65 Books Like Cities in Flight

I loved this book because it’s the granddaddy of time travel stories that use a machine method of transportation to the past or future. The protagonist creates a machine capable of moving through time without actually moving through space.

I easily suspended my 21st-century pragmatic understanding of time travel and was immersed in Wells's plot for a world of the future, one with a socialist propensity. For a book that would be considered a Novella, this has a ‘big story’ feeling—for me anyway.

I like the psychological nature of this book. It pits human beings against an idea–a computer model of society. Having a degree in economics the concept particularly intrigued me.

It showed no matter how big and important we think we are there are forces outside of our control. This was one of the most innovative books I have read.

I love this book for its poetic, dreamlike quality. Bradbury’s writing pulled me in and didn’t let go, painting a picture of Mars that was both beautiful and tragic. As a pre-teen and a teen, in my imagination, I had red dust stuck to my feet, and I was there with the characters. What captivated me was the way the stories felt timeless—each one was like a snapshot of a moment layered with meaning.

I felt like I wasn’t just reading a book about colonizing Mars; I was exploring humanity’s deepest fears, hopes, and regrets. We have companies only today working on getting to Mars, I feel so upset that I know I will likely never set foot on those dusty red shores, but I am thrilled to know it may still happen for others.

Bradbury’s work made me think about the consequences of exploration—how, in our quest to conquer… show more.

I was completely invested in this story from the first few paragraphs. I have a habit of skimming through words and pages to get the gist of a book before committing to reading it; this book is one of the few that held me from the start.

Heinlein had this amazing ability to make Mars feel alive - not just a backdrop but a character in itself. I love this book for the sense of adventure it gives me, pulling me into a world where young explorers navigate political conspiracies and uncover the mysteries of an alien planet. Heinlein’s writing made me feel like I was right there alongside the characters, sharing their triumphs and setbacks.

What stood out to me was how it combined the excitement of discovery with serious themes about freedom and responsibility. Heinlein’s Mars isn’t just a playground—it’s a battleground for ideas about independence and loyalty.… show more.

It is not possible to talk about “galactic empires” in SF and not naming/checking Asimov’s masterpieces. Asimov describes in breathtaking detail a highly complex yet credible and vivid universe and follows its evolution and the struggles in a historical buildup, encompassing several novels. Expect to feel like watching History Channel of the Future: you will see an empire rise, swell outward, stabilize, destabilize, fall, experience a Dark Age that lasts 30,000 years, and then rise again. Asimov based many of the details of his empire on the Romans, their history, and their Empire. Impossible not to feel how real his Galaxy thus becomes: here and there you will have the sensation that something familiar is unfolding in front of your eyes… if you have studied classics and history, that is. Asimov’s Galactic Empire is thus recognizable and with a familiar shape, and at the same time, it is the epitome… show more.

This series, to my mind, epitomizes the idea of a gradual rebirth after a galactic civilization collapses, leaving humans stranded on countless worlds with varying degrees of technology. I found the way in which Drake approaches said rebirth incredibly fascinating as well as entertaining, by using sentient artifacts of the long-vanished empire to guide humans back to the stars. And, as a dog lover, I really enjoyed him using oversized canines instead of horses for his pre-industrial cavalry.

The War World series of novels, novellas, and short stories drew me in because they represent a microcosm of what happens when a civilization crashes in an inhospitable environment. I’ve been an avid fan of Jerry Pournelle’s CoDominium universe ever since reading West of Honor and seeing how it evolved for good and for bad through the War World lens, as developed by a long list of fantastic authors, kept intriguing me for years. Many of the concepts developed throughout the series had a marked influence on my own worldbuilding, and for that, it will always have a special place in my pantheon of books.

Shards of Honor and Barrayar form a duology within the wider Vorkosigan Saga, and starting with them both is the best way to become acquainted with the wider series universe and with the origins of Miles Vorkosigan. All of the later books refer back to events that happen in Barrayar, and one of the core conflicts of the novel is the struggle between the conservative isolationists who don’t want to integrate with the rest of the galaxy, and the liberal reformists who do. The political intrigue is extremely well done, and the adventure is superb.

This entire series was amazing. Okay, a few of the books were a bit slow, but overall, it was great. The new worlds, the political intrigue, everything about this story was great. There were histories that drove the characters that were only hinted at or mentioned in passing, but they brought life to them. Just like we are all shaped by our past, our countries, and our places in society, so are all the characters in this book.

My favorite character wasn’t Paul, though; it was Duncan Idaho. I was so sad when he was killed, but I was fascinated when they brought him back from the dead in the second book and others because Herbert made it so interesting. The bodyguard programmed, created even, to kill the one he once died to protect. Now, that’s some drama right there. 😊 

The twists, turns, and world-building were amazing. I learned… show more.

By now, it should be clear I like trilogies, reading and writing them. The Lyhhrt Trilogy is a perfect example of incredible imagination and wordsmith talent. As in some of my writings, there is palpable lyrical style and a dense compositional approach to a story that explores the awful and worming guts that must be, de facto, the only way any vast empire can form, emboweled and ejected into reality. The Galactic Federation here is a hostage of the nobility or despicable evilness of those carrying authority in the governing organization: game of thrones anyone? The spine of the story, as in The Law, is of a GalFed Judge who realizes cruelty and slavery are the crude reality in an empire focused on satisfying the same base urges that humanity spends so much energy on today. A well envisioned complicated and messy universe, the way it should be.