Here are 100 books that Burnt Sugar fans have personally recommended if you like
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I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
This book opens with a daughter's death, but it's really about everything that went unspoken long before that moment.
I love how Ng peels back the layers of race, gender, and parental expectation in a 1970s Midwestern family. It's a masterclass in showing how quiet misunderstandings and unvoiced desires can ripple through generations.
The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts
"A taut tale of ever deepening and quickening suspense." -O, the Oprah Magazine
"Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family." -Entertainment Weekly
"Lydia is dead. But they don't know this yet." So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia's body…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
Lahiri writes about immigrant families with a kind of quiet precision that always undoes me.
I love how this novel follows Gogol's uneasy relationship with his name, his parents, and the home they left behind. It's a beautiful exploration of how we inherit both love and loneliness from our families, and how long it can take to understand either.
'The Namesake' is the story of a boy brought up Indian in America.
'When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes...'
For now, the label on his hospital cot reads simply BABY BOY GANGULI. But as time passes and still no letter arrives from India, American bureaucracy takes over and demands that 'baby boy Ganguli' be given a name. In a panic, his father decides to…
I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
This is such a tender, funny, and honest portrait of three sisters fulfilling their mother's final wish.
I love how the pilgrimage to India becomes a mirror for each woman's private disappointments, loyalties, and quiet strengths. It captures the messiness of sibling dynamics and the complicated afterlife of a mother's expectations.
Grab your passport and let the Shergill sisters take you on a journey...
Meet the Shergill Sisters.
The know-it-all, Rajni. The drama queen, Jezmeen. The golden child, Shirina.
They have never been close. But their mother's dying wish was for them to take a pilgrimage across India together, to carry out her final rites. And so, the sisters are thrown together for one last (and very strange) family holiday.
The three women seem to have nothing in common, apart from the fact that each of them has a secret she would prefer to keep hidden. But as one unlikely adventure…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
In this essay, Roy writes about her relationship with her mother, Mary, with a mix of sharp honesty and tenderness.
I love how she captures a daughter’s push-and-pull between rebellion and devotion, irritation and gratitude. It’s a reminder that our mothers can be both our fiercest critics and our fiercest protectors—and that understanding them often means revisiting the stories we’ve told ourselves for years.
I’ve always been fascinated by the darker corners of the human mind, such as what drives people to commit unspeakable acts and how others find the strength to face them. As both a neuropsychologist and a thriller author, I explore those questions on the page, weaving together my background in psychology with my love of twisty, character-driven stories. Books where the crimes are as twisted as the minds behind them have shaped my own writing, including my latest novel, Heavy Are the Stones. I read them not just for the suspense, but for the unsettling and raw truths they reveal about us all as humans.
I enjoy mysteries that tie my brain in knots, and With A Vengeance had more twists than a pretzel.
Right from the start, the premise flips the genre on its head where the main character, Anna Matheson, who wishes everyone she has gathered together was dead, is also the one who must save them. I loved that Riley Sager set the entire locked-room mystery inside a moving train where every passenger is a suspect, yet somehow maybe none of them are guilty.
I spent the whole ride toggling between motives and alibis, sure I’d cracked it, only to be blindsided by another twist. Sager’s color-coded cast felt like walking Clue pieces, vivid enough that I swore I would find Mr. Plum in the Conservatory with the candlestick. But I certainly didn’t make the correct guess, and there’s nothing I love in a book more than a surprise ending!
One train. No stops. A deadly game of survival and revenge.
'A locked room thriller at its best! Nonstop suspense with twists and turns that will leave your head spinning' FREIDA MCFADDEN
'Sager wields a deft hand in bringing all the elements together into a rip-roaring, tension-filled tale of greed, murder and revenge' DAVID BALDACCI
In 1942, six people destroyed Anna Matheson's family. Twelve years later, she's ready for retribution.
Under false pretenses, Anna has lured those responsible for her family's downfall onto a luxury train from Philadelphia to Chicago, an overnight journey of fourteen hours. Her goal? Confront the…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
Set in the inland regions of Southern California, far from glamor, this novel contains a cross section of characters from California’s past, present, and future, all connected by blood, by place, by history. It begins with an act of violence committed to disrupt a sexual assault, and that act has consequences that echo through decades. The landscape, beautiful and treacherous and fire-prone, acts like one more character.
The novel ends with a standoff between the characters we’ve grown to know and love and ICE agents—a haunting and newly relevant image. A tremendous work of art.
One of The Washington Post's Ten Best Books of 2022. Finalist for the 2022 Kirkus Prize and the 2023 Dayton Literary Peace Prize. One of the New York Times' 10 Best California Books of 2022 and one of NPR's Best Books of 2022. A New York Times Book Review Editors' Choice.
"A wide and deep view of a dynamic, multiethnic Southern California . . . Susan Straight is an essential voice in American writing and in writing of the West." ―The New York Times Book Review
From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topics—New York and women’s history.
I can’t get enough of this novel about a group of young women making their way into the world of publishing in New York City. A window into what it was like to find a career, fall in love, and negotiate life as a single woman in the big city in the 1950s, Rona Jaffe’s book was a watershed when it was published in 1958. I think it should be required reading for all women, regardless of whether they work in publishing, or have ever lived in New York.
Who are you, and why do you have expertise or a passion for the topic/theme/mood of the book list you created?
Rona Jaffe's beloved novel about 1950s NYC women in the workplace that paved the way for the #MeToo movement and iconic cultural touchstones like Sex and the City and Mad Men, now for the first time in Penguin Classics, in a 65th anniversary edition with an introduction by New Yorker staff writer Rachel Syme
A Penguin Classic
When Rona Jaffe’s superb page-turner was first published in 1958, it changed contemporary fiction forever. Some readers were shocked, but millions more were electrified when they saw themselves reflected in its story of five young employees of a New York publishing company. Sixty-five…
I am a long-time journalist and have been passionate about understanding history ever since taking a wonderful AP course in European history in high school. I have read many historical books, both fiction and nonfiction, so it makes sense that my first novel, Rebecca of Ivanhoe, is historical fiction. To be a good journalist and citizen, you have to know and understand history to inform your reporting and try to prevent the bad moments of history from repeating themselves.
The protagonist in this book is ConaLee, a 12-year-old girl mature beyond her years whose father, a Union soldier, is severely injured in the Civil War and doesn’t remember who he is (he never makes it back home). Her mother is raped by a roaming Confederate war veteran and traumatized to the point of muteness.
The Confederate soldier drops the mother and ConaLee off at a lunatic asylum in West Virginia, where a mysterious night watchman joins what becomes a compelling tale. I enjoyed this book because it introduces a spirited preteen protagonist who is trying to keep her family together and shows how devastating the Civil War was to so many families.
From one of our most accomplished novelists, a mesmerizing story about a mother and daughter seeking refuge in the chaotic aftermath of the Civil War
In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year. They arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital’s entrance by a war veteran who has…
I think I sometimes get in trouble for saying this, but the truth is, I don’t give a shit about the likability of characters, whether I’m reading or writing. I’m here for a good time, not a long time. Because of that, fiction is the most riveting for me when interesting characters start making bad decisions. Any good narrative train wreck must create tension that keeps ratcheting up in its pages, and these are some of the books that do that most expertly, in my opinion. So, grab something to hold onto while you go on some of my favorite wild rides.
This is my most recent “can’t look away” read. The titular Piglet hits rock bottom and keeps digging after her idea of a perfect life with her fiancé Kit goes up in flames. Lottie Hazell really knows how to do a set piece with constant escalating tension. Every food-related meltdown in Piglet proved more anxiety-inducing than the last, particularly a scene of Piglet frantically trying to bake a croquembouche on the day of her disastrous wedding.
I always appreciate a book that refuses to give the reader breathing room and puts you in the scene with its characters. Piglet’s pages and pages of bad decisions–and the empathy Hazell’s narrative still manages to weave in for her characters–make this a gripping, satisfying read.
Discover a deliciously dark and piercing story of food and secrets, a Stylist Best Debut Novel of 2024.
'A sharp, dark, must-read story about appetite, ambition, secrecy and shame' Daily Mail
'If I owned a bookstore, I'd hand-sell Piglet to everyone' New York Times Book Review
'A dark, weird, satisfying tale about greed and desire' i News
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Her life is so full, so why is she hungry?
For Piglet - an unshakable childhood nickname - getting married is her opportunity to reinvent. Together, Kit and Piglet are the picture of domestic bliss - effortless hosts, planning a covetable wedding...…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have long been fascinated by how personal and singular the experience of grief is. There is something soothing and relatable about reading others’ experiences—the more strange, nonsensical, or even supernatural the better. My own novel, The Secret Garden of Yanagi Inn, is a retelling of The Secret Garden, but with an adult protagonist moving through grief over the death of her complicated mother, striving to see a bright ray of hope on the other side. Each of the books on my list about unusual manifestations of grief tackles this same concept in new and surprising ways, and I hope they touch you as they have touched me.
Rouge is at its heart an exploration of a daughter’s grief for her troubled mother and the bizarre turns that grief can take.
Rouge tells the story of a young woman obsessed with cult-like beauty culture. When her mother mysteriously dies, she is forced to return home and confront the complicated relationship she had with her also beauty-obsessed mother. Fairy tale surreal and viscerally disturbing, Rouge delves into obsession, grief, and the dangers of beauty culture taken to the extreme.
Like all of Awad’s books, this is a story that will stick with me a very long time.
From the critically acclaimed author of Bunny comes a horror-tinted, gothic fairy tale about a lonely dress shop clerk whose mother's unexpected death sends her down a treacherous path in pursuit of youth and beauty.
Can she escape her mother's fate and find a connection that is more than skin deep?
A Most Anticipated Book of 2023 in The Guardian, i newspaper, The New York Times, Time, Globe and Mail, Bustle, The Millions, LitHub, TOR, Good Housekeeping, Our Culture Mag, and more!
'You think, "She's not going to go there...yes, she is.' Margaret Atwood
'The trancelike, rhapsodic language and deepening…
