Here are 100 books that Boyhood fans have personally recommended if you like
Boyhood.
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I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
I think more than anything, I loved the way she described everything. Her language is as if her words were first sent to her heart and then to her soul before they came onto the page. The warmth and the power are overwhelming in her style. It is obvious she loved grandly Africa and its denizens, and as a reader, I couldn’t help but feel the same.
I love heroines in exotic places and situations, especially if it is much of their own makings or seemingly destiny. This book is a memoir of a tomboy girl in East Africa, so even though it is all true, it feels epic.
I could really relate to Beryl as a girl with her animals. (Growing up, I loved and collected animals from nature, too.) Beryl grew up with a zebra for a pet, horses for friends, and, of course, the most loyal dog.…
WEST WITH THE NIGHT appeared on 13 bestseller lists on first publication in 1942. It tells the spellbinding story of Beryl Markham -- aviator, racehorse trainer, fascinating beauty -and her life in the Kenya of the 1920s and 30s.
Markham was taken to Kenya at the age of four. As an adult she was befriended by Denys Finch-Hatton, the big-game hunter of OUT OF AFRICA fame, who took her flying in his airplane. Thrilled by the experience, Markham went on to become the first woman in Kenya to receive a commercial pilot's license.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I was born into a third-generation white South African family. I came to Europe at the age of 18 to pursue a career as a ballet dancer and became interested in liberation politics in the 1960s, working for some years for the Anti-Apartheid Movement in London. It almost goes without saying that Black Africans should be at the centre of books about Africa. In an era in which the slogan ‘Black Lives Matter’ has gained so much acceptance, it seems almost quixotic to focus on white Africans. However, this is a fascinating group of people who have made a notable contribution to the continent, winning thirteen of the twenty-eight Nobel Prizes awarded to Africans.
This memoir of Alexandra Fuller’s childhood is a hilarious take on her family’s experience of farming in Zimbabwe, Malawi, and Zambia in the 1970s and 1980s. It is a refreshing reminder of what it was like to live and grow up as a member of the white minority intent on remaining in power during a fast-changing, violent, and deeply unstable period in the history of southern Africa. It is a wonderful portrayal of some of the traumas of growing up with a witty, mad, and heavy-drinking mother who had to endure the unspeakable tragedy of losing a child, a chain-smoking father who farmed by day and fought terrorists by night, and a glamorous older sister. It is a book that keeps you laughing or crying the whole way through.
Shortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond.
How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.
As the daughter of white settlers in war-torn 1970s Rhodesia, Alexandra Fuller remembers a time when a schoolgirl was as likely to carry a shotgun as a satchel. This is her story - of a civil war, of a quixotic battle…
Why me / this list? Well, as a kid of parents whose cities were blitzed, I spent my early years in a tiny English village, eventually walking to school through the graveyard of a 12th-century church. We moved to Canada when I was eight, and a whole new history bloomed – Iroquois and coureur de bois were magnetic! As I evolved into a voracious reader, Lee, Orwell, and Vonnegut got me into the complexity of people. Now I’m compelled to read (and write) stories centered on how experiences shape us as individuals, and as societies.
P.S. Shortly after my departure, archeologists found Roman ruins under that tiny English village.
A “fictional autobiography” that has really stuck with me, What is the What is based on the real-life experiences of Valentino Achak Deng, who survived the brutality and terror of Sudan’s second civil war.
At six or seven years old, he was separated from his parents when his village, Mariel Bai, was virtually wiped out by militia. Against all odds, he ultimately made it all the way to the United States, only to experience injustice, violence, and cruelty again.
Incredibly, the real story told in What is the What is one of hope and resilience, and it’s a powerful reminder that chance and circumstances are the only differences between us and anyone else on this planet. Gee, I don’t know… maybe we should all act accordingly?
P.S. Somewhat controversial for its “autobiographical” claim despite being novelized—some say appropriated—by another person, What is the What was required reading at numerous US…
NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom.
When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Ever since spending seven years of my youth in East Africa, I have read the literature of that continent. I have relished the incredible novels of authors like Chinua Achebe, Ngugi Wa Thiongo, Chimamanda Ngozi Adichie, and Maaza Mengiste, but I have also sought out stories of those who entered Africa from outside, wanting to confirm my experience and to make sense of it. My reading has included masterpieces like Abraham Verghese’s novelCutting for Stone or Ryszard Kapuscinski’s journalistic expose The Emperor. But here are a few personal memoirs that have given me a basis for my own understanding of being an expatriate shaped profoundly by life in Africa.
This remarkable tale is not as well known as others, in part because it was written in 1817 and by a less accomplished writer, but it is hard to beat as a true account of nearly unsurvivable hardship. Captain James Riley, captured when his American ship—Commerce—runs aground south of Morocco, is taken into the Sahara desert along with several of his crew as slaves of Bedouins. Barefoot, terribly sunburnt, forced to drink camel urine, they walk hundreds of miles behind their master’s camels until finally ransomed by an American consul. This shocking reversal of the usual slavery tale is a poignant indictment of the slave trade. Abraham Lincoln claimed that Sufferings in Africa, along with The Bible and Pilgrim’s Progress, had the most effect on his political ideology.
In August 1815, New England sea captain James Riley and his crew were shipwrecked off the coast of Moroccan Western Sahara. They headed inland, only to be captured by marauding Sahrawi natives who kept them as slaves. Riley and his crew were beaten, sun-burnt, starved, and forced to drink camel urine before eventually being rescued.
Abraham Lincoln, listed Riley's narrative, alongside the Bible and Pilgrim's Progress, as one of the three most influential works that shaped his views on slavery.
For fifty years I have studied and taught the history of Africa, which makes me about the luckiest guy around. My focus has been on Southern Africa, and especially Zambia, Zimbabwe, and South Africa. Aside from the fantastic physical beauty, the region attracts because of the comparability of its history and experience with that of the United States at many points: for instance, a colonial past, systems of slavery, and fraught [to say the least] racial dynamics. I have enjoyed 23 journeys or lengthier sojourns in Southern Africa, and have taught at five universities, including North Carolina State, Duke, and the University of Zimbabwe as a Fulbright Lecturer.
Move Your Shadow is a masterpiece of reportage. Lelyveld, a former executive editor of the New York Times, spent considerable periods in apartheid South Africa in both the 1960s and the 1980s. The sixties was the period of “baaskap”—“bosshood” apartheid, when the perverse racist cruelties of the system were imposed with a sledgehammer. I would call the eighties the era of “facelift” apartheid—why, the word was hardly used by the regime anymore.
To paraphrase Gramsci, the old world was dying, a new one struggled to be born. Monsters abounded. Nobody captured the period better than Lelyveld. The chapter on Philip Kgosana, the idealist who led Cape Town demonstrations in 1960—at age 19—was betrayed by the state, and wound up in exile in Sri Lanka—is worth the price of the book.
Drawing on his tours in South Africa as a correspondent for the "New York Times," the author details the absurdities, rationalizations, inequities, and cruelties of apartheid, showing what it means to suffer and survive under the restrictions of racial separation
Like the character of Wala Kitu in Dr No, I consider myself an expert on nothing. Heroes have to be flawed, right? And you don’t always have to like and admire them. They don’t have to be perfect. With perfect hair and teeth. Because I’m not. And I need someone to identify with. Someone to walk the roads I might or might not walk. A list of Nick Hornby, Michael K, Miles Jupp, Billy Liar, and Wala Kitu shouldn’t belong together. But they do. Right here. It’s absurd, right? The connection of different roads? Different stories? Different hurdles to jump? Different act of heroism I say.
It's not an easy read, but I read this one and Cormac McCarthy’s The Road back-to-back. These are two books about lost souls walking away from something, not knowing where they’re going.
Michael K is another character who invokes more sympathy/pity than admiration. Sometimes, I didn’t overly care about Michael K’s suffering, feeling he’d brought it on himself. Mostly, though, I wanted him to find his simple peace.
JM Coetzee is such a good writer. His sparse but full sentences always deliver something.
From author of Waiting for the Barbarians and Nobel Prize winner J.M. Coetzee.
J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
In a South Africa turned by war, Michael K. sets out to take his ailing mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies. Imprisoned, Michael is unable to bear confinement and escapes, determined to live with dignity. This life affirming novel goes to the center of human experience-the need for an…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a South African journalist turned novelist inspired to write biographical historical fiction about trailblazing women. As a lover of nature, I’m particularly drawn to characters who love animals and the outdoors and who are driven by curiosity. I’m fascinated not only by individuals but also by my continent and its history. Nothing gives me greater joy than to write about pioneering women from history and the interconnectedness of all living things.
First published in 1948, this book will forever occupy a special place in my heart.
Not only is the book partially set in the very countryside where I was raised in South Africa, but it was also responsible for awakening my young conscience to the harsh realities of what many South Africans endured leading up to and during the apartheid years.
I was forever moved by the story and characters, and discovered the power of fiction by reading it.
I grew up in Nepal, where politics was part and parcel of everyday life. During my childhood and teenage years, we lived under a monarchy, where the king was supreme. Yet there was always a simmering tension between what was a mildly authoritarian rule and what the people’s aspirations were. As I grew into adulthood, Nepal saw a massive uprising that ushered in a multiparty system, then later, after a bloody Maoist civil war, the overthrow of the crown. Yet, even amidst all these political upheavals, people do live quotidian lives, and the space between these two seemingly disparate things has always felt like a literary goldmine to me.
While I was a graduate student of writing, I devoured every novel and story by Nadine Gordimer, whose body of work is astounding in how it combines artistic sensibility with a moral vision. Most important, Gordimer, with her unflinching and unrelenting gaze at the horror of apartheid in South Africa, taught me the value of passion in writing. Gordimer is known mostly for her novels, but her short stories are equally sharp and biting in their critique, and she uses the form’s precision to devastating effect. What is striking in Jump and Other Stories is the diversity of her characters and situations, thereby illuminating every corner of the racial injustices in her country.
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I admired the creativity and originality of this epic novel. Brink has yoked the harsh political reality of South Africa with the frame of the One Hundred and One Nights.
On the eve of cataclysmic change in nineties South Africa, a young South African émigré, Kristien, who lives in London, has been summoned back to her grandmother’s deathbed. In between the tense atmosphere before impending elections in post-apartheid South Africa, the ancient Ouma tells her granddaughter the history of all of the women in their Afrikaans family, blending fable, African folktale, and actual fact. One relative even turns into a tree! Once Ouma finishes her last story, there is one more tragedy which hits very close to home.
I loved the wide sweep of this novel, which reminded me somewhat of Faulkner, that traces the literal Calvinism and fierce militarism of the first Afrikaans settlers to South Africa—and…
When expatriate Afrikaner Kristien Müller hears of her grandmother's impending death, she ends her self-imposed exile in London and returns to the South Africa she thought she'd escaped. But irrevocable change is sweeping the land, and reality itself seems to be in flux as the country stages its first democratic elections. Kristien's Ouma Kristina herself is dying because of the upheavals: a terrorist attack on her isolated mansion has terminally injured her. As Kristien keeps vigil by her grandmother's sickbed, Ouma tells Kristien stories of nine generations of women in the family, stories in which myth and reality blur, in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Gail Nattrass was born in Northern Rhodesia. She was educated at Mufulira High School and the universities of Natal, Rhodesia, Nyasaland, and UNISA. She relocated to South Africa with her husband in 1967, and subsequently lectured in the history department at the School of Education, University of the Witwatersrand for 20 years. She has written materials for students and presented papers on various aspects of South African and international history at four universities in South Africa. She is also the author of The Rooiberg Story, the co-editor with S B Spies of Jan Smuts: Memoirs of the Boer War, and a contributor to They Shaped Our Century and Leaders of the Anglo-Boer War 1899-1902.
R W Johnson, an international commentator on South African affairs, first wrote a book with this question in 1977. It provided a controversial and highly original analysis of the survival prospects of the apartheid regime.
Now, after more than twenty years of post-apartheid ANC (African National Congress) majority rule, the situation has become so crucial that he feels the question must be posed again. He moves from an analysis of Jacob Zuma’s corrupt rule to the increasingly dire state of the economy and concludes that South Africa under the ANC is fast slipping backward.
He feels that twenty years of ANC rule have shown that the party is hopelessly ill-equipped to cope with the challenges of running a modern industrial economy.
In 1977, Johnson's best-selling How Long Will South Africa Survive? offered a controversial and highly original analysis of the survival prospects of apartheid. Now, after more than two decades of ANC in government, he believes the question must be posed again. 'The big question about ANC rule,' Johnson writes, 'is whether African nationalism would be able to cope with the challenges of running a modern industrial economy. Twenty years of ANC rule have shown conclusively that the party is hopelessly ill-equipped for this task. Indeed, everything suggests that South Africa under the ANC is fast slipping backward and that even…