Here are 100 books that Carnal Innocence fans have personally recommended if you like
Carnal Innocence.
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I love the combination of action and romance and suspense. It’s a real juggle as an author to balance the two main elements (suspense and romance mostly), give each depth and page time, and make us care about the people both in love and in peril. I’ve always been drawn to suspense, even as a kid. But I gotta have the relationships, too. I used to direct plays with my childhood friends, and there were always bad guys and the romance—and this was long before I was thinking of having a real romance!
Suzanne was one of the early military romance superstars, at least for me. Her books aren’t always just a simple chronological storyline. Here we meet a few couples or couples-to-be, plus there’s a flashback story as well. This is the first of the Troubleshooters series, and it was great to see how it started with a SEAL hero whose sighting of a terrorist in his hometown wasn’t believed because he’d had a head injury in combat. Tracking him down, while finding himself around a lost love, makes for a satisfying read.
The new Suzanne Brockmann novel from Headline and the first book in the Troubleshooters series. Troubleshooters: Danger can be addictive. After a near-fatal head injury, US Navy SEAL Lieutenant Tom Paoletti is forced to take a leave of absence from his Seal team, the Troubleshooters. Being out of the action is so far out of character that he thinks a visit home to New England may be the answer. So much the better if that means he can see Dr Kelly Ashton again. Then the unthinkable happens as Tom catches a terrifying glimpse of an international terrorist in his hometown.…
Haunted by her choices, including marrying an abusive con man, thirty-five-year-old Elizabeth has been unable to speak for two years. She is further devastated when she learns an old boyfriend has died. Nothing in her life…
I love the combination of action and romance and suspense. It’s a real juggle as an author to balance the two main elements (suspense and romance mostly), give each depth and page time, and make us care about the people both in love and in peril. I’ve always been drawn to suspense, even as a kid. But I gotta have the relationships, too. I used to direct plays with my childhood friends, and there were always bad guys and the romance—and this was long before I was thinking of having a real romance!
This story has a great combination of romance and suspense and action. You gotta love Sam, who's just trying to keep his family's rescue organization going and has such strong loyalty toward his family. And Nora's courageous and feisty, just trying to survive from a dangerous situation. Carmen’s books are low on the explicit and violence/gore scale, which is perfect when you want to go on a ride without all of the extraneous cursing and whatnot.
The Midnight Sons ~ Men as Wild and Rugged as The Last Frontier Itself
Five brothers risk their lives to rescue those caught in the death grip of the Alaska wilderness...and find their hearts in danger of falling for women as tough as the Land of the Midnight Sun.
Series Description:
The siren call of Alaska's untamed wilderness, vast mountain ranges, and majestic glaciers draw thrill-seekers from around the globe. But with more unsolved missing person cases than anywhere else in the world, the Alaska Triangle has an ominous reputation. Enter the Midnight Sons, a team that risks their own…
I love the combination of action and romance and suspense. It’s a real juggle as an author to balance the two main elements (suspense and romance mostly), give each depth and page time, and make us care about the people both in love and in peril. I’ve always been drawn to suspense, even as a kid. But I gotta have the relationships, too. I used to direct plays with my childhood friends, and there were always bad guys and the romance—and this was long before I was thinking of having a real romance!
This book jumps off the page from moment one and doesn't let up. But along the way, I got to know and love the two leads, completely different people thrown together, overcoming their baggage to stay alive, and find love. Valentina is a supermodel and he’s a Back Ops Inc bad dude who had a teenage crush on Val and now gets to save her from bad guys who are trying to abduct her. Luke, however bad and yet cavalier he may come off, his hiding some serious baggage that he gets to unpack in this high-rolling story.
Black Ops, Inc. operative Luke - Doc Holliday - Colter is taking some much needed down-time, making his way across the Peruvian Andes via rail, when banditos attack the moving train in the midnight hours. It soon becomes apparent that robbery is not their intent but the abduction of super model Valentina, who is traveling incognito while recovering from a public scandal involving her ex-husband, high profile US Senator, Marcus Chamberlin. Luke whisks Valentina off the train in a daring escape but the two of them become the targets of a relentless manhunt. Enlisting the aid of Luke's BOI teammates,…
It began with a dying husband, and it ended in a dynasty.
It took away her husband’s pain on his deathbed, kept her from losing the family farm, gave her the power to build a thriving business, but it’s illegal to grow in every state in the country in 1978.…
I love the combination of action and romance and suspense. It’s a real juggle as an author to balance the two main elements (suspense and romance mostly), give each depth and page time, and make us care about the people both in love and in peril. I’ve always been drawn to suspense, even as a kid. But I gotta have the relationships, too. I used to direct plays with my childhood friends, and there were always bad guys and the romance—and this was long before I was thinking of having a real romance!
I started getting to
know Becky and Frank in the first book, always a yummy tease in an ensemble
cast series. She's in love with him, but he has his reasons for not getting
romantically involved with her. Best intentions, right? But throw in some
pirates, danger, and pain meds and Frank gets a taste of Becky, and there’s no
turning back! I really liked Becky’s kick-butt attitude, and especially that
there’s lots of juicy conflict as these two navigate the turbulent waters
between them.
A New York Times and USA Today Bestseller! "Deft characterization, skillful pacing, touches of humor, and red-hot love scenes rev up this highly recommended roller-coaster." -Publishers Weekly Starred Review Rebel with a Cause Becky "Rebel" Reichert never actually goes looking for trouble. It just has a tendency to find her. Like the day Frank Knight showed up at her door, wanting to use her motorcycle shop as a cover for his elite special ops team. But Becky prides herself on being able to hang with the big boys-she can weld, drive, and shoot just as well as any of them.…
As a life coach and author of two dozen self-help books, I’ve spent the past twenty years helping people to be more creative. I love reading about the early lives of artists because it is an engaging way to learn about the creative process. Even rock stars have doubts, insecurities, regrets, and setbacks. Yet, fueled by their passions, they persist. They overcome their obstacles and pursue unique paths to success. These books are inspirational and informative for anyone with a creative dream.
This is a compelling, detailed history of three influential singer/songwriters – Carole King, Joni Mitchell, and Carly Simon. Their early careers were wildly different, yet intersected in unexpected ways as they each found their unique paths to success. What I love most about this deftly written account is that specific songs are set in their historical context, so you better understand what was happening with the artist at that time and gain new insights into the songs that still resonate today, fifty years later.
A groundbreaking and irresistible biography of three of America’s most important musical artists—Carole King, Joni Mitchell, and Carly Simon—charts their lives as women at a magical moment in time.
Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of…
Since childhood, I've been in love with musicians, the world they live in, and the fruits of their labor. I spent years listening to my parent's record collection, which covered everything from pop, rock, and country, to jazz and classical. Today, music continues to stir my passion like nothing else. Though an industry career was never in the cards for me personally, I've frequently hovered around its periphery. My goal was to write a band story, one that strayed from common tropes to explore, through humor and heartbreak, the many joys and pitfalls of life in this mercurial and often nonsensical industry. The result was my trilogy, Idol Pursuits. Enjoy.
In many ways, my trilogy is an open love letter to the many female singers and musicians I've admired ever since I was young. While extensively referencing numerous artists as befitting the context of my story, it pained me I had to leave out many noteworthy examples for practical purposes. Women Who Rock goes a long way towards making up the difference. This powerhouse book represents a compendium of extraordinary ladies who have contributed to the evolution of pop music in our culture, but who rarely get as much credit as they deserve collectively. The assembled stories force you to sit up and take notice of their impressive accomplishments.
From Bessie Smith and The Supremes to Joan Baez, Madonna, Beyonce, Amy Winehouse, Dolly Parton, Sleater-Kinney, Taylor Swift, and scores more, women have played an essential and undeniable role in the evolution of popular music including blues, rock and roll, country, folk, glam rock, punk, and hip hop. Today, in a world traditionally dominated by male artists, women have a stronger influence on popular music than ever before. Yet, not since the late nineteen-nineties has there been a major work that acknowledges and pays tribute to the female artists who have contributed to, defined, and continue to make inroads in…
I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
As far as I know, this is the first biography of an all-female or female-fronted band. When I saw it come out, I was thrilled but also thought: how in the world has it taken this long for someone to write a book about The Slits?!
Lucky for me (and for all of you), Zoe Howe was the one to do it because this book taught me that it’s more than possible to write about women in music (even when male journalists and music writers omit women altogether, marginalize them in print, or criticize their work).
Wild, defiant and startlingly inventive, The Slits were ahead of their time. Although they created some unique hybrids - dub reggae and pop-punk, African rhythms, funk and free jazz - they were dismissed as being unable to play. Their lyrics were witty and perceptive while their influential first album challenged perceptions of punk and of girl bands - but they were still misunderstood. And that infamous debut album cover, with the band appearing topless and mud-daubed, prompted further misreadings of the first ladies of punk. Author Zoe Street Howe speaks to The Slits themselves, to former manager Don Letts, mentor…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
I love how the various writers in the book explore music and its effects on them and their lives.
I really enjoyed how they also include people they have known and been fond of, such as Maggie Nelson writing about her friend Lhasa. It also explores, through the series of essays, the reasons that inspire women to play and perform, but also other areas like fame and how this affects musicians.
The essays challenge the usual pattern of men writing about music and I love the view from the female musician’s standpoint. The essays vary in length, topics, and style but this is fine. I found the book inspirational, especially as the essays are there with only light edits.
Whether writing about what it is to be far from home on a journey, or defying expectations found the passion, consideration for music, and their motivation captivating.
This Woman's Work: Essays on Music is edited by Kim Gordon and Sinead Gleeson and features contributors Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li and Zakia Sewell.
Published to challenge the historic narrative of music and music writing being written by men, for men, This Woman's Work seeks to confront the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
This comprehensive exploration of the women’s music movement in the 1970s and 80s looks at every angle of business and culture, from artists, companies, labels, distributors, publicity, session musicians, and more; the book includes over 100 interviews, and draws upon the author’s personal experience as a popular touring performer and recording artist.
In California, a month before the Stonewall Riots in 1969, Maxine Feldman penned a song, “Angry Atthis,” about the shame surrounding lesbians. She didn’t know where she was going to sing her new song until comedy duo Harrison and Tyler asked her to open their shows. On the other side of the country and three years later, Alix Dobkin released Lavender Jane Loves Women, the first record produced, engineered and played by women.
Maxine and Alix had no business plan. They didn’t fit the mold set by mainstream music but they saw great potential to create a powerful soundtrack for…
It was not hard to grow up Goth in an old farmhouse in Norfolk, one of the most haunted counties in England. Age 11, when the Eighties began, I genuinely believed that ghosts, witches, and a demon dog called Old Shuck stalked this land. John Peel's radio show kept the night terrors at bay and replaced them with the music that became my passion. By 19, I was writing for Sounds and would meet and work with many of the bands and artists who saw me through that dread decade. Forty years on, this is my love letter to a most maligned and misunderstood genre – and why it still matters.
While the Ripper was abroad in Yorkshire, New York was stalked by its own phantom killer, Son of Sam, while its rapidly diminishing police force were otherwise engaged giving out leaflets entitled Welcome To Fear City: A Survival Guide for Visitors.
Abe Beame was Mayor over a burned-out necropolis of demolished buildings, crumbling infrastructure and tripling crime rates, a city President Gerald Ford told to "drop dead". This was the stage on which Lydia Lunch began her assault on the senses and sensibilities of her nation, at the tender age of 16.
Her account of not only surviving but grabbing every last moment of fun to be had in Fear City is rivalled only by mentor Hubert Selby Jr's Last Exit to Brooklyn as the ultimate in New York stories.
“Paradoxia reveals that Lunch is at her best when she’s at her worst . . . [and] gives voice to her sometimes scary, frequently funny, always canny, never sentimental siren song."—Barbara Kruger, Artforum
Lydia Lunch relays in graphic detail the true psychic repercussions of sexual misadventure. From New York to London to New Orleans, Paradoxia is an uncensored, novelized account of one woman’s assault on men.
Lydia Lunch was the primary instigator of the No Wave Movement and the focal point of the Cinema of Transgression. A musician, writer, and photographer, she exposes the dark underbelly of passion confronting the…
