Books like Central Station — picked by fans

Imagine waking up to discover you’ve become the City of New York. And meeting the avatar of São Paulo walking around trying to be a mentor. As a New Yorker, I’m all for it, and I was hooked right from the start of this urban fantasy. Aliens are trying to eat the cities of Earth, but the cities fight back by choosing champions from among their populations.

New York, being New York, has six—one for the City as a whole and one for each borough because we do things right here. I got such a kick out of every borough’s particular personality and approach to being part of the whole, when just the other day, these were all ordinary people pursuing their own aims. Sudden, magical, consequential reinvention. Love it.

The development of both of these characters was amazing. Sometimes, you read a book where you relate to one character and not as much to the other. Not with this book!

Both voices and stories were gripping by themselves. Then, when they met, the explosions happened and you saw two “people” with the same background (but under vastly different circumstances), merge. 

I am in awe of this book! I think it’s close to perfect, if not perfect. The detective here is Meyer Landsman, who “only has two moods: working and dead.” The novel is set in an alternate history that imagines Sitka, Alaska as a sprawling, Yiddish-speaking metropolis where all the Jews have fled after World War II.

The dead body is a mysterious young drug addict with connections to Sitka’s seedy underbelly. The story is a page-turner, but the sentences are truly incredible. It’s also very funny. I keep returning to this book year after year and every time it blows me away.

This is the first book in a series that seems—hooray!—never ending.

Novels, novellas, short stories, graphic novels…they’re all built around a wonderful idea: police procedural in a version of the modern world where rivers have goddesses, trees have dryads, and vampires, werewolves, elves, and all the other creatures of folklore and fantasy matter-of-factly exist alongside council estates and the internet. And so have to be policed.

The "Isaacs" (named after Isaac Newton) are that branch of the Old Bill which deals with magic, so its inspectors and constables tend to be witches and wizards. All the books are incredibly inventive and funny. I love them.

Wandering Stars is a landmark anthology that should be the starting point for anyone interested in Jewish science fiction and fantasy. It contains a collection of incredible short stories; it’s nearly impossible to pick out the best. My own favorites include William Tenn’s “On Venus, Have We Got a Rabbi,” Avram Davidson’s “The Golem,” Harlan Ellison’s “I’m Looking for Kadak,” and Isaac Bashevitz Singer’s heartbreaking, “Jachid and Jechidah.”

I adored Cho’s Black Water Sister for the wit, verve, and humour with which its protagonist, Jess, newly returned to Penang from the USA, faces down being possessed by the spirit of her dead grandma, a former medium. Jess, despite her Harvard degree, hasn’t found a job and is unable to tell her conservative family about her Singapore-based girlfriend. How Jess manages to negotiate the contradictory demands of pushy aunties, powerful businessmen, and a furious goddess known as the Black Water Sister, whose temple is threatened by property developers, makes an immersive and absorbing tale.

Bangalore, or Bengaluru, is a city I’m very familiar with in real life, and Lavanya Lakshminarayan’s Analog/Virtual, to be published in the West next year by Rebellion as The Ten-Percent Thief, does a splendid job of moving it to the future, using an intricately interconnected mosaic structure to take a wide-ranging look across the social and technological divides that present-day India will carry into the future, giving her readers bleakness, clarity, wonder, humour, and hope as she tells the multifaceted story of a revolution. Analog/Virtual was published in India the same year as Chosen Spirits (the Indian edition of The City Inside), and it was personally fascinating to me to see how similarly and differently we approached present-day social and political concerns in our future-real cities. Definitely a book (along with SB Divya’s Machinehood) that would have deeply influenced mine if I’d read it before writing.

If Wandering Stars was the first short-story anthology to explore Jewish science fiction and fantasy, People of the Book is its descendant. This collection features a variety of stories by modern authors such as Jane Yolen, Theodora Goss, Neil Gaiman, and Michael Chabon, and is an excellent way to discover some of the talents that have emerged in the 21st century—and their approach to the Jewish religion, culture, and society.

The Land by Aleron Kong is the third litRPG on this list, and probably the most famous. Every litRPG uses a few ways to denote progression, but this book has an almost unending series of charts, numbers, rules, and powers for everything. And I do mean everything.

Character growth. Weapon quality. Town building. To career building. Even dungeon building.

Everything progresses. Everything has level-ups. The world is huge, and the events feel extremely epic. This is also the longest series on the list, with books so massive, you could knock a fool out with one.

Definitely worth the time, though. Don’t miss out.

Cyberpunk Noir isn’t everyone’s cup of tea (sorry), and this story is dark and downbeat, with two female protagonists who aren’t especially sympathetic, so readers tend to love this book or hate it. For me, the kinetic writing style, crackling dialogue, and richly-detailed descriptions of cyberspace—as well as the fresh take on the “locked-room murder” (a virtual reality parlor in this case)—makes it a highly-recommended read.