32 Books Like Cities

The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer as Rome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S. 

Historians of Greece and Rome have been arguing about how to describe ancient cities on and off since the eighteenth century and some of their debates have got stuck deep in the mud. This little book offers the best way out of these impasses. It is super clear, really up to date and incorporates the very latest research. Especially good on economy and society.

Most historians work on a few decades of the past, and even ancient historians rarely move beyond two or three centuries, but this amazing collection asks us to think about how themes like language and trade and kinship and residence look if we consider them over the last 40,000 years. Each chapter is written by a team of researchers from different disciplines. Often they have to start by creating a common language. But the results are truly eye-opening. So many familiar themes will never look quite the same again.

First published in Italy in 1972, it arrived in English two years later and is now regarded as a classic. It is based on a fiction journey by Kublai Khan to over fifty cities, each with particular features and qualities: they are all fictional. However, they all in some way reflect the character of Venice.

What makes it one of my favorite books is the way its evocative language animates a world of imagination. What unfolds is fantastic rather than fantasy. It has inspired my own writing, and I have recently written a companion work—Disappearing Cities. It also is a collection of short stories engaging around fifty imaginary cities. It is now with my publisher. Besides the influence of Calvino, it was also prompted by two books mentioned above: Amitav Ghosh fusion of climate change and fiction, and Ailton Krenak evocation of stories that postpone the end of… show more.

This overlooked coffee table book is a tour-de-force survey of the decorated mastabas, pyramids, and tombs of the Old and Middle Kingdoms. Written by international experts and edited by the world-famous Zahi Hawass, Treasures of the Pyramids offers something for everyone. I assign many chapters in my undergraduate classes because they are concise, well-written in English by French and German experts, and profusely illustrated in color. 

The Great Pyramid is the only Ancient Wonder that is still standing, but this comes with a price: more has been written on the pyramids than all the other wonders combined.

The oeuvre ranges from scientific and literary approaches to some of the silliest ideas ever published.

This is my favorite book because it was written by archaeologists who have excavated at Giza. Their enthusiasm is reflected in the clear text and the beautiful colour illustrations.

This is a book that you should own in the print edition, but it is my heaviest book and definitely a health hazard if you like to read in bed.

I love a noir detective story. Set that story in a fantastical, blood-drenched Tenochtitlan, the capital of the Aztec empire, and I’m totally sold.

The story follows Acatl, who is a high priest of the dead, as he, I kid you not, tries to solve what appears to be a murder case. Except he’s not walking the streets of some modern city – his journey takes him through the fascinating world of a familiar yet unique Aztec empire where human sacrifice is the only thing keeping the world spinning in its proper order.

Having familiar conflicts, including family issues, makes this one a unique standout. Acatl sounds like people I know. Following his determined efforts to bring a specific evil to heel – all while in a society that seemingly glories in bloodshed – is awesome.

For a couple of decades, Restall has been at the vanguard of a group of historians developing what is known as the New Conquest History, an effort to balance the Eurocentrism of earlier histories of the Aztec-Spanish War and its aftermath. I’ve used an earlier book of his, Seven Myths of the Spanish Conquest, in my teaching, as it is succinctly argued and provokes students to think critically about the early history of Latin America. This book builds on that and narrows the focus to how the historic encounter between Moctezuma, the Great Speaker of Tenochtitlan and the most powerful individual in Mesoamerica, and Cortés (on November 8, 1519) has been reinterpreted in the years since.  It ranges across five centuries of history, art, and aesthetics, and pop culture to poke holes in narratives that center Cortés’ presumed military brilliance and problematize notions that Moctezuma considered the Spaniards gods… show more.

Mixtli, an elderly Aztec lord captured by the Spanish, is reluctantly questioned by a Catholic bishop charged with reporting to the king of Spain about the customs and mores of his new unwilling subjects. The bishop is repulsed and appalled by the violent history and, to his mind, sexual looseness of the Aztecs while blind to the violent depredations of the conquistadors who protect him. But the story that outrages the bishop is for the reader a spectacular tragic saga of the end of the Aztec empire from the point of view of the conquered and a telling of what was lost.

Women were integral to everything in Mesopotamia—politics, religion, economy, society, you name it—for the entire multi-millennium lifetime of the culture. I find this book, which is the catalogue of an exhibit for the Yale Babylonian Collection, to be a particularly interesting study, and it has gorgeous illustrations. The six chapters include two that focus on prominent women, the priestess Enheduanna and Queen Sammu-ramat (Semiramis), as well as discussions of many women who were not well known. The objects that were displayed in the exhibit are illustrated in the second half of the book, each described with a paragraph or two. These really give you a sense of how archaeologists and historians draw their conclusions from ancient evidence, and how individual lives can be reconstructed from objects and texts.