroyed with a machine called a guillotine. Baker argues passionately for…
Fake news is not new. Biographies, in particular, are fraught with fallacies and fake stories. When fake news slanders individuals, reputations are ruined and lives destroyed. That’s what happened to Elizabeth Wydeville, Queen Consort to Edward IV, and mother of the two princes who disappeared during Richard III’s reign. When I discovered the slander that destroyed Queen Elizabeth’s reputation, I began a 5-year research project to set the record straight. Some fallacies are deliberate, originating in envy or power putsches. Others derive from historical laziness or incompetence. What I learned from my research has determined my choices of biographies, stories that tell previously unrevealed truths about individuals.
The Millionaire and the Bard almost makes you believe in money. This biography of Henry Clay Folger records a great American success story: “Poor-Boy-Makes-Good” (with money from Standard Oil). But look at what Folger did with his money! He collected copies of Shakespeare’s Folios, the first edition of which is the most valuable book in the world ($9.98 million for the copy sold in New York on October 14, 2020).
Andrea Mays tells three stories: the biography of Henry Folger, who saved the FirstFolio; the story of the Folio itself (how it was published, read, and preserved); and the creation of the Folger Shakespeare Library, an amazing research and educational institution, improbably sited in Washington, D.C. I love this biography because it proves that one person (greatly assisted by his wife) can surely make a difference!
Today it is the most valuable book in the world. Recently one sold for over five million dollars. It is the book that rescued the name of William Shakespeare and half of his plays from oblivion. The Millionaire and the Bardtells the miraculous and romantic story of the making of the First Folio, and of the American industrialist whose thrilling pursuit of the book became a lifelong obsession. When Shakespeare died in 1616 half of his plays died with him. No one-not even their author-believed that his writings would last, that he was a genius, or that future generations would…
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
Lesser’s book is a bibliographical ‘detective story’ that I found captivating and is another model of the scholarship that I would like to emulate. It concentrates on a mysterious group of ten plays printed in 1619–most of which feature historical subjects and/or are by Shakespeare–and what we can learn about them, including why several were printed with false attributions and dates and how early readers might have encountered them.
I think Lesser’s book is an incredible achievement in handling complex, technical scholarship and an immense amount of archival research that is also so engrossing and accessible. As a reader, I felt drawn into this journey of discovery that also acknowledges the uncertainty and difficulties in making firm claims about its material.
Four years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or…
Stories of people impacted by the criminal justice system have been key to my understanding of the system and my efforts to reform it. I knew I wanted to be a civil rights lawyer when, in law school, I represented a woman who was raped by a corrections officer in a federal prison in Connecticut. My experiences suing the police and corrections officers as a young lawyer in New York inspired 15+ years researching the realities of civil rights litigation and barriers to achieve justice. I believe that the best way to understand the realities of the criminal justice system is through the experiences of people trying to make their way through it.
Ted Conover, a journalist, wanted to better understand life as a corrections officer.
After Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply to become a corrections officer himself—and was hired.
Conover spent a year working as a corrections officer at Sing Sing, and his insights about the chaos, lack of training, and harsh culture at the institution—and the impact that serving as a corrections officer had on him psychologically and on relationships with his loved ones—were eye-opening.
After he was denied access to report on Sing Sing, one of America's most notorious high security jails, journalist Ted Conover applied to become a prison guard. As a rookie officer, or 'newjack', Conover spent a year in the unpredictable, intimidating and often violent world of America's penal system.
Unarmed and outnumbered, prison officers at one of America's toughest maximum security jails supervise 1,800 inmates, most of whom have been convicted of violent felonies: murder, manslaughter, rape. Prisoners conceal makeshift weapons to settle gang rivalries or old grudges, and officers are often attacked or caught in the crossfire. When violence…
I have an unusual personal history. I majored in math in college and aspired to a life as a scientist. However, the civil rights movement and other events of the 1960s and 1970s inspired me to switch and earn a doctorate in sociology. (Which considers itself a science.) My first faculty position, at Yale beginning in 1972, involved a joint appointment in the Sociology Department and the Institution for Social and Policy Studies, which focused on public policy. During the remainder of my career I have worked and published together with economists and sought to do research that uses the perspectives of both fields.
This book by sociologist Newman provides an ideal mix of statistical data with in-depth interviews with a group of low-wage workers, describing how their employment and life conditions changed over time.
We come to know these people, to understand what it is like to be employed in a low-wage job, and how it is possible but not easy for them to move up to better-paying jobs.
Now that the welfare system has been largely dismantled, the fate of America's poor depends on what happens to them in the low-wage labour market. In this timely volume, Katherine S. Newman explores whether the poorest workers and families benefited from the tight labour markets and good economic times of the late 1990s. Following black and Latino workers in Harlem, who began their work lives flipping burgers, she finds more good news than we might have expected coming out of a high-poverty neighbourhood. Many adult workers returned to school and obtained trade certificates, high school diplomas and college degrees. Their…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I arrived in New York City from Germany thirty years ago with two suitcases and a typewriter. Since then, I try to combine my background as an art historian – I hold a M.A. in Art History and Anthropology from the University of Tübingen, Germany – with my experiences travelling around the world for seven years, and my love for writing. After a career in museum education (at the San Diego Museum of Art, the Mingei, and the Athenaeum) I founded Konstellation Press, an indie publishing company for genre fiction. The first of my four novels, Spring of Tears, an art mystery set in France, won the San Diego Book Award.
Siri Hustvedt is one of my favorite writers. Her characters are so complex and believable, I always feel I know them personally after I finish a book by her. What I Loved is not strictly a mystery, even though there is violence, murder, and erotic tension. It is an urban thriller, a love story, and a deep dive into an artist’s soul over his 30-year career.
This is the story of two men who first become friends in 1970s New York, of the women in their lives, and of their sons, born the same year. Both Leo Hertzberg, an art historian, and Bill Weschler, a painter, are cultured, decent men, but neither is equipped to deal with what happens to their children -- Leo's son drowns when he's 12, while Bill's son Mark grows up to be a delinquent, and the acolyte of a sinister, guru-like artist who spawns murder in his wake. Spanning the hedonism of the eighties and the chill-out nineties, this multi-layered novel…