Here are 100 books that Campusland fans have personally recommended if you like
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As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
What’s amazing about this book is that it’s told through recommendation letters written for students and colleagues by the main character, Professor Jason Fitger.
Each letter reveals more and more about his life, his failing romances, his dismal work environment, and his floundering creative efforts. In other words, topics that are completely inappropriate for these types of letters, which makes them all the more hysterical.
Finally a novel that puts the "pissed" back into "epistolary."
Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant (he…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always thought that the most clear-eyed, unforgiving observers in literature are teenagers, not because adolescence is simple (it’s the opposite), but because young people haven’t yet learned to shrug and look away. The novels I've chosen here all have central characters who see the adult world's failures, hypocrisies, and prejudices with a directness that most of us gradually lose; and they all use coming of age as a way to confront a world that is already, in some fundamental way, broken – by grief, violence, or the gap between what adults promise and what they deliver. Those are exactly the themes I love to write about.
I’ve always been fascinated by strange social enclaves and secretive, sealed-off, private worlds, and this book has both.
But in fact, the thing I admire most here is the sense of place and atmosphere. Tartt writes with a lush, immersive style which I found is increasingly compelling as the book went on.
Using a murder as the gateway drug to what’s really a literary fiction character study is both sneaky and brilliant: I was hooked by the story in the first chapter, but once I’d finished the book, it was Richard’s voice, those eerie characters, their strange insular co-dependency, and the biting Vermont winter landscape that really stayed with me.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.
He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’m a professor myself who writes novels, so am especially drawn to novels about campus life! I really do value the life of the mind, but am also aware of just how strange a life that is within contemporary culture. At the same time, campuses are hotbeds of ideas, ranging from the deep and the true to the shallow and the crazy, and young passionate impressionable students simmer in those ideas for several years and then go on to shape our future. What could be more important than novels which bring all that to light?
We move up a generation to the next “classic,” an equally entertaining satire that now sets the American university against the British. Two professors exchange roles for an academic year, swapping not only courses but eventually also students, colleagues, and (spoiler alert!) spouses. You get to look at each place through the eyes of the other—starting with the sunny American campus (based on Berkeley) against the damp British one—which is as jarring as it is revealing. Lodge beautifully melds the academic, the intellectual, and the personal, so the story grips you personally even as it stimulates and entertains. I read this as a graduate student and somehow stayed in the business anyway!
When Philip Swallow and Professor Morris Zapp participate in their universities' Anglo-American exchange scheme, the Fates play a hand, and each academic finds himself enmeshed in the life of his counterpart on the opposite side of the Atlantic. Nobody is immune to the exchange: students, colleagues, even wives are swapped as events spiral out of control. And soon both sundrenched Euphoric State university and rain-kissed university of Rummidge are a hotbed of intrigue, lawlessness and broken vows...
I am a survivor of dual tracks of abuse: both in the home and in higher education. The disturbing link between the two emerged after twenty years working across public, private, and elite universities, where I witnessed and endured so much. My story is one data point in a widespread crisis festering in the dark. Exposing that pressures universities to change. Through my memoir, related projects, and academicabuse.com—a hub of data and resources to identify and disrupt the problem—I aim to apply that pressure, and give survivors the tools and courage to do the same.
What I found most shocking about this book is that it is still relevant.
Published in 1984 with a revised edition in 1990, Dziech and Weiner dissect the "lecherous professor" archetype and the problem of sexual harassment on campus from every angle, without pulling punches. They include real cases, quotes, and statistics, as well as warning signs and guides for students, parents, and administrators.
Reading the how and why of the way predators operate, victims respond, and universities enable the crisis let me know I was not alone! This has been known for decades, and here I was thinking I was the only one. Not anymore.
How does society view and define sexual harassment of students by academicians? Does the collegiate environment exacerbate the problem and contribute to its current epidemic proportions? What can students, faculty, and administrators do about the problem? The Lecherous Professor addresses these timely issues, including the dilemma of teacher-student dating, newly devised policy statements on sexual harassment from several institutions, and faculty uneasiness about administrative directives on sexual harassment.
I spent 36 years on the MIT faculty, an exhilarating stint in the academic fast lane. For 25 of those years, I served on my department’s promotion and tenure committee. I was also a journal editor, a book-series editor, and I ran technical conferences, just the kinds of things one expects from someone in my position. Along the way, I started reading novels about the academic life. Finding many of them wanting (too silly, too dysfunctional), I decided that after my retirement, I would write my own novels, presenting a realistic insider’s picture of life in the academic fast lane and the familial stresses that can result.
Pnin, a Russian émigré teaching at a not-wonderful college, is a remarkably endearing protagonist. I would welcome him into my home. Constantly swimming upstream, he is resolute yet humble. He takes on life in America with thoughtful determination and becomes victorious even in defeat. A stellar individual. Nabokov’s deftness with the English language enriches this short and highly accessible novel.
Professor Timofey Pnin, late of Tsarist Russia, is now precariously perched at the heart of an American campus. Battling with American life and language, Pnin must face great hazards in this new world: the ruination of his beautiful lumber-room-as-office; the removal of his teeth and the fitting of new ones; the search for a suitable boarding house; and the trials of taking the wrong train to deliver a lecture in a language he has yet to master.
Wry, intelligent and moving, Pnin reveals the absurd and affecting story of one man in exile.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I graduated from Lower Cape May Regional High School in the '80s. My classes revolved mostly around the culinary sciences and theater, with the occasional nap in Chemistry. I write culinary cozy mysteries from my Northern Virginia office while trying to keep my naughty cat off my keyboard. I was diagnosed with an autoimmune disease that prevents me from eating gluten without exploding. I now create gluten-free goodies at home and include the recipes in my Cape May-based Poppy McAllister series. Most of my hobbies revolve around eating and travel, and eating while traveling. My secret powers include finding my way to any coffee shop anywhere in the world, even while blindfolded.
English professor Lila Maclean is thrilled about her new job at prestigious Stonedale University, until she finds one of her colleagues dead.
She soon learns that everyone, from the chancellor to the detective working the case, believes Lila—or someone she is protecting—may be responsible for the horrific event, so she assigns herself the task of identifying the killer. More attacks on professors follow, the only connection a curious symbol at each of the crime scenes. Putting her scholarly skills to the test, Lila gathers evidence, but her search is complicated by an unexpected nemesis, a suspicious investigator, and an ominous secret society. Rather than earning an “A” for effort, she receives a threat featuring the mysterious emblem and must act quickly to avoid failing her assignment…and becoming the next victim.
I love the subtle humor in Cynthia’s series. She has a clever turn of phrase that keeps you giggling along…
English professor Lila Maclean is thrilled about her new job at prestigious Stonedale University, until she finds one of her colleagues dead.
She soon learns that everyone, from the chancellor to the detective working the case, believes Lila—or someone she is protecting—may be responsible for the horrific event, so she assigns herself the task of identifying the killer.
More attacks on professors follow, the only connection a curious symbol at each of the crime scenes. Putting her scholarly skills to the test, Lila gathers evidence, but her search is complicated by an unexpected nemesis, a suspicious investigator, and an ominous…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Abbott Awaits follows the spectacularly ordinary life of a father with a two-year-old; husband to an insomniac, pregnant wife; and university teacher. Bachelder evokes beauty in the mundane, dazzling splendor in domestic tedium, and in the middle of cleaning up his daughter’s vomited-up raspberries, a revelation that gets to the heart of Abbot’s heart-crushing yet devastatingly funny tour of his wildly imaginative inner life: “The following propositions are both true: A) Abbott would not, given the opportunity, change one significant element of his life, but B) Abbot cannot stand his life.”
A quiet tour de force, Chris Bachelder's Abbott Awaits transforms the ordinary into the extraordinary, startlingly depicting the intense and poignant challenges of a vulnerable, imaginative father as he lives his everyday American existence.
In Abbott we see a modern-day Sisyphus: he is the exhausted father of a lively two-year old, the ruminative husband of a pregnant insomniac, and the confused owner of a terrified dog. Confronted by a flooded basement, a broken refrigerator, a urine-soaked carpet, and a literal snake in the woodpile, Abbott endures the beauty and hopelessness of each moment, often while contemplating evolutionary history, altruism, or…
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
Ezekiel Farragut is a former university professor and current inmate at Falconer prison.
A drug addict and a murderer for killing his own brother during an argument, while incarcerated Farragut must wean himself from his addiction with methadone, and suffer visits from his profoundly disappointed wife. He is also involved romantically with a fellow prisoner—the captivating Jody, who all the guys want to screw.
When Jody successfully escapes, Farragut is left to contemplate how his own failures got him to this lonely place, and how to be a better man if he is ever able to leave it. This is where the grim, dreamlike beauty of Cheever’s best-known signature works shines through.
If you like this, also check out Blake Bailey’s biography of Cheever. The parallels between fact and fiction are fascinating.
#1 NEW YORK TIMES BESTSELLER • Stunning and brutally powerful, "one of the most important novels of our time" (The New York Times) tells the story of a man named Farragut, his crime and punishment, and his struggle to remain a man in a universe bent on beating him back into childhood.
In a nightmarish prison, out of Farragut's suffering and astonishing salvation, Pulitzer Prize-winning author John Cheever crafted his most powerful work of fiction. Only Cheever could deliver these grand themes with the irony, unforced eloquence, and exhilarating humor that make Falconer such a triumphant work of the moral…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).
Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.
Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.
From the acclaimed author of Swing Time, White Teeth and Grand Union, discover a brilliantly funny and deeply moving story about love and family
Why do we fall in love with the people we do? Why do we visit our mistakes on our children? What makes life truly beautiful?
Set between New England and London, On Beauty concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs. It puts low morals among high…