Books like Breakfast of Champions — picked by fans

I am Susie Black. Before I became an award-winning, humorous, cozy mystery author, I had a successful career as a ladies’ swimwear sales exec. As you can imagine, I spent a lot of time in Florida. I interacted with progressive, traditional, and conservative buyers and sellers from large cities to small towns all over the Sunshine State. My experiences gave me a unique perspective on the social mores and hierarchy of Florida’s diverse, multi-layered, and complicated society. 

Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.

Mental illness has been such a huge part of my life for so long now that it has become second nature for me to incorporate it into my work. After suffering postnatal depression, anxiety, and panic attacks, I’ve been on anti-depressants for 11 years and regularly see a wonderful psychologist. Recently, I added a psychiatrist into the mix who diagnosed me with ADHD, so now I’m learning to juggle ADHD meds alongside the antidepressants. I’ve always been passionate about talking and writing openly and honestly about my own personal experiences because if there is any chance that I can help someone else with my words, then I’m going to take it.

I’ve been either studying, researching, or teaching psychology since I was 16 – but before that, I was a reader. I have always been drawn to books that pose fundamental questions about the mind, and to this day I still go back to fiction and non-fiction that can generate ideas and hypotheses for new experiments. I’ve even used fictional stories in brain-scanning experiments to explore how the mind represents voices and characters: our findings show that we are experts at automatically simulating both the sound and the intention of other people when they talk in a story (even when the stories are very simple ones). 

I do not remember a time when I wasn’t captivated by stories about adolescence. This was the case when I myself was a teenager—when I sought in these overwrought sagas the sort of sentimental melodrama that eluded the banality of my own life—but curiously it’s no less true at thirty, for reasons that are fundamentally the same but somehow more urgent. Becoming an adult is an exercise in hardening; to grow up is to forget what it’s like to be beholden to one’s own autobiographical romance. The following titles offer a respite from the cynicism that is adulthood; as a writer and a human, I'm forever in their debt.

My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices – a personal literary journey.  

I have a reputation as an expert on the portrayal of psychopathology in contemporary cinema, and I have lectured on this topic hundreds of times in dozens of different countries. This reputation builds on five editions of Movies and Mental Illness and two editions of Positive Psychology at the Movies. I am also currently coauthoring a third book: Movies, Mini-series, and Multiculturalism: Using Films to Understand Culture, and I edit a series of film reviews for Hogrefe titled A Clinical Psychologist Goes to the Movies. Much of my career has been devoted to exploring the fascinating interface of psychopathology and media.

I am one of those people who always feels sorry for the monster at the end of the movie. I am always more disturbed by the avenging townspeople’s bloodlust than the monster’s destructiveness. At a deeper level, for me these horror stories actually depict compassion, acceptance, and the hysteria whipped up by self-righteous mobs. They are books with very dark themes, and they generally do not have happy endings, but rather than being depressing, I find them instructive, even enriching, and certainly valuable. More than anything, they show me – in bloody detail – the terrifying limits of conformity.

I started this book in 2007. It was a compilation of stories from my experience as a parent; there was no structure to it at all. When my second husband passed in 2017, an ad appeared in Facebook for Author Academy Elite (AAE). I knew it was my late husband giving me that one final push to get the book done. As a (non) perfect parent of three children, I felt my experience could benefit others as I am continuing my journey along my Path to Perfection. As a person who has struggled with depression for her entire life, I can honestly say that parenting is hard. We are all doing the best we can with what we have. And that’s why I think you’ll enjoy these books!

I write historical fiction about real-life characters, some relatively obscure, some very well known. One of my main goals is to avoid the stereotypes, myths, and misconceptions that have gathered around historical figures. At the same time, I strive to remain true to known historical facts and to the mores of the times in which my characters lived. I use both primary sources—letters, newspapers, diaries, wills, and so forth—and modern historical research to bring my characters to life.