Here are 100 books that Nightbooks fans have personally recommended if you like
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I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
A Southern Gothic historical horror, Hoodoo is a story of fair and foul folk magic in 1930s Alabama. Hoodoo Hatcher is the only person in his family without a knack for the hoodoo that gave him his name—and that’s a problem, because the evil Stranger is coming for him, and he’ll need all the courage and smarts he can summon to keep himself and his family safe. To me, the greatest joy of this wonderful book is Hoodoo’s distinctive, humorous voice, and Ron Butler brings him perfectly to life in his performance; it’s not easy for an adult to make a child’s voice sound authentic, but Butler knocks it out of the park.
Twelve year old Hoodoo Hatcher was born into a family with a rich tradition of practicing folk magic - hoodoo, as most people call it. But even though his name is Hoodoo, he can't seem to cast a simple spell. Then a mysterious man called the Stranger comes to town, and Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy. Not just any boy. A boy named Hoodoo. The entire town is at risk from the Stranger's black magic, and only Hoodoo can defeat him. He'll just…
This biography for middle-grade readers and up explains who Jane Addams was and why she caused such a stir worldwide. The story follows Addams' first childhood realization of how poverty limits lives, livelihoods, and health to her becoming one of the most beloved―and disliked―women of her day. She worked to…
While one-off stories are fantastic, I love that children's series lets readers return to trusted characters. Series allow children to see a wider arc of character development and decision-making—often imperfect and in transition—when they are trying to figure out how to identify and connect with the world themselves. That shared experience over time is why I only write series myself—to let kids evolve alongside their favorite characters.
Most know VE Schwab for her YA Series, though she's also written some exemplary middle-grade books.
Her City of Ghosts series is one of my favorites, mainly because of the relationship between Cassidy and Jacob. I find there are few books for kids with great boy-girl friendships, and this one is made even better by the fact that poor Jacob is dead—or caught into the veil between life and death—or something.
Readers of the three books will learn why and travel deep into the spooky shadows of the most haunted cities in the world.
Ever since Cass almost drowned (okay, she did drown, but she doesn't like to think about it), she can pull back the Veil that separates the living from the dead . . . and enter the world of spirits. Her best friend is even a ghost.
So things are already pretty strange. But they're about to get much stranger.
When Cass's parents start hosting a TV show about the world's most haunted places, the family heads off to Edinburgh, Scotland. Here, graveyards, castles, and secret passageways teem with restless phantoms. And when Cass meets a girl who shares her "gift,"…
I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
This is my eleven-year-old son’s favorite book by master of kiddie horror K.R. Alexander, and I’ll admit that when I read the paperback, I didn’t understand why. The story of Kevin’s obsessive desire to win the annual haunted house contest—no matter what dark forces he angers in the process—was very good, but I thought some of Alexander’s other books were better. Then I listened to the audiobook, and I’ll be darned if I don’t agree with my son now. Michael Crouch infuses Kevin with exactly the right levels of vulnerability and desperation, making us understand every terrible decision he makes...even as we cringe in anticipation of the consequences.
A haunted house has come to life in this spine-tingling novel from the author of The Collector.
They've lost control of the haunted house.Every year, the town of Happy Hills holds its haunted house contest. In a spooky old manor, teams of kids come up with new ways to frighten people. The scariest team wins.But this year, all the teams are going to lose. Because this year the house itself has awakened . . . and it won't be happy until it's devoured all the people inside. What started out as a game has turned into something much more deadly.Is…
Reeni is wild about birds so naturally, when she and her friend Yasmin have to pick a topic for a school assignment, birds in the city are an obvious choice. But when the upcoming bird count is threatened, Reeni has to detour from birding to activism. This is a global…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
There are two things that I’ve always loved in my books: animal POV and spooky vibes.
This book has both! In so many ways, the things we face in our everyday life can feel like a horror story, or feel like monsters. For a fox, that would be things like rabies, hunters, fires, etc.
The prose was so good and so vivid, and I really worried with each different story how the little foxes were going to survive. One of my absolute favorites.
Christian McKay Heidicker draws inspiration from witches, vampires, H. P. Lovecraft, and Edgar Allen Poe to craft his middle-grade debut, a chilling portrait of survival and an unforgettable tale of friendship.
When fox kits Mia and Uly are separated from their litters, they quickly learn that the world is a dangerous place filled with monsters. As the young foxes travel across field and forest in search of a home, they'll face a zombie who hungers for their tender flesh, a witch who wants to wear their skins, a ghost who haunts and hunts them, and so much more.
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
I love Ghost Story because it didn’t just scare the hell out of me, it scared the hell out of me in a very personal way.
It felt like it was something that could have happened to me. Worse, it felt like something that still might happen to me. And at any time. It lingered in my psyche, like the threat of something waiting to occur. The ghost of terror yet to come.
#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past...
What was the worst thing you’ve ever done?
In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives.
But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no…
My wife and I were at a red sauce joint in the West Village of Manhattan drinking a bit of wine when we posed the question: who invented all this? We knew Italian American food didn’t look all that much like the food we ate in Italy. Later, at home, I started Googling for answers. None were satisfactory. I read a few books before finding myself at the New York Public library sleuthing through JSTOR. After examining my notes, I said to myself, “oh, I guess I’m writing a book.”
Corner grocery stores are everywhere in New York City, but most of the time we never really think very hard about them. Ben Ryder Howe on the other hand, drew on his own experience running the family bodega. The store he ran was on the border between a rapidly gentrifying section of Brooklyn and a neighborhood with public housing. The changing customer base meant his store shelves began to gentrify like the neighborhood around him, but as he soon learned, too many changes too quickly are bad for business. Part memoir, part researched journalism, Ryder Howe provides a fascinating look into a New York City staple.
It starts with a gift, when Ben Ryder Howe's wife, the daughter of Korean immigrants, decides to repay her parents' self-sacrifice by buying them a store. Howe, an editor at the rarefied Paris Review, agrees to go along. Things soon become a lot more complicated. After the business struggles, Howe finds himself living in the basement of his in-laws' Staten Island home, commuting to the Paris Review offices in George Plimpton's Upper East Side townhouse by day, and heading to Brooklyn at night to slice cold cuts and peddle lottery tickets. "My Korean Deli" follows the store's tumultuous life span,…
A gay retelling of the classic fairy tale--a scrumptious love story featuring ungrateful stepsiblings, a bake-off, and a fairy godfather.
Cinderelliot is stuck at home taking care of his ungrateful stepsister and stepbrother. When Prince Samuel announces a kingdom-wide competition to join the royal staff as his baker, the stepsiblings…
My print-journalist father covered the crime beat. He often took me with him to the police station and I got hooked on crime. My background is eclectic, a professional trumpet player with a BA in Mathematics and a Masters in Fine Arts. While teaching at Berklee College of Music in Boston, I discovered my dark side and began writing crime thrillers. Most are inspired by actual events or news reports about stalkers, domestic homicides, or serial killers. In 2001, I moved to New Orleans. My crime thriller series features NOPD Homicide Detective Frank Renzi. I'm fortunate to be able to consult three former NOPD homicide detectives who advise me on police procedures and investigations.
Picture Jack Reacher on an NYC subway car at 2 AM with a suicide bomber. Will she blow up the car and everyone in it? I love how Lee Child keeps us in suspense, not just for a page or two, for twenty-seven pages! Reacher finds out the woman had a dangerous secret, but everyone he talks to lies to him. Each chapter ends with a cliffhanger and more questions.
But many people want Reacher to stop asking questions: a former Delta Force operative running for the US Senate, two Al Qaeda agents, NYC cops, and FBI agents. They want Reacher to get lost and forget the suicide bomber. Fat chance! The complex plot will intrigue you. The climactic ending will terrify you even more than the suicide bomber.
Enhances his status as a mythic avenger. . .You'll be left with a thumping heart and a racing pulse but, be warned, Chapter 63 will give you nightmares." (Evening Standard)
Suicide bombers are easy to spot. They give out all kinds of tell-tale signs.There are twelve things to look for.No one who has worked in law enforcement will ever forget them.
New York City.The subway, two o'clock in the morning. Jack Reacher studies his fellow passengers.Four are OK.The fifth isn't. The train brakes for Grand Central Station.
Will Reacher intervene, and save lives? Or is he wrong?Will his intervention cost…
I am a historian, curator, and writer born and raised in New York City, a place whose history intrigued me from an early age. With a mother who moved from small-town New Jersey to Greenwich Village in the 1950s, and a father who had childhood memories of World War I in the Bronx, I think my interest was sort of preordained. I remain fascinated by cities as engines of change, as flashpoints for conflict, and as places that are simultaneously powerful and vulnerable.
In urban warfare, boulevards, parks, palaces, and prisons take on crucial meanings. This is the launch point for Rapport’s narrative of how the spatial layout of three cities—colonial New York, revolutionary Paris, and imperial London—inspired and channeled violent uprisings and reprisals. Rapport ranges from New York’s Commons, a park contested by patriots and redcoats in 1770, to Paris’s Faubourg Saint-Antoine neighborhood, whose artisans stormed the Bastille in 1789, and on to the network of taverns created by London radicals as clandestine hubs of revolutionary activism during the 1790s. A treat for anyone interested in how eighteenth-century cities became battlegrounds for the era’s insurgent movements for freedom and equality.
A lauded expert on European history paints a vivid picture of Paris, London, and New York during the Age of Revolutions, exploring how each city fostered or suppressed political uprisings within its boundaries
In The Unruly City, historian Mike Rapport offers a vivid history of three intertwined cities toward the end of the eighteenth century-Paris, London, and New York-all in the midst of political chaos and revolution. From the British occupation of New York during the Revolutionary War, to agitation for democracy in London and popular uprisings, and ultimately regicide in Paris, Rapport explores the relationship between city and revolution,…
Since I began reading, two things have fascinated me the most, that is, history and mystery. My voracious appetite for mystery began with Nancy Drew and Hardy Boys. History has always been my best subject in school. To me, history isn’t about people, achievements, and dates. It’s about lives lived through the tragedies and triumphs that we all face and can relate to. It is the origin of stories. History doesn’t have to be boring. It can be the greatest and most intriguing story that you have ever read. Mystery is history’s great friend—to convert a huge range of readers into history lovers.
Jo Montfort cannot be chained by the expectations of others for long. The monumental event of her father’s “accidental” death triggers her to break free to discover the dirty truth that was once veiled in brittle glamour. A strong heroine and scandalous outings in the nights makes this read a thrilling ride to savour in the late-night hours.
From Jennifer Donnelly, the critically acclaimed New York Times bestselling author of A Northern Light and Revolution, comes a mystery about dark secrets, dirty truths, and the lengths to which people will go for love and revenge. For fans of Elizabeth George and Libba Bray, These Shallow Graves is the story of how much a young woman is willing to risk and lose in order to find the truth. Jo Montfort is beautiful and rich, and soon—like all the girls in her class—she’ll graduate from finishing school and be married off to a wealthy bachelor. Which is the last thing…
Lois Lowry looks back at history through a personal lens as she draws from her own memories as a child in Hawaii and Japan, as well as from historical research, in this stunning work in verse for young readers.
On the Horizon tells the story of people whose lives were…
How did I – as a scholar of German literature – turn to economic topics? That had a certain inevitability. When I left for Paris in the early nineties, reading traces of anthropological knowledge in literature and aesthetics of the 18th century, I came across economic ideas on almost every page, in natural history, in medicine, in philosophy, in encyclopedias, in the theories of signs and in the teachings of beauty. There was circulation, communication, flows of exchange all over the place, and the Robinsons were the model. This reinforced the impression that the human being was engaged in aligning himself with homo oeconomicus. The question of modern economics has therefore become unavoidable for me.
With this grotesque odyssey of a hedge fund manager in New York, Don DeLillo’s novel takes us right into the arena of the modern financial market, touches on the question of whether that market lends itself to literary treatment, and offers a series of narrative and rhetorical figures to represent the riddle of the finance economy, its protagonists and their operations.
Eric Packer is a twenty-eight-year-old multi-billionaire asset manager. We join him on what will become a particularly eventful April day in turn-of-the-twenty-first-century Manhattan. He's on a personal odyssey, to get a haircut. Sitting in his stretch limousine as it moves across town, he finds the city at a virtual standstill because the President is visiting, a rapper's funeral is proceeding, and a violent protest is being staged in Times Square by anti-globalist groups. Most worryingly, Eric's bodyguards are concerned that he may be a target . . .
An electrifying study in affectlessness, infused with deep cynicism and measured detachment;…
