Here are 100 books that City of Refugees fans have personally recommended if you like
City of Refugees.
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I’m interested in the lives and experiences of refugees and the policies and processes that support, protect, and obstruct them. I’m also interested in cities–how and why they attract people, the dangers and prospects they offer, and the unique way in which humanitarianism happens (or doesn’t happen) there. I’m an interdisciplinary academic who has spent years researching these issues and more.
We can learn a lot about urban refugees from works of fiction. This short story is a tragic tale of Boniface Louis R. Kuseremane, a Rwandese prince, who finds himself in Kenya’s capital, Nairobi.
The story does well to remind us that refugees come from all backgrounds and how quickly support and wealth can disappear. Nairobi initially exists as a stop-off on route to continued comforts in Europe, but the protagonist finds himself trapped on a downward spiral as his social and material privileges slip away.
Yvonne Adhiambo Owuor is most well known for her beautifully written novels Dust and The Dragonfly Sea, but long before these, her short story Weight of Whispers won the prestigious Caine Prize for African Writing.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m interested in the lives and experiences of refugees and the policies and processes that support, protect, and obstruct them. I’m also interested in cities–how and why they attract people, the dangers and prospects they offer, and the unique way in which humanitarianism happens (or doesn’t happen) there. I’m an interdisciplinary academic who has spent years researching these issues and more.
This book is one of the first full-length books devoted to the specific topic of urban refugees. It was published in 2001, years before the pronouncement that most refugees live in towns and cities.
The book provides an intimate and detailed account of the promises and hardships refugees face in cities–in this case, Dar es Salaam in Tanzania.
An engrossing and accessible ethnography, the book shows the way that a variety of factors–age, religion, language, memory–intersect to shape refugees’ experiences in urban space.
I’m interested in the lives and experiences of refugees and the policies and processes that support, protect, and obstruct them. I’m also interested in cities–how and why they attract people, the dangers and prospects they offer, and the unique way in which humanitarianism happens (or doesn’t happen) there. I’m an interdisciplinary academic who has spent years researching these issues and more.
A rich historical account of the experiences of Afghans living in urban Pakistan from the 1970s to the post-2001 ‘War on Terror’ period, this book provides a fascinating discussion of urban informality, what it means to belong, the role of citizenship, and the engagement and absence of the state in cities.
The book utilises ethnographic observations and interviews but also valuable archival data–raising important considerations of who gets remembered, as well as underscoring that urban refugees are not a new phenomenon.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I’m interested in the lives and experiences of refugees and the policies and processes that support, protect, and obstruct them. I’m also interested in cities–how and why they attract people, the dangers and prospects they offer, and the unique way in which humanitarianism happens (or doesn’t happen) there. I’m an interdisciplinary academic who has spent years researching these issues and more.
This book is a fascinating and well-written book on ‘gender refugees’ –people who make their claim for asylum based on their gender identity.
The book illuminates these refugees’ unique and challenging journeys as gender refugees, from their reasons for leaving their countries, the various violences in the asylum system, the South Africa they imagined, and the South Africa they experienced.
The book de facto deals with urban refugees. South Africa does not practice a system of encampment, while nearly all the participants in the research reside in Cape Town and Johannesburg.
This book tracks the conceptual journeying of the term 'transgender' from the Global North-where it originated-along with the physical embodied journeying of transgender asylum seekers from countries within Africa to South Africa and considers the interrelationships between the two. The term 'transgender' transforms as it travels, taking on meaning in relation to bodies, national homes, institutional frameworks and imaginaries. This study centres on the experiences and narratives of people that can be usefully termed 'gender refugees', gathered through a series of life story interviews. It is the argument of this book that the departures, border crossings, arrivals and perceptions of…
I love exploring the theme of family legacies and learning the stories, even if fictionalized, of our ancestors who helped build America for future generations. I explored this theme with my Ellis Island series, but truly it influences everything I write. It began with my interest in my own genealogy and my love of research. Along with writing my own books, I host a blog on historical fiction called Novel PASTimes and am co-founder of the Faith & Fellowship Book Festival with the aim of connecting readers with really good books.
The main character Ellie is strong and resilient. I loved that she went to America to make money for her injured husband’s sake, was flung into a world in New York City that was so unlike rural Ireland, met with temptations, and found her way out. Ultimately, it’s a love story (not romance per se) and I found myself rooting for Ellie throughout the whole book.
Rural Irish girl Ellie loves living in New York, working as a lady's maid for a wealthy socialite. She tries to persuade her husband, John, to join her but he is embroiled in his affairs in Ireland, and caught up in the civil war. Nevertheless Ellie is extremely happy and fully embraces her sophisticated new life. When her father dies she must return home, but she intends to sort her affairs quickly and then return to her beloved America.
But once home her sense of duty kicks in and she decides, painfully, that she must stay to look after her…
I grew up in a family of chefs and restaurant owners, so it’s probably no surprise that food plays a major role in my debut novel, All Stirred Up. (The two main characters are, in fact, chefs and restaurant owners. You write what you know!) Cooking plays a major part in my life as well—I’m always making something for family and loved ones. It’s probably no surprise that I love a good food book as well, whether it be fiction, memoir, or history. On my list are just five of my favourites.
Gabrielle Hamilton isn’t just a ‘reluctant chef’ (in her own words), she’s also an absolutely exquisite writer (her MFA really paid off!). Her memoir traces her life and love of food from her New Jersey childhood, through her many professional ups and downs and international travels (I especially love the parts where she’s staying at her Italian mother-in-law’s home, describing the incredible produce she was able to get. Oh, the tomatoes!) Did I extra love this because she grew up in the same small town I was born in? Maybe, but it’s a wonderful book no matter where you’re from.
A sharply crafted and unflinchingly honest memoir. This is a rollicking, passionate story of food, purpose and family.
Blood, Bones & Butter follows the chef Gabrielle Hamilton's extraordinary journey through the places she has inhabited over the years: the rural kitchen of her childhood, where her adored mother stood over the six-burner with wooden spoon in hand; the kitchens of France, Greece, and Turkey, where she was often fed by complete strangers and learned the essence of hospitality; and the kitchen of her beloved Italian mother-in-law, who serves as the link between Hamilton's idyllic past and her…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I grew up blocks from Hollywood Boulevard in the late ‘60s and early ‘70s and had something like a front-row seat to the greatest pop culture five-car pile-up in American history. At the Canteen on Hollywood and Vine, where my aunt would take me on summer weekdays for the “Extras for Extras Smorgasbord,” you’d rub shoulders with aging starlets, cowpokes, starry-eyed young hopefuls, and “leading men” in five-and-dime ascots who never had a leading role. Even Billy Barty, always of good cheer, would make the scene—he was so nice to me, and I had no idea he played my hero, Sigmund the Sea Monster!
Not usually considered a Hollywood novella per se, Bellow’s “small grey masterpiece” (V.S. Pritchett) tracks failed actor Tommy Wilhelm on a dark Manhattan day when his luck and his money run out.
This book is at once a tender portrait of failure and a searing indictment of the false promises America makes to the gullible. Along the way, Tommy recalls his one and only screen role—as a Hollywood extra, he briefly appeared barelegged in a kilt, pretending to blow bagpipes—just one more humiliation in a string of let-downs. By day’s end, Tommy goes face to face with humanity in a subway station and spirals toward “the heart’s ultimate need”—tears.
“What makes all of this so remarkable is not merely Bellow’s eye and ear for vital detail. Nor is it his talent for exposing the innards of character in a paragraph, a sentence, a phrase. It is Bellow’s vision, his uncanny ability to seize the moment and to see beyond it.” –Chicago Sun-Times
A Penguin Classic
Fading charmer Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: He is separated from his wife and children, at odds with his vain,…
After completing the first draft of Monday Rent Boy, I was taken aback to discover a common theme running through all of my books: a focus on children in adverse situations. A Secret Music. The Ghost Garden. And now Monday Rent Boy. What holds paramount importance for me… is tracing the trajectory of the injured child as he or she navigates the journey toward adulthood…And…what does that path look like… what are the factors that help a person rise versus the ones that crush another? The more urgent answer to the question of why write? I came to see that certain subjects need to be written. And hopefully, read.
This Pulitzer Prize-winning novel follows Theo Decker, a young man grappling with trauma, loss, and guilt. Themes of friendship, mentorship (through his relationship with Hobie), and the search for redemption are central to the story.
This book has the best opening scene of any book I’ve ever read. No matter what, I needed to be on this journey with the characters Tartt had drawn so evocatively.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
Hollywood and celebrity gossip can be a fun diversion, from their fabulous clothing and closets to their ability to influence a worldwide audience. It is something I have long been drawn to and love to be immersed in. The idea of fame has always intrigued me. Is it good? Bad? Somewhere in between? Sometimes, the very pop star who the world is idolizing can be tortured behind the scenes—maybe even by fame itself. I am intrigued by the ways one goes from anonymity to notoriety, as well as the ways fame can change one’s life.
This was an enjoyable read, first and foremost, because of Meg Cabot’s witty writing style—she always makes me chuckle. I also loved this young adult novel because the main character gets to temporarily experience a vastly different life.
From Never Been Kissed, where Drew Barrymore’s twenty-something character goes undercover as a teenager, to Freaky Friday, where a mother and daughter trade places, I adore seeing characters live life in someone else’s shoes. That was a big part of why I wrote my book where Skye gets to trade in one life for another—even if it isn’t exactly by choice.
In this book, the main character, Em, gets a true peek into the life of a celebrity, and she realizes all she really wants is to be herself. This is book one in a three-part series. I haven’t read the others yet, but they look just as fun.
Two worlds collide when super-gorgeous celebutante Nikki and tomboy brainiac Em find themselves thrown together - literally. Forced to live the life of a glamorous supermodel, will Em be able to keep her old life, and those she cares about, a secret?
Airhead is the first in a brilliant, funny and thought-provoking trilogy from Meg Cabot, the author of the million-selling The Princess Diaries.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Most books about the USSR, World War II, and refugees, feature saintly people suffering in noble silence. Something Unbelievable reminds us that the Soviet citizens fleeing Communism and Nazis were all individuals, not one-dimensional ciphers. They were sometimes vain, sometimes selfish, sometimes bored, and sometimes frustrated. They were real, flesh and blood, petty, complicated human beings who lived through the unthinkable… while still managing to think about sex, romance, jealousy, and betrayal. The granddaughter in Something Unbelievable is moved to learn all this and more about her grandmother’s evacuation to Asia during World War II. And so is the reader.
An overwhelmed new mom discovers unexpected parallels between life in twenty-first-century America and her grandmother’s account of their family’s escape from the Nazis in this sharp, heartfelt novel.
“A fresh perspective—one that’s both haunting and hilarious—on dual-timeline war stories, a feat that only a writer of Kuznetsova’s caliber could pull off.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
Larissa is a stubborn, brutally honest woman in her eighties, tired of her home in Kiev, Ukraine—tired of everything really, except for her beloved granddaughter, Natasha. Natasha is tired as well, but that’s because she just had…