Books like Broadway Butterfly — picked by fans

Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusual pet.

Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition  as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America? that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.

There have always been disabled people shaping my worldview and understanding, however, I am an expert only about my own disabilities. Disabled storytellers, including Helen Keller, sometimes utilize tactical silence to scream… I value that! However, barriers confronting the disabled require broad and sometimes loud collective action from many people in many communities and not just a marginalized few. Disability activism is a complex, tactical fight over time for self-determination that touches all of us at some point. COVID, world events, and experiencing some barriers disabled and marginalized groups face all the time have compelled me to share a few of my favorite reads related to disability and inclusion.

I love being entertained while I read, but I equally love to learn something. That has led me to fall in love with the historical fiction genre, and is what also led me to write We Came Here to Shine and The Subway Girls. Part of being able to write good historical fiction is to learn from the masters in the genre. I am drawn to historical fiction that features ambitious women who were notable in their time for going against the strictures and conventions forced upon them, and I have chosen all of these books for you because they feature women like that. I hope you enjoy!

I am a forensic and clinical psychologist and have worked years with violent criminals for over 30 years.  I am passionate about understanding how and why ordinary people end up doing extraordinary things and specialise in violent crimes by women. Some of the best descriptions of the inner lives of criminals are found in works of fiction, revealing how people think, feel and react. The novels I chose do this brilliantly, leading the reader into the mind of the characters, evoking compassion as well as shock and horror. The psychiatric memoirs describe the fascinating work of psychotherapy with criminal patients and unravel the mysteries of what draws people to violence, even murder. 

Many years ago I was outside, clothespins in hand as I hung damp towels on the clothesline at our small beach house. A yard over, I heard a mother and daughter arguing loudly. I didn’t pick up all the details, but it was clear that the mother and daughter’s expectations were miles apart. At that moment, I found myself frozen solidly in the center. Was I mother? Was I daughter? I connected equally. Since that time I’ve been interested in the dynamics and criticality of the mother-daughter relationship, and I knew my first novel would be an exploration of that theme. 

I love comedy and have made it my living my whole life as a columnist and writer for every major humor site and publication including MAD, SPY, American Bystander, Playboy, McSweeney’s, The Village Voice and worked with the funniest humorists in the world. My cartoons have appeared around the world as well as The New Yorker. I’ve appeared in over 100 TV and radio appearances speaking on the subject of humor.

Michael Kimmel is one of the world’s leading experts on men and masculinities. He was the SUNY Distinguished Professor Emeritus of Sociology and Gender Studies at Stony Brook University. Among his many books are Manhood in America, Angry White Men, The Politics of Manhood, The Gendered Society, and the best seller Guyland: The Perilous World Where Boys Become Men. With funding from the MacArthur Foundation, he founded the Center for the Study of Men and Masculinities at Stony Brook in 2013.

As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I saw A Chorus Line on Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor. 

Ever since I was a young girl, I have fallen deeply into the pages of novels that feature strong female characters, with Anne of Green Gables and Little Women capturing my imagination early. As an Australian, I’ve also always enjoyed books set here but anywhere where I can walk in a relatable character's shoes is fine by me. The magical experience of being immersed in ‘her’ world, feeling what she feels, relating to her, being frustrated with her, celebrating with her, loving with her…what are books if not gifting us such experiences? Every book I have penned has been based on this ideal, an intimate experience, a close relationship. A BFF.