Books like The War of the Worlds — picked by fans

I’ve always been drawn to the quiet mystery behind ordinary lives, the sense that something sacred hides in the margins. As a caregiver, teacher, and author, I’ve seen how small moments carry enormous weight. That’s why I created this book list: each title touched me deeply and helped shape my own writing, especially Midrash Whispered By Stars. I write to honor forgotten souls, overlooked stories, and the quiet transformations that happen when no one’s watching. These books aren’t just favorites, they’re part of the emotional and spiritual DNA behind everything I create.

Since childhood, I have been obsessed with understanding everything — science and the universe. Now, in this age of the JWST and a burgeoning space industry, I do sub-quantum mechanics research at an international physics think-tank, The Quantum Bicycle Society. My own hard sci-fi novel is intended to help publicize these scientific advances, as well as the behavioral psychology concepts that are the subject of my next nonfiction book, The Animal In The Mirror. The books on this list represent the foundation of inspiration that propelled my formative sci-fi journey, stories that also shine the light of insight onto our shared, instinctive nature.

I'm continually asked why I write horror. But I wonder why every writer isn't writing horror. Not a day passes without me being aghast at the world and my own species, the present, past and future. Though nor do I stop searching for a sense of awe and wonder in the world either. My Dad read ghost stories to me as a kid and my inner tallow candle was lit. The flame still burns. Horror has always been the fiction I have felt compelled to write in order to process the world, experience, observation, my imaginative life. I've been blessed with a good readership and have entered my third decade as a writer of horrors. In that time two of my novels have been adapted into films and the British Fantasy Society has kindly recognised my work with five awards, one for Best Collection and four for Best Novel. I'm in this for the long haul and aim to be creating horror on both page and screen for some time to come.

I am a retired university professor who taught creative writing at the Faculty of Philology, University of Belgrade, and a not-yet-retired author, although I have on several occasions solemnly stated that I have written my last prose book. I believe these two qualities make me competent to create a list of 5 books that I have reread the most often.

As a teenager, I visited my uncle, who farmed rice in southern Haiti. I met a community that helped me understand that food is not just about dollars and cents—it’s about belonging, it’s about identity. This experience inspired me to become an aid worker. For the last 20+ years, I have worked to mend broken food systems all over the world. If we don’t get food right, hunger will threaten the social fabric.

I’ve been obsessed with apocalyptic and dystopian stories for over a decade. For me, they are the books that strike right at the heart of what it means to be human. Reading about characters facing the very worst scenarios possible brings love, resilience, survival, and hope into sharp relief. Not to mention that they are often the most powerful page turners—I have lost so much sleep over these cautionary tales, staying up until the early hours, unable to put them down.

I am a former Shakespeare scholar who became increasingly concerned about the climate crisis after I had a son and started worrying about the world he would inherit after I died. I began to do research into climate communication, and I realized I could use my linguistic expertise to help craft messages for campaigners, policymakers, and enlightened corporations who want to drive climate action. As I learned more about the history of climate change communication, however, I realized that we couldn’t talk about the crisis effectively without knowing how to parry climate denial and fossil-fuel propaganda. So now I also research and write about climate disinformation, too. 

When we speak in real life, much of what we say out loud doesn't have any real meaning. But when authors write, each word a character says must convey meaning to drive the scene forward. The words must exhibit some form of information—emotion, advancement of an idea, or even be the action itself—otherwise, they're just wasted words on the page. The true challenge of writing dialogue is to convey as much as possible with as few words as possible. I love a book in which I'm yearning for specific characters to return just so I can hear the carefully crafted, intelligent, and tight words they employ when speaking, especially when two characters are verbally dueling.

I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.

In school, I wasn’t fond of physics. Most of my education focused on the history of human civilization and culture. I rediscovered physics partly thanks to the books mentioned here—and the strangeness of quanta. My studies, exposure to Tao and Zen philosophies, and exploration of physics have given me a unique perspective and awareness: humanity is merely a tiny particle in the universe, neither central nor the king of all creation. Nothing new, of course—Buddha, Heraclitus, and Shakespeare all knew it well.