96 Books Like City of Girls

The characters in Maggie O'Farrell's book are so real and compelling that they make historical figures feel like your next-door neighbors. I've always been obsessed with Shakespeare, and it's fascinating to learn more about how much Shakespeare was inspired by the death of his son Hamnet. It shows Shakespeare the man but also brings to life the other people in his life, especially the women, who history has forgotten about.

Behind every great man is an army of unseen women, and O'Farrell's novel gives those women voice and agency, showing what life (and death) was like for women in previous centuries, and showing that the experience of grief is universal.

Jonas is our youngest protagonist on the list. He is destined to be the receiver of memories in a futuristic utopian society. Those memories are to be passed down to him by an old man, the Giver.

Jonas lives in a society where people are innocent—innocent of emotion, pain, and suffering. He must lose his innocence to experience the joys and pains of humane experience. 

That’s a heavy responsibility. And it’s Jonas’ thoughtfulness and curiosity that draws me to him. He faces difficult ethical choices. His awakening is unique to the fictional world he inhabits, but it is universal in theme. His quest to gain knowledge, his willingness to question authority to get to the truth, and his ability to make tough choices to experience the depth of what it means to be human make him someone I would want in my corner. 

A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.  

This book includes so many of my favorite things: an inn on the coast of Italy, a young innkeeper with outsized dreams, movie stars, an almost-romance, and a chance for rekindled love.

I clung to every page as the story moved back and forth from the 1960s to the present day, from the set of Cleopatra in Rome to Hollywood backlots. This book is like a vacation full of interesting people you want to know better, the kind of vacation you never want to end.

I read this novel just as I was starting to write in earnest, and before I fully understood how hard it is to pull off a feat of complex storytelling as elegantly as Walter does in this novel. It’s a marvel.

Becoming a manager at an early age and now a nonprofit founder, I realize how important the statement ‘Relationship before Task’ is. While this book is used to sustain relationships of love, the lessons on how we invest emotionally in other areas of our life, including the workplace and friendships, is just as impactful. This book encourages me to give guidance, not ultimatums when making my needs known. Overall, this book is a reminder that being relationship-focused will bring us the love and/or significance that we’re looking for. 

This book is a tour-de-force—a beautifully written story about Marian Graves, an Amelia Earhart-type adventurer during the prohibition era, and Hadley Baxter, the actress set to play her in a movie more than half a century later.

I really enjoyed how the two stories are in conversation with each other; both women determined to chart their own courses in very different eras and what they learn about themselves in the process. I was also struck by the intense obligation the actress feels to get this character right and the personal toll it takes as she discovers how similar their emotional lives may have been.

This book provided a true escape just when I needed it most, and I could have kept reading long after I turned the final page.

Novels really are timeless and this one, written almost 100 years ago, gives a portrait of feminism before it was a term. The protagonist Selena has a strong work ethic and doesn’t fear the implications of being a widowed mother of a young son and needing to run a small farm on her own. I loved that she relishes the challenge of her responsibility and thinks outside the box to find a niche market, becoming successful by not succumbing to the expectations of others. She doesn’t feel tamped down by her farming community’s judgments of what she can and cannot accomplish. Reading, and enjoying, a novel published in 1924 reminded me that oldies are quite often the besties.

In addition to the fact that this story is set in another country and culture, I love that we meet the protagonist as a young, orphaned child, and a strong-willed one at that. She defies norms that would have her married at the age of eleven and remains in an ashram, where she builds a life her own way. I read this book over ten years ago and, though I cannot remember all the details, the story stayed with me for the descriptions of the characters and settings. I have always been drawn to Indian authors and stories about strong Indian women who often endure inequality and even abuse yet find their place and community. Just writing this recommendation makes me want to read it all over again!

It’s important to be open-minded as you’re reading this book and understand that it is reality blended with mysticism and spirituality, which means you will need to suspend disbelief. Throughout the novel I enjoyed the interweaving of Ganesha’s commentary with the main narrative, as it kept me wondering how and when he might show himself to Esther and what role he fills in the story. It lent some mystery and edginess to the plotline. Esther is unconventional, especially when it comes to her mothering, and some readers might be put off by this, but her survival instinct is admirable, in my opinion. Teitelman does a fantastic job setting up Esther’s fastidious dedication to quality and perfection, which plays into that survival instinct.

Tegan and Sara’s joint autobiography reminded me how often music acts as a lifeline to survive childhood and beyond.

These identical twins from Calgary have such an amazing vibe and energy to their songs, and through their music they have been super advocates for gender and sexuality equality. Learning more about them also made me proud to be Canadian.