Here are 100 books that Clothing the Clergy fans have personally recommended if you like
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Many students are still taught that the Roman Empire ended in 476 AD. To the contrary, the Roman Empire survived and flourished through the Middle Ages up to the conquest of Constantinople in 1453. The Roman state was incredibly long-lived and resilient. Modern historians often call its medieval incarnation the Byzantine Empire. I have devoted my professional life to studying these medieval Romans (or Byzantines) and to telling others about them. I teach courses at my university, write books, consult for documentaries, appear on podcasts, and engage on Twitter. The early Byzantine period was a time of both continuity and immense change and I find it endlessly fascinating.
The city of Ravenna in northeastern Italy saw many important developments, serving as a capital of Roman emperors, then of Ostrogothic kings, and finally of the governors dispatched by the medieval Roman or Byzantine emperors in Constantinople.
This book is a brilliantly crafted and lavishly illustrated history of the city. It also contains a series of vivid micro-biographies of bishops and governors. My favorite feature of the book is that it offers insight into the lives of ordinary citizens via archival records. These are in sections with titles that begin “Living in Ravenna” and provide important waypoints to guide the reader through the history of the city.
A riveting history of the city that led the West out of the ruins of the Roman Empire
At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital. Bringing this extraordinary history marvelously to life, Judith Herrin rewrites…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
The same transformation is vividly described, along with the enormities of archetypically immoral barons and revolting peasants, the murder of a scandalous bishop, and much else, in the memoirs of an abbot from northern France at a time of violent social upheaval and intense personal rivalries, often played out on the stage of religious piety. This is one of the liveliest and most revealing of the many sources translated from this period, excellently introduced by Jay Rubenstein.
The first Western autobiography since Augustine's "Confessions", "The Monodies" is set against the backdrop of the First Crusade and offers stunning insights into medieval society. As Guibert of Nogent intimately recounts his early years, monastic life, and the bloody uprising at Laon in 1112, we witness a world - and a mind - populated by royals, heretics, nuns, witches, and devils, and come to understand just how fervently he was preoccupied with sin, sexuality, the afterlife, and the dark arts. Exotic, disquieting, and illuminating, "The Monodies" is a work in which the dreams, fears, and superstitions of one man illuminate…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
In 1307 the pope charged three commissioners to decide whether the survival of a Welshman hanged for murder some years previously had or had not been a miracle. Bartlett’s masterly and compulsively readable microhistory draws from their report a brilliantly illuminated miniature (less than 200 pages) of an entire world, from the family life of the highest nobility to the grisly details of hanging and what they symbolised, and of the struggle for power in many forms, from the marches of Wales to central Italy.
Seven hundred years ago, executioners led a Welsh rebel named William Cragh to a wintry hill to be hanged. They placed a noose around his neck, dropped him from the gallows, and later pronounced him dead. But was he dead? While no less than nine eyewitnesses attested to his demise, Cragh later proved to be very much alive, his resurrection attributed to the saintly entreaties of the defunct Bishop Thomas de Cantilupe. The Hanged Man tells the story of this putative miracle--why it happened, what it meant, and how we know about it. The nine eyewitness accounts live on in…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
The Silk Road is a nineteenth-century invention, but the movements of people, things, and ideas in and through the immense and often terrifying space between modern Iran and China generated change in every sphere and engaged an astonishing variety of people. Valerie Hansen’s exploration of seven places along the imagined route and what has been found in them offers a lucid and lively introduction to a wider medieval world and how we know about it.
The Silk Road is as iconic in world history as the Colossus of Rhodes or the Suez Canal. But what was it, exactly? It conjures up a hazy image of a caravan of camels laden with silk on a dusty desert track, reaching from China to Rome. The reality was different-and far more interesting-as revealed in this new history.
In The Silk Road, Valerie Hansen describes the remarkable archeological finds that revolutionize our understanding of these trade routes. For centuries, key records remained hidden-sometimes deliberately buried by bureaucrats for safe keeping. But the sands of the Taklamakan Desert have revealed…
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
The neoclassical style of dress—sheer, high-waisted muslin dresses that displayed a woman’s arms and eschewed traditional undergarments—that appeared in the late eighteenth century shaped European female fashions for nearly thirty years. Historians have often labeled the neoclassical movement associated with the Enlightenment and Age of Revolution as austere and masculine in its effects. However, Rauser effectively makes the case that women were at the center of 1790s neoclassicism in its most intense and embodied form, as creators and patrons—and that fashion, more so than other forms of art, reveals an era’s artistic and political culture.
Neoclassicism recast as a feminine, progressive movement through the lens of empire-style fashion, as well as related art and literature
The Age of Undress explores the emergence and meaning of neoclassical dress in the 1790s, tracing its evolution from Naples to London and Paris over the course of a single decade. The neoclassical style of clothing-often referred to as robe a la grecque, empire style, or "undress"-is marked by a sheer, white, high-waisted muslin dress worn with minimal undergarments, often accessorized with a cashmere shawl. This style represented a dramatic departure from that of previous decades and was short lived:…
As a long-time expat in France, a creative and a Black woman, I get othered and rejected a lot. I’ve had to learn how to own my story – of starting over, of building something from nothing, of remembering where I’ve been, and reminding myself of where I’m going. I had to learn to reject the labels that others want to put on me and draft my own personal hype mantra – then embellish it with a little bombshell sparkle. The books I’ve chosen are meant to entertain while giving you the chance to remind yourself of who you are and who you can choose to be.
I’ve purchased three copies of this book over the years, as I simply cannot live without it.
After a turn through its pages, I sit up a little straighter, walk into a room as if I own the place – and people respond as though I do.
Stover instructs the reader on the life and behavior of historical bombshells and how she (or he) can adopt those characteristics in daily life.
When I’m feeling frumpy, or downtrodden, or just blah, I can add a little sparkle with some ideas from this book.
In my novel, the female lead, Isadora, gives herself a little confidence before a meeting with the male lead by wearing some sexier-than-usual lingerie meant for her eyes only—an idea from this book.
In this glittering beauty and lifestyle guide packed with pearls of wisdom, Laren Stover has compiled everything a woman needs to know to live the Bombshell life: from how to dress and make an entrance to what to eat and where to shop. It tells readers what makes a Bombshell tick; road-tested outfits for 25 occasions; must-have Bombshell sleepwear, handbags, and fragrances; what's in the Bombshell library; and what she looks for in a man. With scads of little-known facts about real-life bombshells like Liz, Mae, and Lana this fun and ever-so-practical little book is certain to bring out the…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I love Jane Austen’s novels. I first read Pride and Prejudice when I was about 14, but it’s far too long ago to remember when I first read the others, and I’ve now read them all many times. I’ve also always been a singer, and I learned the piano when I was young, so I immediately noticed the music in the novels. I started writing about it seriously in the 1990s, but it wasn’t until 2007 that I realized that her music collection was still around and started making concert programs out of it. The new book brings all these things together.
This book tells us more about what Jane Austen looked like in real life than any drawing does. I love how Hilary Davidson delves into every possible piece of evidence for what she wore and provides illustrations from contemporary drawings and actual bits of clothing that survive.
Some of them actually belonged to Austen–like her turquoise ring and topaz cross, her lace shawl, and her brown silk pelisse. How amazing is it to see these items that Austen herself wore and to see the evidence that she was over 5 foot 6 inches tall!
Hilary Davidson delves into the clothing of one of the world's great authors, providing unique and intimate insight into her everyday life and material world
What did Jane Austen wear?
Acclaimed dress historian and Austen expert Hilary Davidson reveals, for the first time, the wardrobe of one of the world's most celebrated authors. Despite her acknowledged brilliance on the page, Jane Austen has all too often been accused of dowdiness in her appearance. Drawing on Austen's 161 known letters, as well as her own surviving garments and accessories, this book assembles examples of the variety of clothes she…
When I was a kid, I knew that my gender was different. I didn’t feel like a boy or a girl, but I didn’t know the word “nonbinary.” There were no kid’s books about people like me. I grew up with a lot of questions, which drove me to become a doctor of Women’s and Gender Studies and an expert on transgender history. Now I’m passionate about writing the kind of picture books that I needed as a child. If you want the kids in your life to understand transgender identity and feel loved whatever their gender may be, you’ll enjoy the books on my list.
When we talk about transgender pride, the voices of Native people are often nowhere to be heard. 47,000 Beads is an exception. This beautiful book tells the story of Peyton, a pow-wow dancer who has stopped feeling comfortable wearing a dress. This book helped me understand more about Indigenous children who are Two-Spirit – a pan-Native term for people whose genders are sacred in their tribal nation, but unintelligible to the white people who colonized the United States. I’m so glad I was able to read it and I hope you will be too.
Peyton loves to dance, and especially at Pow Wow, but her Auntie notices that she’s been dancing less and less. When Peyton shares that she isn't comfortable wearing a dress anymore, Auntie Eyota asks some friends for help to get Peyton what she needs.
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
From poisonous gowns to flammable petticoats, Fashion Victims shares the dark side of fashion history. What was the human cost to those beautiful gowns, both in terms of the wearers and the makers? This book is a little grimmer than my previous recommendations but no less interesting. A fascinating read.
From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns.
Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
As a teacher of US women’s history and educational history, I have long been interested in women’s colleges—in their faculties, administrators, students, alumnae, goals, and achievements. Most recently, as the biographer of a woman educator (a dean of Barnard College in the early 20th century), I became more deeply involved with the literature on single-sex schools. Major books focus on the older women’s colleges, the “Seven Sisters,” but devote attention to other colleges as well. I am impressed with the talents of historians, with their skill at asking questions of their subjects, with the intensity of mission at the women’s schools, and with changing styles of campus culture.
A landmark in fashion history, this riveting book captures the way that generations of young women shaped campus style at elite women’s colleges, the significance of clothes among women collegians, and the impact that women college students had on style in general. Photos and text suggest the semiotics of saddle shoes and Shetland sweaters, of blazers and Bermuda shorts. Clothes on campus, the book reveals, embody status and aspiration. Cool and savvy, college women steadily affected trends in the fashion industry.
Elite and prestigious, the Seven Sisters Style is synonymous with a collective sheen of exclusivity, intelligence, and a way of dressing that would become a marker of national pride and status all over the world. From jeans and baggy shirts, bermuda shorts to blazers, soft Shetland sweaters to saddle shoes, not to mention sleek suiting, pearls, elegant suitcases and kidskin gloves for weekend trips to neighboring Ivies and crinolines, kitten heels and cashmere for parties and dances, the women of the Seven Sisters perfected a flair that spoke to a splendidly aspirational lifestyle, filled with travel and excitement. Recently, it…
