Here are 100 books that Coldheart Canyon fans have personally recommended if you like
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During the years that I have been writing ghost stories, many of them collected in The Haunted Heart and Other Tales, I have read a variety of classic and contemporary ghost stories, horror anthologies, and novels that included gay characters, written by authors who are also openly gay or whose legacy has identified the writer as homosexual. While there are a number of short stories that are personal favorites, this list focuses on novels.
A string of supernatural events occurs when a gay writer moves into a house in the San Diego mountains built by a legendary film star of the 1930s. But the writer is not alone at the house—he has invited his close friends for a housewarming—and they soon discover the deceased actor had some nasty habits and a gruesome behavior. The investigations and resolutions of this absorbing novel unveil some shocking and grisly details, but there is a masterful balance of comedy along with the horror.
Jim Brandon has a new house, and boy, is it a pip. Built high on the side of the San Diego mountains by a legendary B-movie actor of the 1930s, Nigel Letters, the house is not only gorgeous, but supposedly haunted. As a writer of horror novels, Jim couldn't be happier.
But after a string of ghostly events sets Jim’s teeth on edge and scares the bejesus out of his dog, Jim begins to dig into the house’s history. What he finds is enough to creep out anybody. Even Jim. It seems long-dead Nigel Letters had a few nasty habits…
Before the Wizard. Before Glinda. Before Dorothy and her broken companions.
Oz was a land of darkness.
Spun into a world she doesn’t understand, Dolly is trapped in a twisted Oz—where skies are ashen, lands barren, and shadows whisper of horrors. No golden roads, only a path of crimson bricks,…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away.
Arriving in the English countryside to live with her mother and new stepfather, Jenny has no interest in her surroundings until she meets Tamsin. Since her death over 300 years ago, Tamsin has haunted the lonely estate without rest, trapped by a hidden trauma she can't remember, and a powerful evil even the spirits of night cannot name. To help her, Jenny must delve deeper into the dark world than any human has in hundreds of years, and face danger that will change her life forever.
During the years that I have been writing ghost stories, many of them collected in The Haunted Heart and Other Tales, I have read a variety of classic and contemporary ghost stories, horror anthologies, and novels that included gay characters, written by authors who are also openly gay or whose legacy has identified the writer as homosexual. While there are a number of short stories that are personal favorites, this list focuses on novels.
Set in the White Mountains of New Hampshire, Corpus Calvin brilliantly unravels the haunting of the Cloverkist Inn from several points of view, including a gay visitor from Amsterdam, a sensitive ten-year-old boy, the diary of a Union Soldier, and the inner thoughts of a dog named Calvin. Things ramp up with the unexpected arrival of a psychic, but it’s the marvelous puzzle of the mysteries—Who painted the unsigned painting? Where is Room 13? Who are the Pumpkin People?—that propel this thrilling exploration into local legends.
Jason Dekker doesn’t believe in ghosts but is haunted by memories of Amsterdam. A move to the White Mountains of New Hampshire with his dog, Calvin, promises a fresh start. College friend Tessa Bernstein enlists his help at Cloverkist Inn, where strange occurrences are scaring off customers and staff. Is someone trying to drive Tessa out of business, or are darker forces at work? Does an enigmatic boy who bonds with Calvin hold the key to a secret dating back to the Civil War? The unsolicited arrival of psychic medium Valraven creates further turmoil when his investigation into paranormal activity…
This is the part of the Bible they don't want you to read. Lucifer is God’s attempt at perfection. But Lucifer betrays God to live among the mortals on Earth, making enemies of God and God’s many followers.
Lucifer is just like you and me, looking for love in all…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
Are there any ghosts in the most famous ghost story of all time, "The Turn of the Screw"? Fans have been debating that for over a century. I am awed and frequently challenged by James’ prose style, in which so much is rendered carefully ambiguous.
In his greatest offerings—"The Jolly Corner," "The Real Right Thing,"and, a personal fave, "The Friends of the Friends"—he was able to elevate Gilded Age ghost stories to the realm of high art. Among his most central gifts was a Hawthorne-inspired interest in the nature of guilt, self-deception, and the spectral world inside our minds.
I recently visited Henry James’ grave in Cambridge and found that anonymous fans continue to leave him little tributes to this day.
With an Introduction and Notes by Martin Scofield, University of Kent at Canterbury.
Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available.
The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends…
As a twelve-year-old, I read nothing but ghost books—not monsters, horror, or mystery, but ghosts. Though I debuted as an author in teen fantasy, a middle grade editor discovered my talent for spooky atmospheres, and I was once again drawn into the world of lost souls. In fact, when I was working on my first spooky novel, The Haunting, my editor requested the book to remind him of the works of Mary Downing Hahn—one of my favorite authors as a child. I’d found my calling. It just happened to be from beyond the grave…
A mysterious death, a dangerous rocky cliff overlooking a glen, and a restless spirit equal…an unsolved murder? Young Allie Nichols knows she’s being pursued by a ghost, awake and in her dreams, but it’s going to take old friends and lots of courage to stop the haunting, or she may meet her ghost’s fate!
This is also an unforgettable ghost story from my childhood that I highly, wholeheartedly, recommend.
The Ghost of Fossil Glen gripping ghost story and murder mystery by a popular and highly regarded author.
Allie Nichols knows she's being pursued by a ghost. But her friend Karen calls her a liar and doesn't want to hear "stuff like that." It is Allie's old pal Dub who listens eagerly as Allie tells him about a voice that guides her safely down a steep cliff side, the face in her mind's eye of a girl who begs "Help me," and a terrible nightmare in which that girl falls to her death. Who is the girl? Is she the…
I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing.
Actually, two novellas, it’s the first, "Morpho Eugenia," that’s always stayed in my mind. I loved how it handles discussions on such subjects as teleology, determinism/personal freedom, the nature of life after death, and so on, the post-On the Origin of the Species mindset.
I particularly like the ending, which, if you’re reasonably alert, you’ll work out well before our protagonist. I don’t think this is a weakness; observing the main character, Adamson (note the surname), flailing towards an inevitable ‘reveal’ is part of the book’s point, I think.
The prose imitates Victorian literature, very post-Modern, but don’t let that put you off. I found its style immersive, making me feel closer to the time.
In these two “astonishing” novellas (The New Yorker), the Booker Prize-winning author of Possession returns to the landscape of Victorian England, where science and spiritualism are popular manias, and domestic decorum coexists with brutality and perversion.
"At once quirky and deep, brimming with generosity, imagination, and intelligence." —The New Yorker
In Morpho Eugenia, an explorer realises that the behaviour of the people around him is alarmingly similar to that of the insects he studies. In The Conjugal Angel, curious individuals – some fictional, others drawn from history – gather to connect with the spirit world. Throughout both, Byatt examines the…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.
Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
I’ve always been intrigued by monsters. I grew up watching or reading anything that had a monster in it, much to the chagrin of my monster-hating mother. Over time, I grew bored with the same monsters in the same historical settings. It wasn’t until I discovered some of the books on this list that I found writers doing new, fun, and inventive things that reinvigorated my own love for them. I’m always going to be a monster junky, but I always hope to find authors that can bring these classic terrors into the modern world.
I loved the tie-in to classic superstitions and historical events that lay the foundation for this story. I found the spreading evil within the town to be one of the most compelling parts of the story. While the heroes were nice, I wanted to see just how far this malignant force would spread before being stopped.
I liked that the protagonists truly struggle and are in real peril. I enjoyed the more subdued action of the book and the real-world tone that it set.
"This is horror on a grand scale, reminiscent of Stephen King." --Publishers Weekly
The book that launched the Pine Deep trilogy
Thirty years ago, a blues musician called the Bone Man killed the devil at the crossroads, only to be beaten and hung like a scarecrow in a cornfield--or so the story goes. Today, the people of Pine Deep celebrate their town's grisly past by luring tourists to the famous haunted hayride, full of chills and scares. But this year, "The Spookiest Town in America" will learn the true meaning of fear. Its residents will see the real face of…
I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.
This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly.
The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.
An eerie and compelling ghost story set on the dark wilds of the Yorkshire moors. For fans of The Witchfinder's Sister and The Silent Companions, this gothic tale will weave its way into your imagination and chill you to the bone.
'Spine-tingling... the scariest ghost story I have read in a long time' Barbara Erskine
'A wonderful, macabre evocation of a lost way of life' The Times
'Like something from Emily Bronte's nightmares' Andrew Taylor, author of The Ashes of London
Maybe you've heard tales about Scarcross Hall, the house on the old coffin…
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
This short story reminds me of a disused railway line that my siblings and I took to be a playground when we lived in a small village in North Wales. All that remained of the route was the track ballast. The route was some two miles long and at one point cut into the hillside before entering a long dark tunnel. It was easy to imagine a steam train from bygone years appearing in the mouth of the tunnel, much as the engine that brought the doom of the signalman in Dickens’s tale.
"This book is amazing." Halloween might seem like the spookiest time of year, but Charles Dickens felt otherwise. He was among the many authors who set their scariest stories during the dim and shivering days of--yes, Christmas. First published in 1866 for a special yuletide issue of All the Year Round, Dickens' "The Signalman" has since fallen into obscurity. An eerie story of isolation, dread, and supernatural visitation, this book is a small treasure, meant to be read aloud on a cold, dark winter night.
