100 Books Like Clarissa, or, the History of a Young Lady

I read this book 3 months into the COVID-19 pandemic and LOVED it—it totally made me realize that: 1. we’ve been here before; 2. our reactions and responses are all tried and true (and probably not that useful); and 3. we would survive this time, too—at least most of us.

This is Daniel Defoe (yes, you know him from Robinson Crusoe) explaining what it was like to live in London when the plague came. It wasn’t pretty. The most chilling moment in the book came at the end, when I googled facts about the plague, realized it went away, and then came back repeatedly for decades.

Jane Austin is a classical writer of romance and a perfect combination of well-written English. The love Mr Darcy had for Elizabeth was explained with passion through the English language. 

It addressed issues within that time, and the beauty of a girl, as well as the strength of a man, was portrayed well. Jane Austin has other books, but my favorite was this one. 

“All women together ought to let flowers fall on the tomb of Aphra Behn... in Westminster Abbey, for it was she who earned them the right to speak their minds.” The first professional woman writer in England, best known for her scandalous stage comedies during the reign of Charles II, Behn ended her career with a hard-hitting novel about slavery and rebellion in colonial Suriname. It may not be true, as she says when dedicating Oroonoko (1688) to a Scottish nobleman, that “I writ it in a few hours.” But there’s real urgency to Behn’s narrative as she deplores the fate of her enslaved hero, an African prince she likens to “a lion taken in a toil,” while also sounding the alarm about regime change back home in England. 

Tobias Smollett, Scotland’s greatest novelist before Scott and Stevenson, was dying in a villa on the Ligurian coast when his masterpiece Humphry Clinker came out in London in 1771. Yet every page is written with astounding verve, immersing readers in the vibrant chaos of eighteenth-century Britain, the sights and sounds of its teeming cities and health resorts—even, in several virtuoso passages of gross-out description, its nauseating smells and tastes. Like Richardson before him, Smollett gives his narrative over to multiple voices, this time to riotously comic effect. Five Anglo-Welsh tourists (splenetic Bramble, scathing Tabitha, witty Jery, romantic Lydia, their hilariously unpredictable servant Win) travel the length and breadth of a nation in the throes of urbanization and commercial modernity, by turns disgusted and enchanted, constantly failing to agree on what they see. Illicit romances play out in the background, but Smollett’s main interest is in the turbulent dynamism of four-nations… show more.

Wells’ novel takes readers to the heart of the pain that an adult daughter experiences at the hands of a troubled mother.

It explores how the pain and trauma of being a woman in a culture that doesn’t value women equally are passed down through generations and how each generation picks it up and carries it, in similar but different ways.

This “wound” shows up in the relationships of mothers who grew up in the 1950s and 60s and their daughters who grew up in the 1970s and 80s. The mothers want so much for their daughters to have more freedom than they themselves did, but instead find themselves experiencing fear, bitterness, and unexpected jealousy.

I recommend this book because it made me reflect deeply on where my financial success derailed. Since 2017, I have strongly advocated for the rapid expansion of innovative technology like Bitcoin, crypto, and artificial intelligence, through hosting podcasts and writing books. After reading this book, I was shocked that I agreed with the need for a more cautious approach. I thought about the benefits and drawbacks of rapidly advancing technology and why it makes sense to be more careful.

I believe Gen X is not just the bridge between the analog and digital worlds but also the connectors and innovators that will drive our global economy forward. I grew up not feeling special, but this book helped change my perspective. I have shared traits, such as resilience and adaptability, with my fellow Gen Xers. I now wish to use my voice to strengthen relationships in our increasingly digital age. I… show more.

Reading Stillman and Lancaster’s book changed my life.

They created a framework, a concept, that I’d been looking for… that events and conditions experienced in their formative lives inform how we see the world. From Traditionalists to Boomers to Gen X and Millennials, we all have been shaped by what we lived through when we were growing up, and leads us to see the world differently.

I bring that lens into every interaction with people I meet now. I highly recommend this read. It will change how you see the world.

I don’t know of anyone else who so captures time, place, and the idiosyncratic language of the moment that we tend to shake our heads at years later but is exactly right at the time. Winslow is a magician with the nuances.

Here’s how the novel opens in Laguna Beach, California. "Is what O is thinking as she sits between Chon and Ben on a bench at Main Beach and picks out potential mates for them. "That one?" she asks, pointing at a classic BB (Basically Baywatch) strolling down the Boardwalk." "Chon shakes his head." And further down, "O was made for sunshine.' "California girl."

I live in California. I grew up here. Winslow captures the moment. Future historians should read him.

I love this book because it gives adult daughters clarity on the generational trauma mom might be acting out with them when in conflict together. By looking at patterns of behaviors (criticizing, dismissing, avoiding), social expectations of each generation (i.e., stay home, be small, be a caregiver, be polite), and mom’s own trauma, adult daughters can look at mom with more awareness and compassion.

I loved the grandma-mother-daughter genogram exercise in this book, which maps out these patterns in such a powerful, visual way!

Inspired by the works of Thomas Wolfe, Conroy’s autobiographical novel begins after his high school years, with flashbacks to earlier days as it leads toward the end of each of his parent’s lives.

Once a brutal alcoholic, his ex-military father remains verbally abusive but allows a viable relationship with Conroy, the eldest son, while the mother fantasizes relentlessly. As adults, Conroy and his six siblings try to make sense of the negative repercussions they endure from their chaotic, unstable childhood.

I appreciated Conroy’s sincerity, especially when he witnesses another one of his novels being made into a movie and realizes he is watching art in its creation. “It was so powerful in its purity and its sheer honesty that it shook me, terrified me. But it changed me. That is what art always does.”