Here are 100 books that Candescent Blooms fans have personally recommended if you like
Candescent Blooms.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Sometimes uncanny stories are the best place to start in discovering your new author. Lisa Hannett’s Songs for Dark Seasonsis a literary degustation that gives more than a hint of what to expect from this author. Her stories are clever and full of twists, wretched with longing yet swathed in hope. Fast-paced, tense, and transforming—all the reasons to familiarise yourself with South Australian Lisa Hannett’s magic.
With a twang in its heart and a song for luck on its tongue, Songs for Dark Seasons takes readers back to the lonesome dream counties introduced in the World Fantasy Award-nominated collection, Bluegrass Symphony.
Trailer parks and graves are only temporary homes for souls in these tales, where gods dwell in churches and parking lot groves. Friday night football stars mingle with sirens; hunters’ wives help their kids not to shoot, but to fly; Chanticleers spar their way into local government; and rash-afflicted men take dryads for lovers. In backwater towns, some witches have the know-how to pin pageant…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Jeffrey Ford is an exhilarating American writer in his own right. This collection gives you the best of Ford in stories that remind you why this distinguished ambassador of words is an author to read. Casting oddities that stay indelible in your mind, this primer, an homage to Ford, is immersive with folklore, darkness, tricksters, ancient traditions, and psychological thrillers. Incorruptibly delicious.
Author of the fantastic and the bizarre, Jeffrey Ford’s work has won awards and acclaim across the globe for his stories of humor, horror, and unconventional beauty. “Powerful and disturbing in the best possible way” (Gawker) and “Intensely engaging” (Publishers Weekly), Ford crosses speculative genres with literary ideals, which has earned him the World Fantasy Award (seven times), the Shirley Jackson Award (four times), the Edgar Allan Poe Award, and France’s vaunted Grand Prix de l’Imaginaire.
Dark Moon Books and editor Eric J. Guignard bring you this introduction to his work, the fourth in a series of primers exploring modern…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Margo Lanagan’s mini-collection Stray Bats is an exceptional showcase of refined writing—less is always more. Powerful bite-size vignettes in this dark illustrated miscellany of micro fiction and prose poetry encompass rhyme, beauty, and something most sinister. Offering up constellations, maidens in flight, familiars, hag hunters, vixen wives, and spirit girls, this kind of dark, fantastical writing and the ghosts of its graphics haunt you for a super long time…
Dachshund droids, mad crones, shapeshifting children, a plethora of witches, dragonstalkers, familiars, slithering eels and, of course, bats, flit and fly through these pages, aided and abetted by Kathleen Jennings’s deft and inspired pencil drawings. Stray Bats is a glorious miscellany of vignettes based on poems by Australian women. While some of the pieces hie close to the originals in form and theme, some stray far, far from them even as Lanagan delights in playing with language, rhyme, and rhythm.
This could be the perfect gift for that slightly otherworldly person in your life—or for yourself, when you need a…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
It’s rare that you’ll find someone who’s mastered the craft of short story writing with such precision as Susan Midalia. Miniatures is exactly that: a collection of short short stories. Midalia is an expert in capturing with bladelike sharpness profound awkwardness in the everyday. Herein: ordinary people, you and me, in the mundanity of suburbia—then she yanks the ground off your feet with the most perverse ending that leaves you brooding. Miniatures is an intelligent and relatable book with its whisper of simple language that roars the biggest ideas. It’s a book that’s as coyly subversive as it’s fulsomely entertaining.
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
Ted Sennett is one of the most prolific and widely-read writers about Hollywood and this book on 1939 is one of his very best works. It is filled (one might even say, stuffed) with behind-the-scenes stories. The writing is sometimes critical and analytical rather than gushing as in some of Sennett's many coffee table books. He concentrates on only seventeen 1939 movies so one doesn't get a full picture of that amazing year of movies. It's good to see some lesser-known classics like Midnight and Angels Have Wings included in the seventeen.
Like many novelists – all the way back to F. Scott Fitzgerald -- writing for film and television has been my day job. The pay is obscenely good, and it leaves you time to write what you really love – fiction. Most writers in Hollywood have a love/hate relationship with the movie business – described by some wit as “a crapshoot masquerading as a business masquerading as an art form.” And the books I am recommending express this mixture of scorn and reverence with humor and compassion. In my book The Deal I am clearly biting the hand that fed me over the years – but why not? As that old humorist Albert Camus said, “There is no fate that cannot be surmounted by scorn.”
This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.
When the disarmingly charming and ruthlessly domineering Geneva Holloway lets her star temperament get out of hand, Jimmy Hoy, a writer for the "Geneva Holloway Show," joins with the show's other writers in plotting the perfect revenge
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
It might seem presumptuous to call 50 films from 1939 "classics" but I agree with Vieira that these 50 movies deserve that distinction. This book is filled with all the pertinent information, fun facts, and great visuals. Movie stills, behind-the-scenes candid photos, portraits, and poster art make this a memorable volume to treasure. I particularly like the attention Vieira gives to the many outstanding movie directors working in 1939.
1939 was a watershed year. The Great Depression was barely over economics, politics, and culture braced for war. There was a lull before the storm and Hollywood, as if expecting to be judged by posterity, produced a portfolio of masterpieces. No year before or since has yielded so many beloved works of cinematic art: The Hunchback of Notre Dame, Gunga Din, Only Angels Have Wings, Destry Rides Again, Beau Geste, Wuthering Heights, The Wizard of Oz, Stagecoach, Ninotchka, Goodbye, Mr. Chips, Dark Victory, Mr. Smith Goes to Washington, The Women , and of course, Gone With the Wind . Majestic…
My passion for historical fiction evolved late in my life. I was assigned to teach the second of the core courses required of all undergraduates at Holy Names University. Required materials: the Divine Comedy, the Canterbury Tales, Sundiata, Don Quixote, Othello, the Tale of Genji,Leonardo da Vinci, Islamic calligraphy, the music of Ravi Shankar… But everything was set in history–boring!–dates and places I could never remember, events that meant nothing to me. But my passion for genealogy and for oral history made me realize that everything had a story. This course was about people telling their stories. Now that I’m retired from teaching, I want to tell people’s stories–in their historical context.
A roman-à-clef which is not a novel and 80% of whose keys I have unlocked. She was “Evie” and she died in Hollywood this year of complications of Huntington’s disease and probably smoking, at age 78. Our families were close and in fact the second “L.A. woman,” second that is to Eve herself, narrating and thinly disguised as Sophie Lubin, was my aunt, Marie (née) Gattman, called “Lola,” married first to photographer Hy Hirsh (“Sam Glanzrock” in the book) and second to Elwood Scott Chapman (whom Marie “named” Aaron and who is called “Luther” in the book). Eve’s writing style is contagious and its logic so twisted that it makes you say “What?” and re-read many passages. As in my book, the battle between Stalin and Trotsky hovers constantly in the background. I think Trotsky wins.
Sophie, a twenty-something Jim Morrison groupie gliding through a golden existence in L.A., and Lola, a German immigrant who has settled in Hollywood, know that while Los Angeles is constantly changing, it is essentially eternal. The two women dazzle - one with the promises of youth, the other with the fulfilment of nostalgia - as they wend their way through the pink sunsets and the palm trees of Los Angeles.
Living out their addictively decadent lives, Sophie and Lola are cult writer Babitz's literary embodiment of the iconic L.A. Woman - more than in part inspired by her own wild…
I’m a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fiction—when we’re not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and I’ve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
Biblical allegory is hard to do well. Bible stories themselves have infinite depths, but their allegories are often didactic, especially when author parallels the original story too closely. Stephanie Landem’s In a Far-Off Landis anything butdidactic. Set in 1930s Hollywood, the novel is equal parts Prodigal Son retelling, romance, and murder mystery. By allowing the story to take on a life of its own, Landsem avoids the Sunday School vibe, and in the end, I understood the Prodigal Son archetypal characters better.
“Immersive, enchanting, and gripping, In A Far-Off Land is do-not-miss historical fiction.” —Patti Callahan, NYT Bestselling author of Becoming Mrs. Lewis
It’s 1931 in Hollywood, and Minerva Sinclaire is on the run for a murder she didn’t commit.
As the Great Depression hits the Midwest, Minerva Sinclaire runs away to Hollywood, determined to make it big and save the family farm. But beauty and moxie don’t pay the bills in Tinseltown, and she’s caught in a downward spiral of poverty, desperation, and compromise. Finally, she’s about to sign with a major studio and make up for it all. Instead, she…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
Having been a Hollywood writer for thirty years, and now written a novel that although satirical still accurately describes the creation of a TV series, I’ve long been amazed at how many Hollywood stories – including films made in Hollywood – offer fantasies that have even less to do with the reality of love and work in film and television than Game of Thrones does with the real Middle Ages. I’ve written fantasy myself, but for people fascinated by Hollywood, or who want to work in film and TV, there’s a reason too to read books that capture the reality, especially when like the books listed here, they do so astonishingly well.
Oscar-nominated, Emmy-winning Eleanor Perry put her training as a psychiatric social worker to extraordinary use writing now-classic films including the hypnoticDavid and Lisaand The Diary of a Mad Housewife. She brought the same dramatic skills and insights to examining her own life as a writer at a time when women faced nearly impossible challenges in Hollywood. The result was this deeply felt, authentic, often autobiographical novel. My wife Loraine Despres, herself a highly regarded novelist and TV writer, gave it to me when I first confessed an interest in screenwriting. The book, now unjustly out of print but hopefully available from libraries and at a price from rare book dealers, has haunted me ever since.
