Here are 73 books that Bunker Hill Los Angeles fans have personally recommended if you like
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I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This is the story of Jack Crabbe. Jack was reared by both white and Cheyenne folks.
His story is a masterpiece and describes the destruction of Native Americans along with their way of life (including the bison they relied on). According to Jack, he even participated in the Battle of Little Big Horn and was the only white man who survived.
I recommend this book to anyone who is interested in American history and who wants to read about it in an entertaining way. There’s no way to disguise the hateful way European settlers wiped out native tribes and/or enslaved Natives and Blacks, but at least this is an engaging account thereof.
'I am a white man and never forget it, but I was brought up by the Cheyenne Indians from the age of ten.' So starts the story of Jack Crabb, the 111-year old narrator of Thomas Berger's masterpiece of American fiction. As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.
As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This book taught me to love reading when I was in the third grade. Jane, Mark, Katharine, and Martha are suffering the summertime-boredom blues when they find a grimy old coin.
By accident they discover the coin is magic; however, it’s so old it only works part-way. The adventures they have while trying to figure out what’s going on are charming and hysterical. I always laugh when the cat tries to halfway express itself because the children forgot to double the wish they wished.
Anyone with a sense of humor, adventure, and who misses (or missed) the delights of childhood should read this book. It was published in the 1950s, is set in the 1920s, and is still in print! That’s the hallmark of an excellent book.
Book one in the series called "truly magic in a reader's hands" by Jack Gantos, Newbery Medal winner for Dead End in Norvelt.
It all begins with a strange coin on a sun-warmed sidewalk. Jane finds the coin, and because she and her siblings are having the worst, most dreadfully boring summer ever, she idly wishes something exciting would happen.
And something does: Her wish is granted. Or not quite. Only half of her wish comes true. It turns out the coin grants wishes—but only by half, so that you must wish for twice as much as you want.
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
When I was a kid, I read aLife Magazine article about elephants. Specifically, it shared how the elephants tried to keep an old, beloved family member alive and mourned his passing. It touched my heart.
Set in French Equatorial Africa, The Roots of Heaven is about Morrel, who attempts to stop the extinction of elephants. It’s an uphill fight for Morrel and those few who work with him and is basically a metaphor for humanity’s struggle to survive.
I loved this book for a number of reasons, not the least of which was how hopeless Morrel’s task seems, and how he keeps fighting anyway. I feel hopeless and helpless much of the time as I watch humans kill not merely each other but the earth itself. The Roots of Heaven shows that light can still shine in the murk of destruction.
The Roots of Heaven takes as its subject the deliberate and relentless hunting and killing of elephants for their ivory. Morel, a former dentist whose survival in a Nazi concentration camp he attributes to his fixation on the freedom and companionability of elephants, travels to Africa intent on stopping the slaughter. He circulates a petition demanding their killing be made illegal. It attracts two signers: a disgraced American from the Korean War and a call girl described as "just another animal who needed protection." From here things get really interesting―politically, socially and culturally. Morel realizes that action is necessary; a…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This book made me fall in love with the mystery genre.
It’s set on an unnamed Canadian island after WWII, and features two children, Barnaby and Christie, who at first hate each other, and then become pals and schemers in the murder of Barnaby’s uncle before the uncle can kill Barnaby in order to gain Barnaby’s inheritance.
Enhanced by wonderful characters, including an RCMP sergeant (the only survivor of all the islanders’ sons who fought in WWII and feels guilty about it), a one-eared cougar, a vicious bull, and a village idiot, I fell in love with everything about this book.
It was published in 1963, and still holds up today in all its eccentricity, wit, and a little (or a lot of) darkness.
When recently-orphaned Barnaby Gaunt is sent to stay with his uncle on a beautiful remote island off the coast of Canada, he is all set to have the perfect summer holiday. Except for one small problem: his uncle is trying to kill him. Heir to a ten-million-dollar fortune, Barnaby tries to tell everyone and anyone that his uncle is after his inheritance, but no one will believe him. That is, until he tells the only other child on the island, Christie, who concludes that there is only one way to stop his demonic uncle: Barnaby will just have to kill…
Growing up, there was nothing I hated more than reading. Struggling with dyslexia and learning disabilities made books miserable and the distractions of screens didn’t help. However, everything changed when I discovered graphic novels and comics! That led to a newfound love of stories and books (especially graphic novels) which took me on a journey of not being able to read at age ten, to publishing my first novel at age fifteen. Since then, I’ve written and illustrated children’s books and young adult novels, but Mup is my first graphic novel. This has inspired me to create more graphic novels designed specifically for those who are just like me – reluctant readers.
This list wouldn’t be complete if I didn’t add a superhero comic. But instead of Spiderman or Captain America, I want to introduce you to Runaways. A middle-grade graphic novel comic series about six Los Angeles teenagers who join together after discovering that their supervillain parents are planning on destroying the world. What could be more fun than a bunch of random teenagers banding together to try and save the world while trying to grapple with their place in it? Dinosaurs, aliens, mutant powers, grocery shopping, crushes, and turning eighteen, it’s a lot to handle and is certainly very fun to read – even for a someone who doesn’t like reading. Plus, if a reader makes it to the end, they’re rewarded with unforeseen plot twists.
They were six normal teenagers linked only by their wealthy parents’ annual business meeting…until a chance discovery revealed the shocking truth: their parents are the secret criminal society known as the Pride! For years, the Pride controlled of Los Angeles’ criminal activity, ruling the city with an iron fist…and now, with their true natures exposed, the Pride will take any measures necessary to protect their organization — even if it means taking out their own children! Now on the run from their villainous parents, Nico, Chase, Karolina, Gertrude, Molly and Alex have only each other to…
I am an international bestselling author of Strays and a London-based journalist for The Guardian, The Observer, The Sunday Times, and other publications. I've written about animals, conservation, and volunteered at sanctuaries around the world, from tending big cats and baboons in Namibia to wild mustangs in Nevada—a labour of love that has inspired features for The Guardian, The Independent, and Condé Nast Traveller. I've raised hundreds of thousands of dollars for many charities through my investigative animal-cruelty stories; as an activist, I helped shut down controversial breeders of laboratory animals in the UK. I also created Catfestlondon, a sell-out boutique festival that rescues and rehomes Moroccan street kittens in the UK.
I absolutely loved this book. One of the most beautiful stories I’ve ever read, it’s heartfelt and hilarious. After running his own bookshop in Seattle, Andrew Bloomfield moves to Hollywood to become a screenwriter and discovers a colony of feral cats living in his backyard. He was not a cat person. After witnessing one too many raccoon and coyote attacks and hungry, crying kittens, he and his two female housemates intervene and start caring for these wild yet vulnerable cats who transform his life. With his sharp wit and keen eye for detail, Bloomfield is a brilliant storyteller. I got completely caught up in the soap-opera dramas and death-defying moments of these cats, along with the heartaches and triumphs of rescuing them.
When aspiring screenwriter Andrew Bloomfield moved into a bungalow in Southern California he soon discovered that he shared the property with a large colony of feral cats — untamed, uninterested in human touch, not purring pets in waiting. But after a midnight attack by predators that decimated yet another litter of kittens, Bloomfield decided to intervene. He began to name and nurse, feed and house, rescue and neuter. Drawing on his time living in Asia among spiritual teachers, he takes us on the contemplative, humorous, and poignant journey of saving these cats, only to find it was they who saved…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
This is a memoir about being a writer—and failing. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing, complete with a lovely tribute to his mother, a failed screenwriter. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it.
"[An] absorbing and revealing book. . . . nestling in the fruitful terrain between memoir and criticism." ―Geoff Dyer, author of Out of Sheer Rage
Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment.
In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood…
I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two.
I love the way Parker weaves a bit of legend into this story about a modern-day version of Robin Hood running wild through Los Angeles. Allison Murietta may be following in the footsteps of her ancestors, stealing from whoever strikes her fancy, and giving the spoils to charity. The action is fast-paced.
This is the first Charlie Hood mystery and Parker does a wonderful job, bringing the rookie detective along. The interactions between Hood and Murietta are perfect. There’s plenty of action to draw the reader in, and more twists than I expected.
Investigating the latest crime scene of a celebrity thief who has been staging lucrative heists and donating the spoils to charity, rookie deputy Charlie Hood embarks on an affair with a key witness and is forced to make an ethics-testing decision when the thief is targeted by a professional killer. 100,000 first printing.
I grew up watching old Bogart movies on TV with my father. From Phillip Marlowe to Sam Spade, I was taken with the life of the P. I. Once I was old enough to read and enjoy the irony as well as the sex and violence in Mickey Spillane’s Mike Hammer tales, I’d pull the detective novels from under my old man’s bed and spend time with all the lowlifes. Guess I’ve never grown out of my love for noir. That’s why I started writing P. I. novels as well as reading them. I hope they bring as much entertainment to others as those old-school sagas brought to me.
I was pulled in by the concept of the birth of a private eye.
Easy Rollins, a guy with no background in law enforcement, a day laborer, accepts money to find a missing woman, and a shamus is born. Did I mention that Easy is black, and has to deal with all the prejudices and difficulties that entails?
In addition to being a great whodunit of who and why, it’s a cool trip riding along with Easy on his maiden voyage into gumshoe land.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I am a creature of habitat. I can’t help but connect with my environment in every possible way. It’s physical, emotional. I spent the first 23 years of my life in Mexico City. Leaving was heart-wrenching, but the promise to fulfill a dream drew me to Los Angeles. During the next four decades I became a student of Los Angeles and the Latino community that populates it. I agree with Randy Newman: I love L.A.
Born in Los Angeles and with profound connection to this city’s psyche, Wendy Ortiz delivers a map of Los Angeles transformed into words, a fragmented memoir of hurt, love, loss, and reinvention. What does a young writer (one of thousands) living in this city and trying to make it worry about? Joblessness. Rent. Bills. Riding the metro. Alcohol. And yes, sex and publishing too, of course. This book proves that it’s not always 72 and sunny in Los Angeles.
Hollywood Notebook is a prose poem-ish memoir of fragments. Ortiz takes us through the streets of Los Angeles and the internal maps she's charting as she moves from her twenties to her thirties in a studio apartment in Hollywood. A cartography of love, loss, and transformation, Hollywood Notebook is a portrait of the author's psyche overlaid on a map of the city she makes her home.