100 Books Like Barrayar

This book is prophecy, power, and paranoia wrapped in a sandstorm.

It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.

It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.

I like the psychological nature of this book. It pits human beings against an idea–a computer model of society. Having a degree in economics the concept particularly intrigued me.

It showed no matter how big and important we think we are there are forces outside of our control. This was one of the most innovative books I have read.

I have enjoyed literally hundreds of hours of thrilling military SF in the series of which this book is the first novel. David Weber is one of two authors who have invented new SF sub-genres. In David’s case, the sub-genre is often called space opera. The other author is David Drake. His Hammer’s Slammers stories are now considered the first books in the ‘space marines’ sub-genre.

David Weber’s story universe is huge. I sometimes think it’s too big in the sense that he tries to weave too many sub-plots into the larger story arc. But his first book is quite moderate in this regard. I started writing my own military SF novels partly because Weber wasn’t writing new sequels fast enough to satisfy my thirst for thrilling space combat.

This book inspired my love of sci-fi romance. I adore the characters and the deceptively simple premise. Cordelia Naismith is a badass survey captain stranded on a wild planet with only her enemy, Aral Vorkosigan, known as The Butcher of Komarr, for company.

As they trek through the wilderness, Cordelia gets to know Aral and realizes her assumptions about him are all wrong. Originally published in 1986, this book launches the Vorkosigan Saga—my favorite sci-fi series. What I love about this book is how Bujold takes the time to let Cordelia and Aral get to know each other as people and bond on a deep emotional and intellectual level. They may be on opposite sides of a war, but they recognize the humanity in each other.

It is not possible to talk about “galactic empires” in SF and not naming/checking Asimov’s masterpieces. Asimov describes in breathtaking detail a highly complex yet credible and vivid universe and follows its evolution and the struggles in a historical buildup, encompassing several novels. Expect to feel like watching History Channel of the Future: you will see an empire rise, swell outward, stabilize, destabilize, fall, experience a Dark Age that lasts 30,000 years, and then rise again. Asimov based many of the details of his empire on the Romans, their history, and their Empire. Impossible not to feel how real his Galaxy thus becomes: here and there you will have the sensation that something familiar is unfolding in front of your eyes… if you have studied classics and history, that is. Asimov’s Galactic Empire is thus recognizable and with a familiar shape, and at the same time, it is the epitome… show more.

This series, to my mind, epitomizes the idea of a gradual rebirth after a galactic civilization collapses, leaving humans stranded on countless worlds with varying degrees of technology. I found the way in which Drake approaches said rebirth incredibly fascinating as well as entertaining, by using sentient artifacts of the long-vanished empire to guide humans back to the stars. And, as a dog lover, I really enjoyed him using oversized canines instead of horses for his pre-industrial cavalry.

By now, it should be clear I like trilogies, reading and writing them. The Lyhhrt Trilogy is a perfect example of incredible imagination and wordsmith talent. As in some of my writings, there is palpable lyrical style and a dense compositional approach to a story that explores the awful and worming guts that must be, de facto, the only way any vast empire can form, emboweled and ejected into reality. The Galactic Federation here is a hostage of the nobility or despicable evilness of those carrying authority in the governing organization: game of thrones anyone? The spine of the story, as in The Law, is of a GalFed Judge who realizes cruelty and slavery are the crude reality in an empire focused on satisfying the same base urges that humanity spends so much energy on today. A well envisioned complicated and messy universe, the way it should be.

I love this series largely because it was my father’s favorite book series growing up. He still had many of the same books from when he was a kid and passed them on to me later on. I was invested in the story from the moment I encountered the idea of entire cities uprooted from Earth, drifting through space to find new lives among the stars.

I love this book for combining the practicalities of economy and politics with the fantastical idea of flying cities. Blish doesn’t just tell a story about space travel—he creates a world where human ambition and survival are tightly intertwined with the economics of an interstellar marketplace.

The series also made me think differently about migration and exploration. There’s something haunting about the idea of cities that have become nomadic, struggling to find purpose and identity in a vast and indifferent universe. These books reminded… show more.

It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.

Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.

The War World series of novels, novellas, and short stories drew me in because they represent a microcosm of what happens when a civilization crashes in an inhospitable environment. I’ve been an avid fan of Jerry Pournelle’s CoDominium universe ever since reading West of Honor and seeing how it evolved for good and for bad through the War World lens, as developed by a long list of fantastic authors, kept intriguing me for years. Many of the concepts developed throughout the series had a marked influence on my own worldbuilding, and for that, it will always have a special place in my pantheon of books.