100 Books Like Celtic Devotions

Mark Batterson writes, “If you press into God’s presence like never before, you will experience God like never before.” This small book has led me back to a richer prayer life again and again. I’ve prayed through it many times and have given away countless copies to others. Each day Batterson invites a new way to look at prayer and a practical way to start a morning devotion time all grounded in scripture. As a writer I love the focus on creativity and honoring ideas. He writes, “I don’t type on a keyboard, I pray on one.” 

Fred Buechner writes, “Listen to your life. All moments are key moments.” These 366 short writings taken from the works and books of Frederick Buechner are rich and deep. A few moments with a daily reading can shift my perspective from an earthly one to an eternal one. I come back to his books often to absorb his wisdom and the example of his faith. One of Buechner’s great strengths is his gift of storytelling which permeates the readings giving life to the words and wisdom.

Sarah Young writes as if Jesus is speaking to the reader, “All I require of you is to take the next step, clinging to my hand for strength and direction.” This book speaks to me, especially in difficult years. It brings me to an awareness of God’s comfort and love for me. Simple, short daily readings are based on scripture. Sitting with this book in the morning is like spending time with Jesus. 

Eugene Peterson writes, “Morning prayer anticipates the day in hope.” This gentle book of Psalms and prayers is a gem. Each day has just a few sentences from Eugene Peterson to take me deeper into the Psalm or scripture passage. The thoughts are reassuring and peaceful, helping me start the day with a focus on God. 

Originally published in 1919, Kelley’s book is the first in-depth history of Halloween, and it remains entertaining and surprisingly accurate. The book also includes charming photographs and a brief bibliography. Although the book is scarce in its original printing, it is readily available as either a free e-book or an inexpensive print-on-demand hard copy.

This is an incredibly useful and totally indispensable resource that provides excellent translations of well-known and lesser-known writings about the Celts from the Iron Age and the Medieval Era.

Many people don't realize that there are really bad translations of some of these materials floating around the internet, and there's no need for that. The editors and translators of this classic anthology are top-notch, and whether the accounts or texts come from Greek, Latin, Gaulish, Old Irish, or Middle Welsh sources, students and enthusiasts can rely upon them.

Because it is a sourcebook, it doesn't provide any commentary, so that's important to know upfront (and fear not: see below). As such, some of the material may not make sense to some readers - or can lead to erroneous claims and inaccurate conclusions - if one doesn't know the history of the text, the historical context, and the secondary studies that… show more.

The difference between an account of history and historical fiction is in the sensory images the writer conjures up for the reader --"You are there!" Searching for everyday details to “set the scene” for the novel, I found a wealth of material in this scholarly discussion of Celtic life, dwelling places and weaponry, clothing, technology, history and culture. Lots of useful illustrations here that brought family bonds and Celtic society to life for me.

The Horse Goddess is a novel for anyone who loves horses!

It is the story of the Indo-European migrations in prehistoric central Europe, specifically in what is now Switzerland, where the lover of Epona, a young and spirited goddess, sweeps her away to his home, which is the plains of Russia.

Here, very far from home and anything that she knows, Epona experiences taming horses, riding horses, going into battle on a horse, and anything equine that remotely would inspire her to return home with her knowledge and gifts for her people.

Her journey is one that we can all relate to whether we are horse-people or not. It’s about the gifts of knowledge and creativity that a woman who becomes a goddess brings to enlighten her people.

On a personal note, the story is one that inspired me to the epiphany that being part of a culture and gifting… show more.

I love that Walter Evans Wentz, a native of New Jersey, starts this book among the towering stones of Carnac, a neolithic site in Brittany. While young Wentz was studying at Stanford, he met both Yeats and William James, the famed psychologist and lecturer on the supernatural.

They inspired him to pursue a doctoral degree in Celtic mythology and folklore at Oxford, and this book is his dissertation. Around 1910, he wandered the highlands, islands, and villages of Ireland, Scotland, Man, and Brittany, gathering an archive of fascinating fairy folklore to support his dissertation on the origins of fairies.

Wentz joined a centuries-long debate. Scholars had already proposed that fairies were disembodied spirits, products of peasant imagination, fallen angels, or—my favorite—a prehistoric and almost extinct race of pygmies who dwelt in the ancient burial mounds of Ireland. Wentz decided they were a pagan religion. Later, at Oxford, Wentz met T.… show more.

This classic and unsurpassed study of iconography and literature pertaining to deities and various types of symbolism found in Celtic myth, I think has often been overlooked by students... as well as by enthusiasts, who inexplicably prefer trying to discern the veracities of topics related to Celtic paganism through online chat rooms, where many posts (including heated arguments and mind-boggling claims and posturing) rarely seem to culminate in any kind of helpful or accurate conclusions. And readers and seekers deserve better!

I would highly recommend that people step away from the phone, and pick up this book! So many of the questions that never seem to get answered on social media are both answered and clarified in this excellent work (which I use myself!). The chapters talk about a variety of gods and goddesses, and mythic themes (with examples from Britain, Ireland, Gaul, and the Continent) including horned gods, the… show more.