100 Books Like Clytemnestra

I thought it was great to have Circe herself narrate her love affair with Odysseus.

The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.

I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.

I found this vivid retelling of the Trojan War, based on the Iliad and the Odyssey from prominent and less-known women, interspersed with Calliope's commentary, engaging and relatable. Natalie Haynes, the author of other Homer-inspired stories, tells it skillfully and from a feminist POV. I enjoyed reading this well-crafted book elevating the voice of women based on original works that promote male heroes. Wonderful world-building!

Incidentally, the author has an interesting background, a Cambridge education in classics, a career with the BBC and another as a comedian. I also enjoyed interviews, speeches and material related to Haynes (utube) whose writing is fluid and relatable.

The ‘girls’ are the Trojan women, voiceless in Homer’s Iliad except, briefly, Andromache, Cassandra, and Hecuba.

Women drive the plot, from Helen, the Spartan queen abducted by the Trojan prince Paris, who is blamed for starting it, to Briseis, the Trojan captive Agamemnon takes from Achilles, but they say little.

Most of the chapters in Silence of the Girls are first-person in Briseis’ voice, with interspersed third-person chapters focusing on Achilles and Patroclus. We see the war from a broad, realistic perspective, but the tragedy in the center is of the women—as the Greek playwright Euripides recognizes in his play ‘The Trojan Women’ among others.

Pat Barker gives us the full, moving story in this novel and its sequels, The Women of Troy and The Voyage Home.

I was captivated by the slow and deliberate flirtation of Dionysus with Ariadne as he revealed his own story with passion and intimacy. I felt the shared sense of abandonment between him and Ariadne, one mortal, the other immortal. I found that weaving in Phaedra’s story with the lively interactions between the two sisters with such different personalities was a clever plot devise, it was intriguing and added to the complexity of the story.

The characters evolve: innocence, abandonment, depravity, and new awarenesses show in a tragic tale where Theseus, Daedalus, Icarus, Hippolytus, and Perseus support a story basically describing the differing points of view of the two sisters. A great choice for readers like me, who enjoy stories based on Greek mythology with a feminist slant.

Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory.  For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.

My love of ancient Greek heroes began with the old stop footage films of the 70s and early 80s.

The bravery, the adventure, and the mystery had me hooked at a young age. So, it was a delight to find a book that dealt with the heroes of the ancient Greeks in such an easy-to-read way. This book is not just a rehash of those much-loved tales such as Jason and the Argonauts or Odysseus, Stephen Fry has brought a more modern language to the stories making them relatable and relevant for today.

This is an all-time favourite of mine.

Closely related to my love for history is my love of mythology—the boundary between the two is porous. This book started that love. There have been many books published that present the Greek myths to children, and this book is not considered one of the classics, but because it was my favorite book when I was six, I have never found another version better. I love the illustrations and how stylized they are. They capture the myths’ mystique, yet you can always see the human. I was clutching this book in the back seat of my family’s car when my mom announced that we would be getting a baby brother. As I was reading about Jason and the Golden Fleece, I suggested Jason as a name. It stuck!

I was fascinated by illustrations at first. Then, the variety of characters and their stories mesmerized me. As a person always curious about other culture’s mythologies, this is an essential encyclopedia for my shelf.

I love that it has an illustration on one side that instantly catches your eyes. On the other, you explore where the tale started and find similarities with folk tales you already know.

Schlitz’s latest historical novel, set in Ancient Greece, is one I read aloud to my own kids, who like many are already well versed in Greek and Roman mythology.

The story of the rebellious daughter of a noble family and an enslaved boy, it’s a haunting and beautifully rendered introduction to classical philosophy and the story of Socrates. Reading this together gave us a chance to discuss the classical world as a real place and its culture and religion in detail and depth.

Schlitz’s books are among the most literary and original out there and this one was written to stay with you for a very long time. 

The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.

In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.

Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.