Here are 100 books that The Bear Must Go on fans have personally recommended if you like
The Bear Must Go on.
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I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
Pokko’s parents give her a drum and soon regret it, as you might imagine. (In my own book, Mom says, “don’t even thinkabout a drum kit.”) But sending Pokko outside begins a beautiful symphonic journey that turns Pokko into a leader who makes sure her bandmates don’t eat each other. In the end, even her parents are swept away (literally) by the beautiful music.
A Publishers Weekly Best Book of 2019 A Today Show Best Book of the Year A Booklist Book for Youth Editors' Choice 2019 A Boston Globe-Horn Picture Book Honor Book 2020 An NPR Favorite Book of 2019 A Charlotte Zolotow Honor Book A Quill & Quire 2019 Book for Young People of the Year "Extraordinary." -Publishers Weekly (starred review) "Inspirational." -Booklist (starred review) "Laugh-out-loud funny." -Shelf Awareness (starred review) "Will tickle kids and adults alike." -Kirkus Reviews "An instant classic." -Quill & Quire (starred review)
From E.B. White Read Aloud honor artist Matthew Forsythe comes a picture book about…
An interdimensional mixer with angels and other beings brings unexpected trouble for Malachi and his friends in this smart and uniquely funny second book about the squad of teens from hell.
When an angel comes to his home to deliver a message, Malachi immediately knows what’s going on. The seraph…
I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
This picture book by jazz great Wynton Marsalis was one of my favorites to read to my little rock star when he was a baby. It’s musical without being sing-songy, and celebrates everyday sounds like washboards or squeaking doors that become musical if you listen right. My son was mesmerized by the noises and rhythm, and I felt more musical just by reading it.
The creators of Jazz ABZ are back for an encore! With infectious rhythm and rhyme, musical master Wynton Marsalis opens kids’ ears to the sounds around us.
What’s that sound? The back door squeeeaks open, sounding like a noisy mouse nearby — eeek, eeeek, eeeek! Big trucks on the highway rrrrrrrumble, just as hunger makes a tummy grrrrumble. Ringing with exuberance and auditory delights, this second collaboration by world-renowned jazz musician and composer Wynton Marsalis and acclaimed illustrator Paul Rogers takes readers (and listeners) on a rollicking, clanging, clapping tour through the many sounds that fill a neighborhood.
I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
When my son was a rocking toddler, he needed everything just so—a twisted guitar strap could ruin his gig. We both drew inspiration from Elizabeth Cotten, who managed to play guitar despite being left-handed and teaching herself upside down and backwards. By the age of 11, Cotten had written “Freight Train,” one of the most famous folk songs of the last century. Take that, perfectionism.
Elisabeth Cotten was only a little girl when she picked up a guitar for the first time. It wasn't hers-it was her big brother's-and it wasn't strung right-she was left-handed. But she flipped that guitar upside down and backwards and taught herself how to play it anyway. By eleven, she'd written "Freight Train," one of the most famous folk songs. And by the end of her life, everyone from the California beaches to the rolling hills of England knew her music.
This lyrical, loving book from acclaimed singer-songwriter Laura Veirs and debut illustrator Tatyana Fazlalizadeh tells the story of the…
A satisfying story of rediscovering friendship after time spent apart.
For many years, Hazel and Mabel were inseparable. The two friends made up stories, spent the night together, and shared their snacks. Then, Mabel moved away. As time passes, Hazel and Mabel think of each other often, but they also…
I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
Rock stars don’t love following rules, so you can imagine that starting kindergarten is a problem. Lupe arrives wearing sunglasses and ready to use her pencils as drum sticks. I love that this book celebrates a girl who wants to rock without cramping her style. Lupe may have to learn to follow rules and be a good friend, but any doubts about her stardom are quickly dismissed.
When a sassy drummer starts kindergarten, the rules of school cramp her style. What’s a young rock star to do?
When Lupe Lopez struts through the doors of Hector P. Garcia Elementary in sunglasses with two taped-up Number 2 pencils—drumsticks, of course—poking from her pocket, her confidence is off the charts. All day, Lupe drums on desks, tables, and chairs while Ms. Quintanilla reminds her of school rules. Lupe has her own rules: 1) Don’t listen to anyone. 2) Make lots of noise. ¡Rataplán! 3) Have fans, not friends. But with her new teacher less than starstruck, and fans hard…
I am a writer, educator, and mother. Finding books in local libraries or bookstores is necessary so children will read a diverse assortment of stories that teach a lesson and engage their interest. I’ve found that all young children at home and in schools like books with interesting pictures that they can follow along. Children want to share stories and have time to read and absorb the content. Sometimes children see details in illustrations that adults might not notice. Kids learn in different ways. These books will capture the child’s attention and teach about kindness, friendship, and determination.
Bear Stays Up for Christmas skillfully portrays how friends will work together to help each other achieve their goals. The book also shows that each of us is unique, and we cannot be expected to do everything exactly the same as our friends. The message of kindness, friendship, acceptance is clear throughout the story.
Celebrate the holidays with Bear and his friends in this sweet picture book from bestselling author Karma Wilson!
Bear’s friends are determined to keep Bear awake for Christmas! So they wake Bear up and have him help them find a Christmas tree, bake cakes, hang up stockings, and sing Christmas songs. Bear stays up—by discovering that giving is one of the best Christmas presents of all!
I am an Emeritus Professor of Drama at the University of Hull, translator of some twenty plays from Greek or Latin into English, a professional director, and a member of Equity for more than fifty years. I hope and believe that my own experience as a practitioner has blended with an educational background in Greek and Latin from St Andrews combined in my extensive list of publications on theatre history as author and editor to be found listed on my website.
If Arnott’s approach makes it easier to understand and appreciate how Greek drama and theatre were part of a performance culture in classical Athens, Baldry’s widens that perception to the much broader social and political climate of ancient Greece, from the likely ‘invention’ of tragedy and comedy in Athens at the end of the 6th Century BCE, to their development throughout the Greek world over the next two centuries and survival to our own time.
The whole sense of this new art form, a synthesis of storytelling, poetry, music, and dance, which developed as a kind of living and moving sculpture, is a hard one to take in all at once.
What Baldry offers is a brief but clear introduction to the background of both tragedy and comedy for anyone whose awareness of the potential of plays and players only begins with Shakespeare. He is both readable and a reliable…
Studies the nature of Greek tragedy during the fifth century B.C. focusing on the function of the actors and chorus, the organization of the theatre, and the audience
4.5 billion years ago, Earth was forming - but nothing could have survived there…
From Cells to Ourselves is the incredible story of how life on earth started and how it gradually evolved from the first simple cells to the abundance of life around us today. Walk with dinosaurs, analyse…
I am a former network television executive who is fascinated by the history of mass media and have authored or co-authored nine books and many articles on the subject. These include The Complete Directory to Primetime Network and Cable TV Shows, 1946-Present and Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. I’m particularly drawn to subjects that are underexplored, or which seem to be greatly misunderstood today. I quickly learned that you are not likely to earn a living from writing, so I decided to write about subjects I cared about, and hopefully add something to our knowledge of cultural history. I became more aware of what the professional minstrel show was really like while researching Lost Sounds, based on original accounts, recordings, and films.
A unique and insightful look at how three groups fought back against their widespread stereotyping in the media of the early 20th century, and how two of them largely succeeded in changing these portrayals. The reasons why African-Americans were much less successful than Irish and Jews in fighting stereotypes are complex and fascinating, and hold lessons for us today.
A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by…
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
I love this book because it spotlights performance contexts and conditions–what it means to stage history during the Elizabethan period–and, through this focus, provides fresh, nuanced interpretations of the plays it considers, including some by Shakespeare and others performed by Queen Elizabeth’s Men.
It is another formative book for me, especially because it negotiates ideas and representations of ‘truth’ in historical drama. Walsh’s book offers a compelling account of the communal construction of history and the interplay between presence and absence, which has also helped me understand my own methods as a critic and historian.
The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, this book looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through…
I was an ambitious teen, and as I entered adulthood, my relationship with ambition has continually evolved. Those of us with marginalized genders sometimes have our ambition treated with suspicion or scorn—by peers, family, or would-be mentors. I wanted to share books that don’t necessarily come to the same conclusion about ambition’s role in our lives, but that all grapple with what it means to be ambitious in a culture where that is often seen as threatening or unladylike—or where any sign of ambition gets one automatically labeled as “unlikeable.” I love these books’ narrators, and I hope you will find something to love in them too.
This book is an absolutely to-die-for rivals-to-lovers tale, sparked when Natalie is forced to team up with her long-time enemy on a musical in order to secure funding for the arts at their high school. Natalie’s evolving relationships with her family and friends are complex and brilliant, and I felt allthe feelings about the interplay between art and ambition while reading.
A pair of fierce foes are forced to work together to save the arts at their school in this swoony YA enemies-to-lovers romance that fans of Jenny Han and Morgan Matson are sure to adore.
Lifelong rivals Natalie and Reid have never been on the same team. So when their school's art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She's fighting to direct the school's first ever student-written play, but for her small production to get funding, the school's award-winning band will have to lose it. Reid's band. And he's got no intention…
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
I am a researcher, lecturer, theatre-maker, and writer based in Australia. I have lived in Japan for periods of time since my childhood and worked with a Japanese theatre company, touring internationally. This experience provided the basis for my PhD research in modern Japanese history and the performing arts. The following books were influential in the formation of my book,Cultural Responses to Occupation in Japan. Under each entry, I also include other relevant scholars and would encourage readers to follow them up as well.
For a general overview of Japanese theatre, and more broadly Japanese culture, readers are encouraged to have a look through A History of Japanese Theatre edited by Jonah Salz. This encyclopaedic collection of essays by scholars on Japanese theatre history offers a rich and thorough survey of Japanese theatre for a wide readership. From ancient Noh theatre to Kabuki and Bunraku to modern literary theatre to critical theatre and performance, readers can glean how the performing arts have developed throughout Japanese history. As the book weaves together some of the intellectual concerns and artistic reflections of prominent artists in their forms, we can grasp interwoven historical patterns which continue from antiquity to the present.
Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868-), and Parts III to VI provide discussions of…
