Books like Before They Were Authors — picked by fans

This book offers delightful details about Judy Blume, from her time growing up in New Jersey to the purchase of her first electric typewriter.

With the publication of Are You There God, It’s Me, Margaret in 1970, Judy made history with a unique book about a 12-year-old girl exploring religion and friendship.

I appreciate how Kathleen Krull takes us on the rollercoaster of Judy’s life, showing us her heartbreak when facing rejection letters, her steadfast determination to keep writing, and her joy when she finally achieved her goals. Judy Blume never gave up!

Capturing the spirit of Maya Angelou’s work, Renee Watson expertly chronicles Maya’s life with evocative poems. This book is a rhythmic tribute to the first Black person and the first woman to recite a poem at a presidential inauguration. Bryan Collier’s collage art perfectly complements each poem.

I especially love the poem called “Brother Jimmy, Brother Martin,” which highlights Maya’s deep love for James Baldwin and Martin Luther King Jr.

My favorite lines: “Jimmy was light in the darkest of rooms. Martin was water in a parched desert.”   

With charming illustrations, this picture book biography tells the story of E.B. White with exquisite language.

I love how Barbara Herkert provides details about his interest in animals from a young age, such as how he collected pigeons, snakes, polliwogs, caterpillars, chameleons, and more.

In a fitting ending, the book shows how E.B. White gets the idea for one of my favorite books, Charlotte’s Web. I love these lines from A Boy, a Mouse, and a Spider: “One cold October evening, Andy watched a spider spin. He climbed a ladder for a closer look. He’d found the hero of his story…” 

I love how this book describes what Ida B. Wells was like as a young child, as well as her parents. Ida learned about standing up for what’s right from them. Dinah Johnson effectively weaves this theme throughout the whole book.

I think kids can learn so much from this story of courage. Page by page, kids will see how Ida wasn’t afraid to write newspaper articles about Black people being lynched so that she could bring attention to racism and injustice. Kids will also see how she wasn’t afraid to step forward in the Women’s March of 1913.

I was especially drawn to the back matter of this book, which includes rare pictures of Ida with her family from the 1900s and a comprehensive timeline of her life.

Rummer Godden’s autobiography A Time to Dance, No Time to Weep offers the stories, context, and sense of place for many of her novels. I so enjoyed her ability to write like a bright child thinks about the world, as well as how she is feeling. It is laugh-out-loud funny in spots, despite describing the dislocation of war.

Danielewski is as much an artist as he is a storyteller. The Fifty Year Sword is a work of literal—and literary—art. The story is brief, haunting, and beautifully told. The book is a labor of love beyond words on the page. The art accents the story, propelling it forward and assisting the tension that grows as the unread pages dwindle. It is neither grotesque, nor leave-the-lights-on scary, but it is fantastically memorable and shocking, making it a wonderful introduction to the fun-filled intensity the genre offers. For all its simplicity, it’s an unforgettable read, worth picking up for repeat visits to admire the way story and art meld into this single binding. It’s an every-October treat for me that sets the mood for Spooky Season.

There are many reasons to love this book, and the subtitle says it all. This book is A History, A Story, And A Memory Of The Last Plains Frontier.

That last frontier was an arid, desolate corner of southwestern Saskatchewan where his American parents tried homesteading between 1914 and 1920 when Stegner was a child. The family returned to the U.S., but Stegner re-visited this land of his youth in the early 1950s and wrote one of the best accounts of the last frontier in the North American West.   

Gary Paulsen is best known for his novels for young people, such as the popular Hatchet, but this R-rated memoir is aimed at an adult audience. Of my five recommendations, this one is far and away the most representative of the miseries of a dysfunctional childhood. Paulsen’s parents were both alcoholics, and his mother had affairs that she could have done a much better job of hiding from her young son. Somehow, despite the trauma (or maybe because of it), Paulsen emerged as a successful and extraordinarily prolific writer. For those of us with wonderful childhood memories, this book serves as a reminder that not everyone is so lucky.

This book is so subtle and intelligent that it makes me smile at almost every line. Sarraute hates nothing more than clichés and the narcissistic self-indulgence of memoirs. In Childhood, the inner dialogue between the narrator and her memory allows her to avoid these pitfalls and resurrect the past with an amazing emotional accuracy. The questions asked by her critical self deepen her memory and lead to a delicate, vivid, and funny rendering of her childhood at the beginning of the twentieth century in Paris between her divorced Russian parents.

This is one of the best books ever written about anything! It’s a classic that remains underappreciated even after its big role in Outliers by Malcolm Gladwell. First, it’s entertaining. The author’s team got to know dozens of white-collar and working-class families up close. They lived in these families’ homes. They slept over, watched TV, and brushed their teeth with them; accompanied them to supermarkets, doctor’s appointments, and parent-teacher conferences. It’s crazy! After reading this book it seems impossible to believe that advantageous parenting (1) doesn’t matter all that much or (2) is something “anyone can do if they put their mind to it.” In an appendix Lareau describes what a monumental, stressful, and awkward undertaking it was to observe people like specimens in every aspect of their private lives.