97 Books Like Clive Barker's Books of Blood 1-3

It was the comic book titles of HG Wells early science fiction books which drew me in as a teenager, including this, his most famous. You never had to guess what it was about. And I was never disappointed. They took me into a different world.

What I always liked about HG Wells was his attention to detail and his attempts to provide a rational scientific explanation for the events which occurred in those books.

This was pretty much the first true horror book I read.

My mother, who had read it, thought I'd like it. Reading as a teenager, the scenarios of giant rats attacking people were frightening, and Herbert's description lent a realism to those scenes which I'd not encountered before. I found myself eagerly turning the pages to feast on the horrors of that which was contained within with relish. I was also fortunate, in my adult life, to meet and interview James Herbert and gain an insight into how he wrote and came up with the stories he told. 

This was one of the hardest books to "get into," but a friend of mine told me to stick with it because the rewards of getting through the first quarter would be so great. I'm glad I did. It is an astounding piece of work, quite different from anything I've ever read before or since, and remains one of my top five books.

The tangents the book takes, and the blasé attributes of the leading character are superbly crafted. It was suggested it was "unfilmable," and there's one scene in particular I thought they'd never get away with, but if you look at the movie version carefully, it's in there. 

This isn’t fantasy or supernatural, but the book really delves into the strangeness of people.

It starts as something mundane and ordinary until you scratch the surface. Full twists that genuinely caught me completely unaware, this book is a horror masterpiece that isn’t technically a horror.

And it has one scene that made me feel physically ill—that is amazing writing.

Blending sci-fi, fantasy, and horror, Bradbury’s The Illustrated Man takes readers to places they’ve likely only seen in their dreams or, more likely, their nightmares.

From heartbreaking tales of space disasters (“Kaleidoscope”) to frightening tales of a VR nursery gone wild (“The Veldt”), the strength of Bradbury’s legendary fiction is found in the way he brought humanity to even the wildest, most out-of-this-world premise. In addition, his immaculate prose is as much a joy to appreciate on the word-by-word, sentence-by-sentence levels, as it is on the story level.

The Illustrated Man was one of the first short story collections I ever read. The fact that so many of the tales included within its pages still stick with me to this day is proof of its power and legacy.

While trending more toward the fantasy side, then the previous picks on the list here, Link still manages to pull out some of the most unsettling moments in a short story that I’ve ever read.

When I finished her story “Some Zombie Contingency Plans,” I found myself immediately flipping back to the beginning of the story and reading it fresh. Link is masterful when it comes to weaving together narrative threads, playing literary sleight of hand. While the collection and one of the stories within are called “Magic for Beginners,” she’s very much an expert.

The cross-genre blending is very much following in the footsteps of Bradbury, giving a more fantasy-style focus where his work trends toward science fiction.

No one writing horror fiction today is better at punching the reader in the guts (or ripping those guts out and showing them to you) like Stephen Graham Jones. While he’s been touted more recently for his novel-length works, I first came to know SGJ’s writing via short stories. This collection is one of several stand-outs from his catalog.

When it comes to horror and weird fiction writing, SGJ’s versatility knows no bounds. Whether it’s the literary strangeness of “Father, Son, Holy Rabbit,” or the freaky folk horror of “Raphael” (elements of which SGJ has revisited in his Indian Lake novel trilogy), there are all kinds of scares in this collection. He even pulls off a shocking jump-scare fright in “Crawlspace” that has to be experienced first-hand.

While his stories might be some of the shortest word-count-wise from the tales featured in these listed collections, Brian Evenson’s prose does not lack for the weird and terrifying.

With many pieces going no further than the flash fiction of 1000 or so words, Evenson’s writing has taught me that it’s not about how many words you use, but how you use them.

In this collection, he adds Westerns to the mix of genres where horror and the weird can take seed and bloom into something mind-bendingly unsettling. “Black Bark” is one such story. At first, it seems to be a tale of two Wild West bandits on the run but as the nightmarish end arrives, readers will find they’ve been reading a very different tale all along.

This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.

When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.

I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.

I love Paper Girls because it’s a wild adventure with a great cast of dynamically written, queer girls. It’s a fantasy story that really grips the reader by the shirt collar and pulls them in. I definitely couldn’t put this one down because the story keeps you wanting MORE.

I have to again recommend this graphic novel for its gorgeous artwork and color palettes that really make it a feast for the eyes.