100 Books Like Child Life in Colonial Times

Philbrick had me from his opening sentence: “We all want to know how it was in the beginning.” He makes a familiar history fresh, asking how fifty years of peace at Plymouth Rock between the Mayflower Pilgrims and local Wampanoags could end in war.

Within this overarching theme, it’s the small details I remember, such as how Philbrick interviewed Captain Alan Villiers who sailed a 1957 replica of the Mayflower. In a violent transatlantic storm, Villiers tested a Jacobean sailing technique that hadn’t been tried for centuries, furling the sails and securing the helm into the wind. Its boxy shape kept Mayflower II perfectly balanced, bobbing upright in the gale. With accounts like this, I felt Philbrick had done his research and gave real credibility to his description of the voyage and its aftermath.

James Deetz was an American anthropologist and his wife, a cultural historian. Their book was the result of studying Plymouth Colony court transcripts, wills, probate listings, and rare firsthand accounts, and then combining the facts with archeological evidence from various sites in Plymouth. This book shows a reality of the Pilgrims and Pilgrim life very different from the straight-laced, nearly mythical images from the 18th and 19th centuries: an all too human group who wore bright clothing, drank, believed in witches, had premarital sex and adulterous affairs, and committed petty and serious crimes. This book is informative and eye-opening.

With an introduction by Samuel Eliot Morison, this is the definitive edition of an American classic. In it, the printed text of Bradford’s remarkable history of the colony that he governed for many years is compared with the original manuscript, presenting his text in a contemporary, readable form. This wonderful story of the early years of the colony told in Bradford’s own words and illuminated with his personality is a must-read for anyone interested in colonial Plymouth. 

Former Historian General of the General Society of Mayflower Descendants, Stratton writes a complete treatment of the history and genealogy of the Plymouth Colony. While the book contains verbatim transcriptions of important documents and an annotated bibliography, which are manna to the writer of historical fiction, it also has informative chapters on law and order, inheritance, morality and sex, everyday life and manners, freemen and servants, and the diaspora of Pilgrim families to other towns in the colony. Thus, along with other books listed here, the research done by the author helped me to create the real world of the Plymouth Colony and allowed me to reinforce the concept that the Pilgrims were not so different from their millions of descendants four centuries later.

Put on your flowered shirt and place a flower in your hair to be taken away to the beautiful island of Samoa. This page-turning memoir chronicles the author’s struggles with adolescence against the backdrop of a changing Samoan culture. With lyrical language, Ms. Pokerwinski paints true-to-life scenes of the island and the Samoan people. The situations and the fascinating characters will keep you reading. I thoroughly enjoyed reliving memories of the 60s such as the music of the Beach Boys, White Rain Conditioner, and Tangee lipstick. If you witnessed life in the 60s, you will identify with the author and enjoy her humor and sass. 

There are many reasons to love this book, and the subtitle says it all. This book is A History, A Story, And A Memory Of The Last Plains Frontier.

That last frontier was an arid, desolate corner of southwestern Saskatchewan where his American parents tried homesteading between 1914 and 1920 when Stegner was a child. The family returned to the U.S., but Stegner re-visited this land of his youth in the early 1950s and wrote one of the best accounts of the last frontier in the North American West.   

William and his wife lost their baby in its last term and had to endure the torment of an induced stillbirth.

The same thing happened to a dear friend years ago so when I heard William as embarking on this brave endeavour to write about it, I was intrigued. The publisher, Little Toller Books, decided to create a space for William’s male voice in a publishing genre that is dominated by women’s.

The result is a heart-wrenching tale of grief as William clamours to contextualise the world he has been thrown into. William’s skill as a writer lies in his depiction of the indescribable. I’m sure there were months of soul searching and pen holding before he finally hit upon a way of converting his pain into the stunning prose. I am so grateful he did. And you will be too.

This is a memoir of a poet I love.

I sank into the book’s languid mood—Merwin’s early peripatetic and poetic life sometimes seems to have no beginning and no end. There is a lot of wandering in the book, but Merwin’s sensibility gets you through to the last page.

You come away with a strong sense of what it means to engage with poetry, mythology, and nature.

What experiences might children have that inspire them to write poetry? Author Yolen brings readers into the Dickinson home in Amherst, Massachusetts, where young Emily scribbles on scraps of paper in her father’s study. Emily reads her three-word poem to her parents, to the flowers in the garden, and to Mrs. Mack, who provides encouragement that’s as warm and appreciated as the desserts they share. Just as Emily takes time to ponder what is the essence of a poem, this imagined story unfolds at an unhurried pace. That pace, combined with the engaging illustrations, permits readers to linger on small moments and let their own imaginations wander. Poetry takes time, just as growing up does.

This clever graphic novel is sure to inspire kids.

It features a wonderful variety of writers, including Sandra Cisneros, Roald Dahl, Gene Luen Yang, and Beatrix Potter. In an easy-to-read format with colorful illustrations, Elizabeth Haidle highlights key moments about each writer’s childhood.

My favorite fun facts: J.K. Rowling wrote a story about a rabbit when she was six, and Dr. Seuss drew animals on his sister’s bedroom walls.