100 Books Like Chernobyl 01

This is one of the best books ever written! It won a Pulitzer Prize in Nonfiction, the National Book, and the National Book Critics Circle Awards. It traces the history of nuclear weapons from the discovery of nuclear fission through the Manhattan Project.

This epic (i.e., very long!) work describes the science, people, and politics that led to the research, development, demonstration, and deployment of the first nuclear weapon. The book reads like an H.G. Wells novel, writing about the actors in this chronicle of the scientists who enhanced quantum theory and applied it to thermonuclear fission, including Bohr, Fermi, Lawrence, Oppenheimer, Planck, Szilard, Teller, and von Neumann: the characters in the Oppenheimer film. Even if you do not finish it, you must start it! 

Many people find books on the dangers of nuclear weapons to be technical and boring. Schlosser’s Command and Control avoids these off-putting aspects by immersing readers in a thriller about an accident that came close to wiping Arkansas off the map while Bill Clinton was governor.

By interweaving this gripping account with frightening details of other nuclear weapons accidents, Schlosser keeps readers turning page after page.

Ellsberg’s last book focused more clearly on his work on nuclear planning within the Department of Defense, where Secrets had mostly concerned itself with Vietnam.

The book provides a chilling account of how tenuous and fragile a system based on nuclear deterrence remains. Much more than that, the book is a clarion call for all of its readers to be alive to the morality of the very existence of nuclear weapons.

James Mahaffey is an American physicist who worked in the nuclear industry for many years.

Atomic Accidents is his engaging account of what happens when something goes badly wrong. What I particularly like is that it is written from the perspective of someone who completely understands the science and who is also well informed by his first-hand experience of working with nuclear technology.

Although Mahaffey is clearly a supporter of nuclear research and the nuclear industry, the book presents an objective balanced picture, acknowledging the risks of nuclear technology, but placing the scale of those risks into context. The book is full of interesting stories and offers some reassurance that the nuclear industry is able to learn from the mistakes of the past.

The world continues to consider nuclear power, despite the devastation to the nuclear industry caused by the accidents at Three Mile Island and Chernobyl. Nuclear power can play a part in fighting climate change, but we need to be aware of the risks as well as the rewards. Beyond that, it is a well-researched and dramatic story about the trauma that ensues when human communities are beset by environmental disasters.

I’ve read many nonfiction pieces about the Chernobyl nuclear power explosion, but nothing comes close to the emotional impact of watching these two fictional fifth-graders live through the devastation and evacuation that ensued.

I cried and then cheered as these girls, who were initially separated by religious discrimination, built a friendship in the face of mutual tragedy.

I love a story that is both uplifting and heartbreaking, and this book is a shining example.

We Almost Lost Detroit was published in the mid-1970s  at a time of growing concern over nuclear power in America that would reach a boiling point with the Three Mile Island nuclear accident in Pennsylvania in 1979. There was no love lost between the two sides. Utility executives were believed to be liars trying to save their investment in a costly, difficult technology. Nuclear critics were portrayed by the industry as deluded tree-huggers. It was a real debate with real consequences, and this book shows why. The cover of the Ballantine paperback edition shows the terrified face of a man inside a radiation protective suit.

A little levity may be required as we watch the world crumble around us. Anne Washburn’s play reads as a multi-generational game of telephone. Beginning shortly after the apocalypse, with television now obsolete, people gather round a campfire and begin retelling what they remember from random episodes of The Simpsons. In the second act, the retelling has evolved into an oral tradition far from the original. By the third act, we’re eighty years removed from the apocalypse, and the story has become its own bizarre and surreal performance. I read Mr. Burns and saw the play in person years ago, but I still think about it and laugh. It might also somehow be a fairly accurate depiction of our post-apocalyptic world.

I first started reading Becker with his Mac Travis series (which I also loved), but when he created Kurt Hunter, I was totally hooked. He and I both share a love for the area around Biscayne Bay, which is where he set the Kurt Hunter Mysteries. Hunter is a Park Ranger who patrols and protects the underwater national park in that area. This creates great and unique plot opportunities, of which Becker takes full advantage. Oh, and then there are the rare saltwater crocodiles that make appearances throughout Backwater Channel. Real creatures, unique to the area. Really nasty, too!

This collection of Katsumata’s manga for legendary gekiga magazine Garo and others is a powerful graphic bridge between the politics and reality of this world, and the creatures and legends of the other. Katsumata takes us from the transitory and dangerous lives of nuclear workers at Fukushima Daiichi (decades before the 2011 disaster) to the tough and haunted lands of Tohoku (North East Japan) in the early twentieth century. Lonely kappa monsters, tanuki, and fox spirits feature as sympathetic lead characters, shapeshifting and conjuring a version of Fukushima and Tohoku that dazzled and inspired me.