Here are 100 books that Calling for a Blanket Dance fans have personally recommended if you like
Calling for a Blanket Dance.
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My ultimate read is when the action is fast, but the character's discovery of self is slow. Besides, being engrossed in the challenges of others makes my own pale by comparison. The author needs to get me to empathize with the characters - even if their struggles are nothing like my own - and once they’ve done that, I’ll be in for the long haul! Journeying through life’s mire and finding the rainbow with a character you believe - and believe in - makes for the ultimate in vicarious living. And ‘Heck, YES’ to a satisfying ending!
This author was new to me, and I fell in love! The characters are rich, quirky, and distinctive. I was intrigued by the supernatural element. The story drew me in immediately, and I couldn’t put the book down. I loved how it ended.
I felt like I’d spent time with complicated friends who conquered their demons. It satisfied what I crave most from any book: intrigue, interesting, unpredictable characters that must peel away the layers the deeper I go, seemingly insurmountable obstacles that are eventually overcome, and a satisfying ending. I would equate the feel of this read to spending quality time with best friends, enjoying a steak cooked to perfection with roast potatoes crispy on the outside and soft on the inside. And, of course, chocolate mousse sprinkled with hazelnuts for dessert.
In 1958, a small Minnesota town is rocked by the murder of its most powerful citizen, pouring fresh fuel on old grievances in this dazzling standalone novel from the New York Times bestselling author of the "expansive, atmospheric American saga" (Entertainment Weekly) This Tender Land.
On Memorial Day, as the people of Jewel, Minnesota gather to remember and honor the sacrifice of so many sons in the wars of the past, the half-clothed body of wealthy landowner Jimmy Quinn is found floating in the Alabaster River, dead from a shotgun blast. Investigation of the murder falls to Sheriff Brody Dern,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve long been fascinated by the human side of history. Not the dry recounting of battles, dates, and generals so often taught in school, but the reality behind all those statistics. I’m enthralled to learn what the individuals in history had in common with us and what was different for them. Nothing from the Revolutionary War to the Great Depression to World War II to the Middle Ages was as simple and as black-and-white and right-or-wrong as we’ve been led to believe. Each of these books has broadened my understanding of historical periods and brought me one step closer to those who lived through them.
I found This Tender Land, a tale of four orphans adrift on the Mississippi River in 1932, to be heartwarming, memorable, and compelling.
This slice of history—the years surrounding the depression, I knew little about—I learned next to nothing of this in school and Kreuger makes the time, settings, and conditions come alive.
This story has echoes of Twain’s Huckleberry Finn but with its own compelling story and time. This novel followed Krueger’s other book, which won the Edgar Award and which I also loved. But I enjoyed this story even more with its complex characters and even more compelling narrative.
1932, Minnesota-the Lincoln School is a pitiless place where hundreds of Native American children, forcibly separated from their parents, are sent to be educated. It is also home to an orphan named Odie O'Banion, a lively boy whose exploits earn him the superintendent's wrath. Forced to flee, he and his brother Albert, their best friend Mose, and a brokenhearted little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own.
Over the course of one unforgettable summer, these four orphans will fly into the unknown and cross paths with others…
Mixing the magical with everyday life is part of my Louisiana culture. Our history is a rich gumbo of legends from Indigenous peoples, Africa, the Caribbean, Spain, and France. So, as a child, hearing stories of the supernatural didn’t seem abnormal at all. I was ten years old when I became hooked on supernatural suspense. I voraciously read Agatha Christie's mysteries and spooky comic books. The comic book sleuths were sometimes as scary as the villains they chased. And I loved every page. What fun I had during summer school breaks! If you’re like me and love mysteries with paranormal twists, dive in. You won’t be disappointed in this list.
The unique protagonist is the main reason I loved this novel. Cash Blackbear is a young Objibwe woman in North Dakota with a strong sixth sense that leads her to clues. Cash gets visions that she can’t ignore. She teams with local Sheriff Wheaton, who trusts her insights even though he doesn’t understand them. Wheaton has been a father figure/mentor since she was a child left adrift in one abusive foster home after another.
I loved their sometimes awkward yet tender interactions. The author, who is Native American, expertly weaves in the rich tapestry of American indigenous culture and life. Additionally, this is a great whodunnit with plot twists that I thoroughly enjoyed.
Introducing Cash Blackbear, a young Ojibwe woman whose visions and grit help solve a brutal murder in this award-winning debut.
1970s, Red River Valley between North Dakota and Minnesota: Renee “Cash” Blackbear is 19 years old and tough as nails. She lives in Fargo, North Dakota, where she drives truck for local farmers, drinks beer, plays pool, and helps solve criminal investigations through the power of her visions. She has one friend, Sheriff Wheaton, her guardian, who helped her out of the broken foster care system.
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.
McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
This book was one of the first—and still one of the best—picture books to describe the importance of jingle dancing and powwow today. The setting is contemporary. The story is engaging. The author, Cynthia Leitig Smith, is a tribal member and weaves many authentic details into the story.
New York Times bestselling author Cynthia Leitich Smith's lyrical text is paired with the warm, evocative watercolors of Cornelius Van Wright and Ying-Hwa Hu in this affirming story of a contemporary Native American girl who turns to her family and community.
The cone-shaped jingles sewn to Grandma Wolfe's dress sing tink, tink, tink, tink…
Jenna loves the tradition of jingle dancing that has been shared over generations in her family and intertribal community. She hopes to dance at the next powwow.
But with the day quickly approaching, she has a problem—how will her dress sing if it has no jingles?
My Diné (Navajo) family stories drew me into history including studies of Indigenous experiences in boarding schools. Two of my uncles were Navajo Code Talkers, and I loved asking them about their life stories. My uncle Albert Smith often spoke about his memories of the war. I was struck by the irony that he was sent to a boarding school as a child where the Navajo language was forbidden, and then he later relied on the language to protect his homelands. I then became interested in all my relatives' boarding school stories, including those of my father, which led me to write my first book The Earth Memory Compass about Diné school experiences.
As soon as I read Lomawaima’s They Called it Prairie Light, I knew that I wanted to work with oral history among my Diné relatives and Native American communities to better understand their voices and perspectives of Indian boarding schools. Lomawaima’s book brought together oral histories and stories that she gathered from her father and relationships that she sustained with former boarding school students of the Chilocco Indian School. She offers a platform for boarding school students to tell their own stories; and, most importantly, she exemplified how to do such significant work.
Established in 1884 and operative for nearly a century, the Chilocco Indian School in Oklahoma was one of a series of off-reservation boarding schools intended to assimilate American Indian children into mainstream American life. Critics have characterized the schools as destroyers of Indian communities and cultures, but the reality that K. Tsianina Lomawaima discloses was much more complex.
Lomawaima allows the Chilocco students to speak for themselves. In recollections juxtaposed against the official records of racist ideology and repressive practice, students from the 1920s and 1930s recall their loneliness and demoralization but also remember with pride the love and mutual…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Powwow's Comingis a simple, colorful, and “full of dancing descriptions” that show the fun and importance of powwow celebrations. Linda is part Native and part teacher and fully a creative author and illustrator. She explains in rhyming narrative the reasons for the gathering of many tribal members at a powwow to share dancing, chanting, and drumming. Powwow’s Comingis a perfect read aloud for younger “listeners.” Boyden has included a teachers’ resource page so the book can easily be incorporated into different curriculums.
Powwow's coming, hear the beat? Powwow's coming, dancing feet. Powwow's coming, hear the drum? Powwow's coming, everyone! Frustrated as a school teacher not being able to find good instructional materials on American Indians, Linda Boyden has bypassed the tired stereotype of Indians on horseback or hunting game and placed them in today's setting of a powwow. ""Powwow's Coming"" provides children with a foundation for understanding and celebrating the enduring culture and heritage of American Indians. Boyden's exquisite cut-paper collage and engaging poem visually place readers within the scenes of a contemporary Native American community while offering a thoughtful look at…
Historian Doug Hocking grew up on the Jicarilla Apache Reservation of New Mexico. He knows her peoples, towns, and trails. He has completed advanced studies in history, his first love, anthropology, and historical archaeology. Since retiring as an armored cavalry officer, Doug has owned his own business. With this background he has insight into America’s great commercial road, the Santa Fe Trail, and into battles and soldiering. He understands Apache lives as few others do.
This is a collection of articles including some by Marc Simmons, Gardner’s mentor and frequent writing partner. The pair are the greatest experts on the trail to be found. If you can locate a copy, its articles provide a broad perspective on where Santa Fe Trail research has taken us in recent years by people who love the trail and its peoples.
Thirteen papers on the Santa Fe Trail, of which ten are reprinted from the April 1989 issue of Journal of the West . Annotation copyright Book News, Inc. Portland, Or.
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
Though we are thankful for the current movements to decolonize archives and museums, from at least 1750, Native writers have been doing this important survival work of asserting Native ways of knowing. This revelation is the subject of Wisecup’s ground-breaking study. It shows how early Native writers assembled lists, collages, and literary texts that, through juxtaposition and recontextualization, resisted the way colonial archives defined their bodies, belongings, and words as ethnographic evidence of vanishing peoples. Wisecup offers revealing ways to read the Indigenous compilations of key figures like Mohegan Samson Occom’s medicinal recipes, Ojibwe Charlotte Johnston’s poetry scrapbooks, and Abenaki leader Joseph Laurent’s vocabulary lists. We also deeply appreciate how Wisecup ends each chapter by connecting the early writer it focuses on to contemporary Indigenous culture.
A wide-ranging, multidisciplinary look at Native American literature through non-narrative texts like lists, albums, recipes, and scrapbooks
"An intricate history of Native textual production, use, and circulation that reshapes how we think about relationships between Native materials and settler-colonial collections."-Rose Miron, D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library
Kelly Wisecup offers a sweeping account of early Native American literatures by examining Indigenous compilations: intentionally assembled texts that Native people made by juxtaposing and recontextualizing textual excerpts into new relations and meanings. Experiments in reading and recirculation, Indigenous compilations include Mohegan minister Samson…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
My grandparents played a pivotal role in my childhood, living with us and raising my brother and me while my parents worked long hours. Some of my favorite memories of those years are lying in bed as Abuelo told me stories that made me laugh instead of making me sleepy, cooking picadillo with my abuela in the kitchen, and going on long walks along the beach with my abuelo. Though they didn’t speak to me in Spanish, they taught me to sing nursery rhymes and enticed me with sticks of Big Red gum to get me to learn how to roll my r’s.
This book's evocative verse drew me in immediately, whisking me into a cozy childhood memory of my own. I love the repeated refrains of Fry Bread…which allows young ones to anticipate and ‘read along,’ increasing engagement with the child.
The beautiful illustrations, which show children of many different skin tones in the kitchen assisting and then awaiting the delicious result, amplify the story, showing how grandparents can be sources of love and support for their grandchild's network of friends.
I especially love this book because it reminds me of cooking Cuban bread pudding with my abuela for Thanksgiving, her contribution to the American holiday that reminded her of her home.
Fry bread is food. It is warm and delicious, piled high on a plate.
Fry bread is time. It brings families together for meals and new memories.
Fry bread is nation. It might look or taste different, but it is still shared by many, from coast to coast and beyond.
Fry bread is us. It is a celebration of old and new, traditional and modern, similarity and difference.
Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.
