Here are 100 books that Burnt Sugar fans have personally recommended if you like
Burnt Sugar.
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I’ve heard many stories from friends who, as adults, discovered that the person they always believed to be their mother or father was not, and saw what it did to their sense of self. I became fascinated by the how and why a family would perpetuate such a lie, and it made me wonder about the difference between a secret and a lie, and if there is one. This set me off writing novels about family secrets, and reading many more. I enjoy exploring what such devastating news does to a person, and to the entire family, once the secret is discovered.
I was drawn into this story from its first brilliant line.
Before this book was released, I read an ARC of the novel as a member of the Group Reads committee that curates a list of novels perfect for book clubs. Immediately, I felt this would be a bestseller and am so glad I was right.
The multilayered characters are so well drawn, and the propulsive mystery is deftly laid out, making it a page turner. This is a novel I kept reading late into the night.
The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts
"A taut tale of ever deepening and quickening suspense." -O, the Oprah Magazine
"Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family." -Entertainment Weekly
"Lydia is dead. But they don't know this yet." So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia's body…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
Lahiri writes about immigrant families with a kind of quiet precision that always undoes me.
I love how this novel follows Gogol's uneasy relationship with his name, his parents, and the home they left behind. It's a beautiful exploration of how we inherit both love and loneliness from our families, and how long it can take to understand either.
'The Namesake' is the story of a boy brought up Indian in America.
'When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes...'
For now, the label on his hospital cot reads simply BABY BOY GANGULI. But as time passes and still no letter arrives from India, American bureaucracy takes over and demands that 'baby boy Ganguli' be given a name. In a panic, his father…
I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
This is such a tender, funny, and honest portrait of three sisters fulfilling their mother's final wish.
I love how the pilgrimage to India becomes a mirror for each woman's private disappointments, loyalties, and quiet strengths. It captures the messiness of sibling dynamics and the complicated afterlife of a mother's expectations.
Grab your passport and let the Shergill sisters take you on a journey...
Meet the Shergill Sisters.
The know-it-all, Rajni. The drama queen, Jezmeen. The golden child, Shirina.
They have never been close. But their mother's dying wish was for them to take a pilgrimage across India together, to carry out her final rites. And so, the sisters are thrown together for one last (and very strange) family holiday.
The three women seem to have nothing in common, apart from the fact that each of them has a secret she would prefer to keep hidden. But as…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
In this essay, Roy writes about her relationship with her mother, Mary, with a mix of sharp honesty and tenderness.
I love how she captures a daughter’s push-and-pull between rebellion and devotion, irritation and gratitude. It’s a reminder that our mothers can be both our fiercest critics and our fiercest protectors—and that understanding them often means revisiting the stories we’ve told ourselves for years.
I’ve always been fascinated by the darker corners of the human mind, such as what drives people to commit unspeakable acts and how others find the strength to face them. As both a neuropsychologist and a thriller author, I explore those questions on the page, weaving together my background in psychology with my love of twisty, character-driven stories. Books where the crimes are as twisted as the minds behind them have shaped my own writing, including my latest novel, Heavy Are the Stones. I read them not just for the suspense, but for the unsettling and raw truths they reveal about us all as humans.
I enjoy mysteries that tie my brain in knots, and With A Vengeance had more twists than a pretzel.
Right from the start, the premise flips the genre on its head where the main character, Anna Matheson, who wishes everyone she has gathered together was dead, is also the one who must save them. I loved that Riley Sager set the entire locked-room mystery inside a moving train where every passenger is a suspect, yet somehow maybe none of them are guilty.
I spent the whole ride toggling between motives and alibis, sure I’d cracked it, only to be blindsided by another twist. Sager’s color-coded cast felt like walking Clue pieces, vivid enough that I swore I would find Mr. Plum in the Conservatory with the candlestick. But I certainly didn’t make the correct guess, and there’s nothing I love in a book more than a surprise ending!
One train. No stops. A deadly game of survival and revenge.
'A locked room thriller at its best! Nonstop suspense with twists and turns that will leave your head spinning' FREIDA MCFADDEN
'Sager wields a deft hand in bringing all the elements together into a rip-roaring, tension-filled tale of greed, murder and revenge' DAVID BALDACCI
In 1942, six people destroyed Anna Matheson's family. Twelve years later, she's ready for retribution.
Under false pretenses, Anna has lured those responsible for her family's downfall onto a luxury train from Philadelphia to Chicago, an overnight journey of fourteen hours. Her goal? Confront the…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
This is one of my all-time favorite books. It is so darkly funny and strange that I laugh and shiver right through it every time. It begins in the middle of a flood in a small English town, where ducks are swimming and quacking in the drawing room, and I am also a big duck fan. Strange deaths follow. You can’t beat that.
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus
This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
A bit of a curveball entry, but go with it. One of the subplots in Smith’s impressively sprawling historical novel involves do-gooder Baptists who really are doing good! They’re in Anglican England to agitate for the end of slavery in the British colonies—and they’re ahead of their time in other ways, too.
They help to platform the voices of freedmen and escaped slaves, acting as allies, essentially. It’s in the main character of Eliza that the larger novel takes up this search for a liberatory truth, nominally Christian but really entrusted to anyone who can see the suffering of others and refuse to look away.
From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and who gets to be believed
It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years.
Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of…
I grew up in Brooklyn, NY, and am the middle daughter of three. My sisters and I were close in age, and, of course, our home was girl-centered. The three of us attended the same all-girls Catholic high school, though we each had our own friends. Because of my childhood, I love books that explore how women make friends and keep them, how we let them go, and why. The genesis of friendships interests me, whether childhood, high school, college or motherhood. I love to read books by women where girlfriendships are not an afterthought or window dressing but central to the characters’ inner lives and the story being told.
Absolution is about the wives of American men with non-combat roles in the U.S. government in Vietnam. The men have brought their families to Saigon. Tricia is a new arrival, and Charlene lures her into the insular world of the American wives. I’ve always been interested in the politics of the late 1960s in the U.S., so I found this book fascinating because it takes place in 1963, before the Kennedy assassination.
I was captivated by Tricia and Charlene’s friendship because it is complicated and intense. I loved how Tricia is intrigued by Charlene but also intimidated by her and aware that they’d never be friends if they’d met under different circumstances. McDermott skillfully portrays the ambiguity inherent in many friendships, and I appreciated her exploration of this dynamic.
Named a Best Book of the Year by Time, Esquire, Good Housekeeping, Kirkus Reviews, Los Angeles Times, NPR, Oprah Daily, Real Simple, and Vogue
A riveting account of women’s lives on the margins of the Vietnam War, from the renowned winner of the National Book Award.
You have no idea what it was like. For us. The women, I mean. The wives.
American women―American wives―have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on…
Assassins are always compelling characters. They fit within that archetype of the gunslinger and the private eye and the ronin samurai, highly-skilled characters with a strict moral code who take the law into their own hands to deliver justice in an unjust world. But more than that, they’re fantastic vehicles for exploring the moral gray areas of the world. As a concept, it’s pretty straightforward: kill someone and collect a paycheck. But I’m always looking for books that do something new and special with the genre.
This book is a unique spin on the classic assassin story. It follows four women in their 60s, retired from their careers as killers, who are now targeted and trying to survive.
Raybourn’s book is funny and action-packed, but it does incredible work with the characters. It explores a traditionally macho genre from a female perspective, which offers a whole host of new opportunities and insights.
Older women often feel invisible, but sometimes that's their secret weapon.
Billie, Mary Alice, Helen and Natalie have worked for the Museum, an elite network of assassins, for forty years. But now their talents are considered old-school and no one appreciates their real-world resourcefulness in an age of technology.
When the foursome is sent on an all-expenses-paid trip to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realise they've been marked for death.
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
This novel takes an absurd premise (everyone magically receives a string whose length reflects how long they will live) and spins it into a profound thought experiment. I loved it for its complete indifference to the scientific credibility that I tried to build into my novel, which is in part about knowing (if you want) exactly how long you have to live.
I found it liberating to learn that, as a writer, I could have it both ways: be extremely thoughtful and nuanced about the consequences of your premise while being completely arbitrary and absurdist about the premise itself. I don’t have that kind of nerve, so I fell back on mere science for my premise, but I love Erlich’s gall.
