Here are 69 books that Broadway Butterfly fans have personally recommended if you like
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Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusualpet.
You can’t help but root for thirteen-year-old social underdog and theater nerd Nate Foster as he sneaks away from his “boring” hometown of Jankburg, PA, and takes a bus to New York City to audition for the lead role in a Broadway production of E.T., the Musical. Of course, things don’t go according to plan, but Nate’s spunk, humor, and fearlessness somehow get him through his longshot adventure in the big city. Federle’s warm and vivid characterizations and witty writing style make this one a winner for the whole family. (One caveat: Parents bothered by gay themes in middle-grade books—even understated ones, as here—might want to skip this one. Your loss.) Followed by two more: Fix, Six, Seven, Nate! and Nate Expectations.
“The Nate series by Tim Federle is a wonderful evocation of what it’s like to be a theater kid. Highly recommended.” —Lin-Manuel Miranda, star and creator of the musical, Hamilton
A New York Times Notable Book of the Year A Publishers Weekly Best Book of the Year A Slate Favorite Book of the Year
A small-town boy hops a bus to New York City to crash an audition for E.T.: The Musical in this winning middle grade novel that The New York Times called “inspired and inspiring.”
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
While the prose style of Act One is a little fussy, florid, and overly eager to impress, this is still a moving, funny, and emotional biography of a talented, ambitious young man who is determined to make his mark as a Broadway playwright. And, at the end, when he single-handedly turns his out-of-town failure (co-written with George S. Kaufman) into a hit, you want to stand up and cheer.
Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the great American memoirs, a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early twentieth century. Hart's story inspired a generation of theatergoers, dramatists, and readers everywhere as he eloquently chronicled his impoverished childhood and his long, determined struggle to reach the opening night of his first Broadway hit. Act One is the quintessential American success story.
I love being entertained while I read, but I equally love to learn something. That has led me to fall in love with the historical fiction genre, and is what also led me to write We Came Here to Shine and The Subway Girls. Part of being able to write good historical fiction is to learn from the masters in the genre. I am drawn to historical fiction that features ambitious women who were notable in their time for going against the strictures and conventions forced upon them, and I have chosen all of these books for you because they feature women like that. I hope you enjoy!
The Show Girl is a delicious and entertaining exploration of the life of a 1920s Ziegfield girl with authentic period details and Harrison’s trademark ability to plunge the reader deep into the experiences of her characters. I loved being along for the ride as Olive navigated her relationships and friendships, followed her dreams, and pursued the glamorous life—with all its attendant ups and downs—of a show girl. The Show Girl is a fast-paced and engaging read that will leave readers giving a standing ovation to Olive and to all women who choose to live life on their own terms.
It's 1927 when Olive McCormick moves from Minneapolis to New York City determined to become a star in the Ziegfeld Follies. Extremely talented as a singer and dancer, it takes every bit of perseverance to finally make it on stage. And once she does, all the glamour and excitement is everything she imagined and more-even worth all the sacrifices she has had to make along the way.
Then she meets Archie Carmichael. Handsome, wealthy-the only man she's ever met who seems to accept her modern ways-her independent nature and passion for success. But once she accepts his proposal of marriage…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
There have always been disabled people shaping my worldview and understanding, however, I am an expert only about my own disabilities. Disabled storytellers, including Helen Keller, sometimes utilize tactical silence to scream… I value that! However, barriers confronting the disabled require broad and sometimes loud collective action from many people in many communities and not just a marginalized few. Disability activism is a complex, tactical fight over time for self-determination that touches all of us at some point. COVID, world events, and experiencing some barriers disabled and marginalized groups face all the time have compelled me to share a few of my favorite reads related to disability and inclusion.
My personal creativity is not tidy… I believe nobody creates in a vacuum. The disabled contribute intelligence, perspective, and expression to all modes of creative production. Understanding how to utilize talent from any historically marginalized group means learning how to communicate with folks with diverse abilities and backgrounds. Utilizing respectful language and practices with diverse communities will draw and engage audiences with more vibrant storytelling in today’s world. This practical guide includes case studies designed to guide theater companies to create inclusive productions with the disabled in central and creative roles. Disability andTheatreillustrates how in the theater, where “all the world is a stage”, as in our own lives, creative processes emerge when people with different abilitieswork together… that is just good living.
Disability and Theatre: A Practical Manual for Inclusion in the Arts is a step-by step manual on how to create inclusive theatre, including how and where to find actors, how to publicize productions, run rehearsals, act intricate scenes like fights and battles, work with unions, contracts, and agents, and deal with technical issues. This practical information was born from the author's 16 years of running the first inclusive theatre company in New York City, and is applicable to any performance level: children's theatre, community theatre, regional theatre, touring companies, Broadway, and academic theatre. This book features anecdotal case studies that…
I am a forensic and clinical psychologist and have worked years with violent criminals for over 30 years. I am passionate about understanding how and why ordinary people end up doing extraordinary things and specialise in violent crimes by women. Some of the best descriptions of the inner lives of criminals are found in works of fiction, revealing how people think, feel and react. The novels I chose do this brilliantly, leading the reader into the mind of the characters, evoking compassion as well as shock and horror. The psychiatric memoirs describe the fascinating work of psychotherapy with criminal patients and unravel the mysteries of what draws people to violence, even murder.
This novel focusses on the murder of two children by a nanny. Based on a true case, in NYC of a nanny who kills two young children, Slimani weaves themes of racial and social injustice into her story, told through the eyes of the narrator. Despite the horror of the crimes, readers will gain a understanding of how and why the nanny, Louise, ends up taking such extreme action. Though fictionalised, it offers an accurate psychological portrait of profound disturbance and the internal logic that drives fatal assaults.
She has the keys to their apartment. She knows everything. She has embedded herself so deeply in their lives that it now seems impossible to remove her.
One of the 10 BEST BOOKS OF THE YEAR of The New York Times Book Review, by the author of Adele, Sex and Lies, and In the Country of Others
"A great novel . . . Incredibly engaging and disturbing . . . Slimani has us in her thrall." -Roxane Gay, New York Times bestselling author of Bad Feminist and Hunger
"One of the most important books of the year. You can't unread…
Many years ago I was outside, clothespins in hand as I hung damp towels on the clothesline at our small beach house. A yard over, I heard a mother and daughter arguing loudly. I didn’t pick up all the details, but it was clear that the mother and daughter’s expectations were miles apart. At that moment, I found myself frozen solidly in the center. Was I mother? Was I daughter? I connected equally. Since that time I’ve been interested in the dynamics and criticality of the mother-daughter relationship, and I knew my first novel would be an exploration of that theme.
Sometimes a mother fails. In My Name is Lucy Barton, the title character fled her home because of her abusive father. Although her mother loved Lucy and her siblings, she was unable to protect her children. Many years later when Lucy falls ill and her mother visits her, the two reconnect and develop a shared understanding. Strout addresses the imperfection of a mother while retaining the magnetic pull between mother and daughter.
LONGLISTED FOR THE MAN BOOKER PRIZE 2016 AND THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016. A #1 NEW YORK TIMES BESTSELLER.
An exquisite story of mothers and daughters from the Pulitzer prize-winning author of Olive Kitteridge
Lucy is recovering from an operation in a New York hospital when she wakes to find her estranged mother sitting by her bed. They have not seen one another in years. As they talk Lucy finds herself recalling her troubled rural childhood and how it was she eventually arrived in the big city, got married and had children. But this unexpected visit leaves her…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Michael Kimmel is one of the world’s leading experts on men and masculinities. He was the SUNY Distinguished Professor Emeritus of Sociology and Gender Studies at Stony Brook University. Among his many books are Manhood in America, Angry White Men, The Politics of Manhood, The Gendered Society, and the best seller Guyland: The Perilous World Where Boys Become Men. With funding from the MacArthur Foundation, he founded the Center for the Study of Men and Masculinities at Stony Brook in 2013.
This play has so many layers: men’s relationship to work, marriage, fatherhood, unrealized ambitions, and the costs of buying your own bullshit. See it with Dustin Hoffman or Philip Seymour Hoffman.
The Pulitzer Prize-winning tragedy of a salesman's deferred American dream
Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity-and a play that compresses epic extremes of humor and anguish,…
I love comedy and have made it my living my whole life as a columnist and writer for every major humor site and publication including MAD, SPY, American Bystander, Playboy, McSweeney’s, The Village Voice and worked with the funniest humorists in the world. My cartoons have appeared around the world as well as The New Yorker. I’ve appeared in over 100 TV and radio appearances speaking on the subject of humor.
This is the guy who wrote Deeper Thoughts and some of the best sketches on Saturday Night Live. He is a regular in The New Yorker and American Bystander and one of our generation’s finest humorists. This collection I feel is his best yet. I read a passage before I go to sleep to deal with this crazy world.
I’m a Black man born in Jim Crow America to domestic servants so challenged by their circumstances that they had to place me in a kind of orphanage because they weren’t given permission to raise me in their employer’s home. I’ve known poverty, violence, racism, and law enforcement changing the rules to single me out. But I have also known the rarified success of Wall Street, my own thriving law practice, entertainment industry deals, and, of course, the privilege of a lifetime working side-by-side with Dr. Martin Luther King Jr. Therefore, I understand both the promise of the American Dream and the cruelty with which it’s mostly (and purposely) withheld from her citizens of color.
Lorraine Hansberry and her husband Robert Nemiroff were college friends of mine.
Lorraine had a way with words, a sense of justice, and deep compassion. Her Raisin in the Sun made Broadway history. The collage approach to the material in To Be Young, Gifted and Black I’ve found is completely in keeping with the diamond-sharp artistic mind of the woman I knew.
“Anyone who has ever wondered what it really means to be Black will find the answer in this book.”—MINNEAPOLIS TRIBUNE
To Be Young, Gifted and Black is a special kind of autobiography, in a very special voice. Both the story and the voice belong to a young woman from Chicago who moved to New York, won fame with her first play, A Raisin in the Sun—and went on to new heights of artistry before her tragically early death.
In turns angry, loving, bitter, laughing, and defiantly proud, the story, voice, and message are all Lorraine Hansberry’s own, coming together in…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
Musical theatre fans delight in reading about the famous and not-so-famous disasters in the genre. Mandelbaum covers nearly 200 of these musical flops that opened (and often quickly closed) on Broadway between 1950 and 1990. It is a lively read, well researched, and has plenty of "what were they thinking?" attitude. Not much copy is given to one musical (except the title musical Carrie) but the coverage is comprehensive. A favorite among musical theatre fans,Not Since Carrie was the inspiration for Mark Robinson and myself when we continued Mandelbaum's chronicle with our own Musical Misfires.
Not Since Carrie is Ken Mandelbaum's brilliant survey of Broadway's biggest flops. This highly readable and entertaining book highlights almost 200 musicals created between 1950 and 1990, framed around the notorious musical adaptation of Carrie, and examines the reasons for their failure. "Essential and hilarious," raves The New Yorker, and The New York Times calls the book "A must-read."