Here are 71 books that Those Who Knew fans have personally recommended if you like
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I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
What does environmental racism look like? ReadHow Beautiful We Wereby Imobolo Mbue for a vital, searing answer. An American oil company is destroying the land and water of the fictional village of Kosawa. Children are dying. The company does this because they can, spouting only empty words about restitution. The novel narrates the village’s fight back, using alternating points of view to electric, pulsing effect.
'Sweeping and quietly devastating' New York Times 'A David and Goliath story for our times' O, the Oprah Magazine
Set in the fictional African village of Kosawa, this is the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations are made - and broken. Left with few choices, the people of Kosawa decide to fight back. But it will come at a steep price - one which generation after generation…
Alice Wilson wants children; her husband, Dan, doesn’t. So Alice "accidentally" gets pregnant, trusting that Dan will eventually go along—and he seems to, at first. But as their marriage falls apart, Alice realizes that, even from the beginning, Dan has cruelly used small criticisms and belittling comments to undermine her…
As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.
In conjuring a nation's refugees and writing in his typically austere style, the South African Nobelist JM Coetzee asks us to reflect on our current world with all of its harsh and maddening disparities. In three novels, Coetzee tells a fable-like story of one charismatic boy who can never be understood, never followed, never appreciated fully for his wisdom. Coetzee’s distillation of everyday suffering is haunting, yet ultimately cathartic.
From the Nobel Prize-winning author of Waiting for the Barbarians, The Life & Times of Michael K and Disgrace.
Nobel laureate and two-time Booker Prize winner J. M. Coetzee returns with a haunting and surprising novel about childhood and destiny that is sure to rank with his classic novels.
Separated from his mother as a passenger on a boat bound for a new land, David is a boy who is quite literally adrift. The piece of paper explaining his situation is lost, but a fellow passenger, Simon, vows to look after the boy. When the boat docks, David and Simon…
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I like this disturbing novel written by a winner of the Nobel Prize in Literature. It was also adapted into a fine feature film with a stellar cast of actors. The book is a study of darkness as the driving force of human nature. Be prepared: this is not an easy read. I can tell you that you will find many unsettling scenes in the book. I think anyone who enjoys dystopian novels will like this book.
No food, no water, no government, no obligation, no order.
Discover a chillingly powerful and prescient dystopian vision from one of Europe's greatest writers.
A driver waiting at the traffic lights goes blind. An ophthalmologist tries to diagnose his distinctive white blindness, but is affected before he can read the textbooks. It becomes a contagion, spreading throughout the city. Trying to stem the epidemic, the authorities herd the afflicted into a mental asylum where the wards are terrorised by blind thugs. And when fire destroys the asylum, the inmates burst forth and the last links with a supposedly civilised society…
Alice Wilson wants children; her husband, Dan, doesn’t. So Alice "accidentally" gets pregnant, trusting that Dan will eventually go along—and he seems to, at first. But as their marriage falls apart, Alice realizes that, even from the beginning, Dan has cruelly used small criticisms and belittling comments to undermine her…
As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.
Anyone who reads one Peter Cameron book will read them all. In his latest novel, a married couple ends up at a grand hotel in a strange European country of fading glory, amid guests who are both eccentric and troubling. At times it’s hard to know whether what is happening is really happening; at times it’s all too acid and real. I hesitate to call this book a comedy, because it’s unsettling. But it’s also magical and memorable, and you won’t want to check out and depart its pages.
A couple find themselves at a fading, grand European hotel full of eccentric and sometimes unsettling patrons in this "faultlessly elegant and quietly menacing" allegorical story that examines the significance of shifting desires and the uncertainty of reality (Garth Greenwell, author of Cleanness).
An unnamed American couple travels to a strange, snowy European city to adopt a baby. It’s a difficult journey that leaves the wife, who is struggling with cancer, desperately weak, and her husband worries that her illness will prevent the orphanage from releasing their child.
On arrival, the couple checks into the cavernous and eerily deserted Borgarfjaroasysla…
I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.
This might be the ultimate post-apocalyptic road trip. I enjoyed the fast pacing and irreverent humor. The urgency of the task at hand is there from start to finish. I liked the plot and the pacing. This story made me appreciate the lighter side of the genre. Even though the world has gone to pot, people are still people, and fun is part of the human experience.
Hell Tanner isn't the sort of guy you'd mistake for a hero: he's a fast-driving car thief, a smuggler, and a stone-cold killer. Facing life in prison for his various crimes, he's given a choice: Rot away his remaining years in a tiny jail cell, or drive cross-country and deliver a case of antiserum to the plague-ridden people of Boston, Massachusetts. The chance of a full pardon does wonders for getting his attention. And don't mistake this mission of mercy for any kind of normal road trip-not when there are radioactive storms, hordes of carnivorous beasts, and giant, mutated scorpions…
In my own writing, the setting always is an important backdrop to the novel. Sometimes, it is the element that drives the plot forward. The seedy nature of Atlantic City, where most of my first mystery takes place, is essential to the story. I want my readers to be able to feel that they are witnessing a scene first-hand, whether on the Boardwalk, in a pawn shop on Atlantic Avenue, or in Damien’s favourite hangout. I also want them to identify with the characters. To root for the good guy in spite of his flaws–or for the bad guy if that is their preference.
Keyes was a journalist (she died in 1970), and her background informed every novel she wrote.
Joy Street is set primarily in Boston in the 1930s and 1940s. At the time I read this book, I had never been to Boston. When I finally visited that city several years later, her descriptions of the area in and around Beacon Hill still were so vivid in my mind that I felt as though I already knew the neighbourhood intimately.
Keyes had an equally deft hand with character development and plot. Joy Street is a book populated with characters that seem real and a story that moves forward at a satisfying pace.
Whenever I take on a new short story project, I read other writers to admire them, study them, and be inspired by them; it’s like talking with old friends. These five books took me through the heart and soul of what it is to be or to have a mother, to be or to have children, to love or to lose love, to maintain the rituals and magic of family or let them go. Although I believe men can write female characters and women can write males, I really appreciate the fine-tuned ear for the nuances of motherhood, womanhood, and relationships I find in collections written by women about women.
McCracken was a librarian at my local library before she was a New York Times bestseller, so I’ve always eagerly read her books, beginning with The Giant’s House. I love Thunderstruckbecause it’s typical McCracken – unique, funny, tragic, and smart. In spite of the fact that accidents and death are ubiquitous, that wounds don’t magically heal, and that grief haunts many of the stories, this is not a maudlin book. McCracken can make you laugh out loud. Irony, wry humor, and joy live right next to cruel tragedy throughout the book. Best of all, compassion and tenderness abound.
WINNER OF THE STORY PRIZE • LONGLISTED FOR THE NATIONAL BOOK AWARD • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY NEWSDAY
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • San Francisco Chronicle • O: The Oprah Magazine • The Miami Herald • Publishers Weekly • Kirkus Reviews
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From the author of the beloved novel The Giant’s House—finalist for the National Book Award—comes a beautiful new story collection, her first in twenty years. Laced through…
I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two.
I love the way Parker weaves a bit of legend into this story about a modern-day version of Robin Hood running wild through Los Angeles. Allison Murietta may be following in the footsteps of her ancestors, stealing from whoever strikes her fancy, and giving the spoils to charity. The action is fast-paced.
This is the first Charlie Hood mystery and Parker does a wonderful job, bringing the rookie detective along. The interactions between Hood and Murietta are perfect. There’s plenty of action to draw the reader in, and more twists than I expected.
Investigating the latest crime scene of a celebrity thief who has been staging lucrative heists and donating the spoils to charity, rookie deputy Charlie Hood embarks on an affair with a key witness and is forced to make an ethics-testing decision when the thief is targeted by a professional killer. 100,000 first printing.
Growing up, there was nothing I hated more than reading. Struggling with dyslexia and learning disabilities made books miserable and the distractions of screens didn’t help. However, everything changed when I discovered graphic novels and comics! That led to a newfound love of stories and books (especially graphic novels) which took me on a journey of not being able to read at age ten, to publishing my first novel at age fifteen. Since then, I’ve written and illustrated children’s books and young adult novels, but Mup is my first graphic novel. This has inspired me to create more graphic novels designed specifically for those who are just like me – reluctant readers.
This list wouldn’t be complete if I didn’t add a superhero comic. But instead of Spiderman or Captain America, I want to introduce you to Runaways. A middle-grade graphic novel comic series about six Los Angeles teenagers who join together after discovering that their supervillain parents are planning on destroying the world. What could be more fun than a bunch of random teenagers banding together to try and save the world while trying to grapple with their place in it? Dinosaurs, aliens, mutant powers, grocery shopping, crushes, and turning eighteen, it’s a lot to handle and is certainly very fun to read – even for a someone who doesn’t like reading. Plus, if a reader makes it to the end, they’re rewarded with unforeseen plot twists.
They were six normal teenagers linked only by their wealthy parents’ annual business meeting…until a chance discovery revealed the shocking truth: their parents are the secret criminal society known as the Pride! For years, the Pride controlled of Los Angeles’ criminal activity, ruling the city with an iron fist…and now, with their true natures exposed, the Pride will take any measures necessary to protect their organization — even if it means taking out their own children! Now on the run from their villainous parents, Nico, Chase, Karolina, Gertrude, Molly and Alex have only each other to…
I am a creature of habitat. I can’t help but connect with my environment in every possible way. It’s physical, emotional. I spent the first 23 years of my life in Mexico City. Leaving was heart-wrenching, but the promise to fulfill a dream drew me to Los Angeles. During the next four decades I became a student of Los Angeles and the Latino community that populates it. I agree with Randy Newman: I love L.A.
Born in Los Angeles and with profound connection to this city’s psyche, Wendy Ortiz delivers a map of Los Angeles transformed into words, a fragmented memoir of hurt, love, loss, and reinvention. What does a young writer (one of thousands) living in this city and trying to make it worry about? Joblessness. Rent. Bills. Riding the metro. Alcohol. And yes, sex and publishing too, of course. This book proves that it’s not always 72 and sunny in Los Angeles.
Hollywood Notebook is a prose poem-ish memoir of fragments. Ortiz takes us through the streets of Los Angeles and the internal maps she's charting as she moves from her twenties to her thirties in a studio apartment in Hollywood. A cartography of love, loss, and transformation, Hollywood Notebook is a portrait of the author's psyche overlaid on a map of the city she makes her home.
