Here are 100 books that Breakfast of Champions fans have personally recommended if you like
Breakfast of Champions.
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I am Susie Black. Before I became an award-winning, humorous, cozy mystery author, I had a successful career as a ladies’ swimwear sales exec. As you can imagine, I spent a lot of time in Florida. I interacted with progressive, traditional, and conservative buyers and sellers from large cities to small towns all over the Sunshine State. My experiences gave me a unique perspective on the social mores and hierarchy of Florida’s diverse, multi-layered, and complicated society.
Maybe it’s because, as a woman who worked in a historically male-dominated industry, I always root for the underdog—be it a newbie with the chutzpah to say no to a pushy buyer or a small town fighting off a huge conglomerate. Give me a character who is a caricature of an amusement park scion, dialog dripping with sarcasm, and a zany plot that spits in the eye of corporate America.
I led the applause as S. V. Date gleefully poked fun at the greediness of big business while indicting a state government that, for a price, was more than happy to go along for the ride.
A witty satire of planned communities introduces readers to Serenity, Florida--the lifelong dream of amusement park scion Waldo Whipple--a town on the verge of a very public nervous breakdown. 10,000 first printing.
“Creditable 1st novel” – Margaret Atwood (on Twitter/X )
“The product of an amazing new talent” – Quill & Quire
Italy, September, 1944.
As Allied armies close in on the retreating armies of the Third Reich, Captain Jim McFarlane, a Canadian infantry officer, is coming apart at the seams. He…
Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
Misguided do-gooder Eliza Peabody lives in wealthy South London. In her middle age, Eliza is not just dedicated to volunteering in charities but also to volunteering her unsolicited advice to her neighbours in notes through their letterboxes. The book is consistently reviewed as both hilarious and poignant, but my memory of it above all includes one scene that was neither of those things. Instead, it seared me. The reveal crept up on cats’ paws, and I wasn’t at all prepared, which made the moment true for me, and unforgettable. If I read it when it came out in 1992, I would have been 26 years old. I must read it again now, at 56. No doubt I’ll remember the funny bits this time.
Winner of the Whitbread Prize for Best Novel of the Year: “Gardam’s portrait of an insanely imaginative woman in an elusive midlife crisis is impeccably drawn” (The Seattle Times).
With prose that is vibrant and witty, The Queen of the Tambourine traces the emotional breakdown—and eventual restoration—of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. The letters Eliza writes to her neighbor, a woman whom she hardly knows, reveal her self-propelled descent into madness. Eliza must reach the depths of her downward spiral before she can once again find health…
Mental illness has been such a huge part of my life for so long now that it has become second nature for me to incorporate it into my work. After suffering postnatal depression, anxiety, and panic attacks, I’ve been on anti-depressants for 11 years and regularly see a wonderful psychologist. Recently, I added a psychiatrist into the mix who diagnosed me with ADHD, so now I’m learning to juggle ADHD meds alongside the antidepressants. I’ve always been passionate about talking and writing openly and honestly about my own personal experiences because if there is any chance that I can help someone else with my words, then I’m going to take it.
The thing I love about this book is that the reader is hooked from the start by a thrilling mystery as Kate starts investigating the secrets hidden within a seemingly perfect family; but at the same time, you’re also drawn into Kate’s struggles with her past. As you discover the unspeakable tragedy that Kate is attempting to shut out through alcoholism and by spending her weekends taking voyeuristic visits through open homes for sale – which she has no intention of buying; you slowly realise that you’re experiencing an unreliable view of the world, which means you start to doubt everything you read, in the same way that Kate is doubting everything she sees.
'A dark, twisting tale of guilt and obsession which will leave you gasping' Petronella McGovern, author of Six Minutes
The stunningly tense, page-turning top 10 bestseller for all fans of The Woman in the Window and The Girl on the Train.
The perfect house. The perfect family. Too good to be true.
Kate Webb still grieves over the loss of her young son. Ten years on, she spends her weekends hungover, attending open houses on Sydney's wealthy north shore and imagining the lives of the people who live there.
Then Kate visits the Harding house - the perfect house…
When Walter Shore is murdered by Armenian mobsters, he returns as a Chihuahua seeking good karma while his shady producer brother Barry entangles a screenwriter in dangerous schemes.
My father, a college professor, sought mental health help during a difficult period—and got forcibly electroshocked. I later started doing journalism, investigating community issues such as poverty, government and business, racial conflicts, policing, and protests—wherever I looked, I’d find sources who’d been subjected to psychiatric detentions. I started to see that a far greater diversity of people were being affected than we normally realize or talk about. Over the ensuing years, I interviewed hundreds of people about their experiences of forced psychiatric interventions, and became determined to shine a brighter public light on mental health law powers. My articles have been nominated for seventeen magazine and journalism awards.
Hatch did stellar research to expose how coercive psychiatric treatment—especially tranquilization with heavy antipsychotics—is spreading into nursing homes, child foster care and juvenile facilities, immigration centers, and prisons.
Antipsychotics are becoming a ‘go-to’ approach for institutional management of large populations, especially targeting people of color.
Hatch’s work also draws attention to a vital, related issue: Abundant research shows that involuntary treatment is driven by our culture’s dominant prejudices: classism, racism, sexism, sanism, etc. Predictably then, public discussions of involuntary treatment routinely lack, and desperately need, a greater diversity of voices.
So, while highlighting the work of the Black scholar Hatch, I want to also mention several recent anthologies that bring forth a fantastic diversity of voices and perspectives on contempory psychiatric care, forced treatment, and alternatives: Mad Matters: A Critical Reader in Canadian Mad Studies; Disability Incarcerated: Imprisonment and Disability in the United States and Canada, and We've…
A critical investigation into the use of psychotropic drugs to pacify and control inmates and other captives in the vast U.S. prison, military, and welfare systems
For at least four decades, U.S. prisons and jails have aggressively turned to psychotropic drugs-antidepressants, antipsychotics, sedatives, and tranquilizers-to silence inmates, whether or not they have been diagnosed with mental illnesses. In Silent Cells, Anthony Ryan Hatch demonstrates that the pervasive use of psychotropic drugs has not only defined and enabled mass incarceration but has also become central to other forms of captivity, including foster homes, military and immigrant detention centers, and nursing homes.
My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices – a personal literary journey.
This book inspired me as an author and how to write with conviction.
The mental health element of the story was totally relatable, being a former worker in such a setting. I understood the hostility surrounding schizophrenia and the thoughts and feelings of the main character, a young boy who had the condition.
Skewed thinking and phobias can be isolating, where the sufferer can feel truly alone and this is the overwhelming sense throughout.
'A darkly quirky story of love, obsession and fear . . . a beautiful story hung around the enchanting and heartbreaking voice of teenager Greg' Anna James
Miss Hayes has a new theory. She thinks my condition's caused by some traumatic incident from my past I keep deep-rooted in my mind. As soon as I come clean I'll flood out all these tears and it'll all be ok and I won't be scared of Them anymore.
The truth is I can't think of any single traumatic childhood incident to tell her. I mean, there are plenty of bad…
Since I started reading, I gravitated to books with believable characters in real situations, because I could see myself in these stories. How would I cope in a family dealing with illness or death, breakups in relationships, money woes, and other crises that I read about? Realistic stories about family problems are relatable to everyone, and reading about them through the eyes of the children involved is so meaningful. That’s why when I started creative writing after I retired, I found my voice in the genre I loved to read as a kid. I write authentic stories about families presented with difficult issues for middle-grade readers (and adults).
This next book is gritty in its authenticity. It isn’t for the faint of heart to read about the heartbreaking struggles of thirteen-year-old Anna Collette whose mother tries to take her life and is hospitalized. Anna has to live with her distant father, his new wife, and their baby where she doesn’t feel like part of the family. But the author gives us a warm and loving character in her stepmother who shows Della what family can be. I’m enthralled by true and complex characters in this book who represent the highs and lows of real life.
The beginning of the eighth grade is not what Anna thought it would be. Her lifelong best friend has ditched her for the cool kids, and her mum is in the hospital after swallowing a bottle of pills. Anna is also trying to reconnect with her dad who remarried and has a baby now. Ultimately, Anna finds friendship and camaraderie from some unlikely sources and learns that sometimes life leaves you feeling gobsmacked, but if you have the right people in your life to support you, you'll be just fine.
Stories, essays & dialogues about art, imagination & the erotic life. A young man named Charles writes a series of erotic tales, and his bookish friend Lisa offers light-hearted critiques of them.
Some stories feel like erotic meditations or random erotic moments in a young man's life. Others start with…
I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason I’m drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally.
I enjoyed reading this novel because of how tangible Martha and her struggle felt to me—both with her own mental illness and with her failing marriage.
This novel illuminated for me the idea that a character can be sad and lonely but at the same time retain a sense of humor and a comedic level of exasperation. I especially loved the relationship Martha has with her sister, Ingrid, and the sharp reflections this novel offers on motherhood and family.
I have a reputation as an expert on the portrayal of psychopathology in contemporary cinema, and I have lectured on this topic hundreds of times in dozens of different countries. This reputation builds on five editions of Movies and Mental Illness and two editions of Positive Psychology at the Movies. I am also currently coauthoring a third book: Movies, Mini-series, and Multiculturalism: Using Films to Understand Culture, and I edit a series of film reviews for Hogrefe titled A Clinical Psychologist Goes to the Movies. Much of my career has been devoted to exploring the fascinating interface of psychopathology and media.
I found this book perfect for my dual interests in mental illness and cinema; it is current (copyright 2023) and engaging. Charney is a practicing child psychiatry who brings extensive clinical experience to his writing. He also loves films, and this comes across in this book.
I especially like the numerous film grabs that illustrate this interesting volume, and it was especially interesting to see another therapist’s reactions to dozens of films I have watched and loved.
A unique exploration of how mental illness is portrayed in classic and contemporary films.
The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies, James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters' inner worlds, and he analyzes moments that help define their particular mental illness.
Based on the highly popular course that Charney taught at Yale University and the American University of Rome, Madness at the Movies introduces readers to films that may be new to them and…
I spent my childhood in the shadow of my father’s mental illness, forced to grapple with its mysteries before I possessed the tools to do so. In other words, I lived the ignorance that surrounds mental illness. This experience led me to study psychiatry, its foibles and tragedies, both past and present. Now, I am a professor of sociology at the University of New Mexico, where I spend my days thinking and writing about mental health and illness. I am working on a new book about the current crisis in community mental health.
Whenever I begin to study a topic, I look for books with a broad historical sweep that helps me contextualize the present. This is just that kind of book. Andrew Scull deftly traces the cultural understandings of madness from antiquity to today.
You might think such an ambitious task would make for a dense and plodding slog, but Scull’s easy prose, as well as his penchant for inserting pithy, fascinating anecdotes at just the right moment, make this book a pleasurable read. Come for the critical history, stay for all the curious characters you meet along the way.
The loss of reason, a sense of alienation from the commonsense world we all like to imagine we inhabit, the shattering emotional turmoil that seizes hold and won't let go--these are some of the traits we associate with madness. Today, mental disturbance is most commonly viewed through a medical lens, but societies have also sought to make sense of it through religion or the supernatural, or by constructing psychological or social explanations in an effort to tame the demons of unreason. Madness in Civilization traces the long and complex history of this affliction and our attempts to treat it. Beautifully…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s…
I’ve always been attracted to the overlooked, the obscure, the forbidden. Maybe it’s as simple as the fact I grew up in a time when it seemed natural to rebel against norms. Or maybe it’s that I inherited an oddball gene from some ancient ancestor. Anyway, it led me to interesting adventures—hanging out with a crew of gun runners in eastern Turkey—and interesting career choices—strike organizer, private detective, etc. It also shaped my reading and my writing. I read everything, but I’m particularly drawn to the quirky—Grendel, the fiction of Christine Rivera Garza for instance. And in my writing too: Lynerkim, the protagonist of my novella, is undoubtedly an odd duck.
If you need inspiration to write strange stories, then read the Brazilian Machado de Assis. In his photos he looks like a prim and proper gentleman, giving no hint he wrote some of the whackiest fiction you’ll ever encounter—for example, one story is told from the perspective of a needle. The Alienist is a favorite. Bacamarte, a man devoted to science, opens an insane asylum in the town of Itaguaí, taking in the mentally ill. But his scientific mind leads him to the inevitable conclusion that he must also include healthy people who, according to his diagnosis, are about to go crazy. Soon, his asylum, Casa Verdi, accommodates the entire town. Then, in the ending of the story… Well, you’ll have to read it yourself to find out.
A classic work of literature by “the greatest author ever produced in Latin America.” (Susan Sontag)
Brilliant physician Simão Bacamarte sacrifices a prestigious career to return home and dedicate himself to the budding field of psychology. Bacamarte opens the first asylum in Brazil hoping to crown himself and his hometown with “imperishable laurels.” But the doctor begins to see signs of insanity in more and more of his neighbors. . . .
With dark humor and sparse prose, The Alienist lets the reader ponder who is really crazy.