Here are 100 books that Book of Haikus fans have personally recommended if you like
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After building a career as a women’s magazine editor, I left my job in the midst of a complicated and life-altering experience with infertility. Throughout those years I longed for connection—to other women who knew this specific pain, but also back to the person I'd always known myself to be. Infertility had stolen me from myself. The books on this list are not about infertility; rather, they speak to what it means to be a human who is enduring. For anyone feeling lost or despairing on an agonizing road to parenthood, I believe these are the books to light the way back home.
When you're living in the sterile, gleaming world of a fertility clinic, I’m not sure there’s a more inviting landscape to disappear into than the poetry of Mary Oliver.
I find something so moving and hopeful—almost meditative—in the lyricism of her language and the beauty with which she renders the natural world. What a lovely place to live, even for a few hours or a few pages.
I actually considered borrowing a line from one of these poems for the title of my book.
A New York Times Bestseller, chosen as Oprah's "Books That Help Me Through" for Oprah's Book Club
"No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem." -The Washington Post
"It's as if the poet herself has sidled beside the reader and pointed us to the poems she considers most…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
No Other Life combines three of Gary Young’s books into one volume. There is such unique style and quiet beauty to Young’s work. I am truly inspired by it. He has a knack for capturing the extraordinary in the mundane in brief but deep prose poems that grip the soul.
Young was one of my professors in college and was a driving force for why I pursued a creative writing degree and chose to continue to write after graduating. His work will always hold a special place in my nature-loving creative heart.
No Other Life gathers in a single volume two earlier books by Gary Young, Days and the award-winning Braver Deeds, with the final book in his trilogy, If He Had. Utilizing a radically brief prose poem that in its spare lucidity leaves after images burned into the readers imagination, Young weaves a pattern of compelling and often harrowing correspondences that Ethan Paquin described in Quarterly West as an exploration of thresholds, of levels of human endurance. Although every poem stands as an independent utterance, each book suggests a discrete poetic unit, and the entire trilogy can be read as a…
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
This volume of selected poems and unpublished works spoke to me during a time when I was finding my voice, and was formative during my early years as a poet. While not heavily embedded in the nature genre, the author on occasion writes her observations of the natural world with strong imagery. The author is also from my hometown of Santa Cruz, California, and left her mark on the poetry community. Her poems are powerful but accessible and written in simple language, which I feel makes for the best kind of poetry.
California poet and activist, Maude Meehan speaks eloquently. Washing the Stones resonates with compassion and a strong spirit. This stunning collection spans twenty years of work from Chipping Bone and Befoe the Snow, plus new, never-before-published poems
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
The majority of Sarton’s work is introspective, giving glimpses into a writer’s creative process, a passion for writing, and one’s observations and emotions. This short collection of Sarton’s poems embodies her work as a nature poet without being overwhelmingly so. It’s a great introduction to her work. For a brief time in my life isolated myself for a month in a small cabin in a remote forest to do nothing but write. I read May Sarton and it was as if my experience paralleled her and my struggles validated by her work.
When they do, the must be treasured as gifts from the White Goddess, "sister of the mirage and echo." To May Sarton, poetry was life's deepest creative passion. It reflected the preoccupations of her mind and emotions as she progressed through more than five decades of experiencing the natural world, love and friendship, and the crises of the times. But for a long while she felt the lyric mood was past. Then, abruptly, her life took a new turn, and a marvelously musical flow of short poems came from her pen. They are collected here, in this small volume.
I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.
Goldsworthy is the grandfather of impermanent nature art, creating one-of-a-kind ephemeral sculptures out of snow and ice, stone and twigs, leaf and bark. This book carries the quiet intensity of his art that lives at the edge of decay and change. The book wove me into a world of understanding the impermanence in nature through the lens of art being created on the precipice of change. He sculpts spiraling ice crystals just at the time in the morning when the temperature would permit and builds stone structures at the edge of the water, just before the tide would come in and carry it away. Enchanting art, magical photography, a genius in our midst.
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
As Roderick Nash is the scholarly historian of the term “wilderness” in the American mind, Gary Snyder is the sagacious philosopher of the term for contemporary America. I admire Snyder’s poetic style as much as his evocation of the meaning of “place”; i.e., how one can develop both a physical and a spiritual awareness of the wild around us and then transfer that awareness to a sense of one’s place in the larger country and then the planet itself.
From chapters such as “The Place, The Region, and the Commons” and “Survival and Sacrament,” I have gleaned what I can only term Snyder’s mystical appreciation of wilderness and its importance for the future of the human race. Snyder is truly the “High Priest” of how to “practice” the wild in one’s own life.
"This is an important book for anyone interested in the ethical interrelationships of things, places, and people, and it is a book that is not just read but taken in." ―Library Journal
Featuring a new introduction by Robert Hass, the nine captivatingly meditative essays in The Practice of the Wild display the deep understanding and wide erudition of Gary Snyder in the ways of Buddhist belief, wildness, wildlife, and the world. These essays, first published in 1990, stand as the mature centerpiece of Snyder’s work and thought, and this profound collection is widely accepted as one of the central texts…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
When I was young, I read Bambi…and it made me want to go hunting. Perhaps I missed the point. But at the time, I thought Bambi’s exploits sounded much like the animal yarns my dad brought home from his autumnal hunting trips. Both fascinated me. I loved the idea of getting a glimpse into a secret world where animals starred in their own stories and people were, at most, part of the scenery. As an environmental historian, I’ve tried to wring those kinds of stories out of historical documents that are much more suited for telling us about human actions and desires.
Economy and ecology are inextricably intertwined in The Destruction of the Bison. Isenberg takes what is a familiar story—the tragic extermination and near-extinction of the plains bison—and turns it into a cautionary tale about the far-reaching ecosystemic effects of unrestrained capitalistic exploitation. But what I like is that Isenberg’s is not just the same old song of Euroamerican rapaciousness and indigenous vulnerability. He details how Native American buffalo hunters played a crucial role in the species’ decline and how environmental change—droughts, population explosions, and animal diseases—interacted with human actions to doom the buffalo.
For the last twenty years, The Destruction of the Bison has been an essential work in environmental history. Andrew C. Isenberg offers a concise analysis of the near-extinction of the North American bison population from an estimated 30 million in 1800 to fewer than 1000 a century later. His wide-ranging, interdisciplinary study carefully considers the multiple causes, cultural and ecological, of the destruction of the species. The twentieth-anniversary edition includes a new foreword connecting this seminal work to developments in the field - notably new perspectives in Native American history and the rise of transnational history - and placing the…
Growing up, my father was a biologist and my mother was a children’s librarian, so I suppose it’s no surprise that I’ve become a children’s book author who writes about valuing the planet where we we live. I’ve always had a deep love of reading and some of my most cherished childhood memories are of walking through the woods behind our house, with one parent or another identifying the plants, animals, amphibians, birds, and insects that shared our land. My very first piece of writing was a poem about an owl that I wrote in first grade, and now all these years later, I’m still reading, writing, and recommending books that celebrate our marvelous world.
This is my all-time favorite picture book. I love books that inspire readers to think “big” – to consider how we’re all connected to each other and to the world around us.
The text of All the World is simple and lyrical, a beautiful poem that could stand on its own, but then you add in Marla Frazee’s gorgeous illustrations, and it’s a perfect match. I’ve read this book countless times, and every time I read it, I tear up. There’s hope, beauty, and wonder all portrayed in this amazing book.
All the world is here. It is there. It is everywhere. All the world is right where you are. Now. Following a circle of family and friends through the course of a day from morning till night, this endearing picture book affirms the importance of all things great and small in our world, from the tiniest shell on the beach, to warm family connections, to the widest sunset sky.
Green sketching opened my eyes to the beauty and joy in my life that I’d never noticed before, beauty and joy that cost nothing to me or the planet. It quietened my busy brain, reduced my anxiety, and made me much more resilient. I’m now trying to help others put down their phones and pick up a pencil. Because when we change what we look at, we can change how we feel. And I’m convinced that once we see and appreciate nature’s beauty with fresh eyes, we’ll start to love and take care of it again.
This is one of my favorite joy-spotting books. It’s so engaging and accessible that I’d challenge anyone to read it and not want to try at least one of the activities!
Since reading it the first time, I’ve unearthed my rarely used binoculars (and left their lens caps off), requested an inflatable kayak for my birthday, and now always keep my waterproof trousers by the front door. I’d recommend this to anyone seeking more joy and calm in their life.
We're not just losing the wild world. We're forgetting it. We're no longer noticing it. We've lost the habit of looking and seeing and listening and hearing.
But we can make hidden things visible, and this book features 23 spellbinding ways to bring the magic of nature much closer to home.
Mammals you never knew existed will enter your world. Birds hidden in treetops will shed their cloak of anonymity. With a single movement of your hand you can make reptiles appear before you. Butterflies you never saw before will bring joy to every sunny day. Creatures of the darkness…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
As an academic humanist, I spent many years teaching medical students, helping resolve ethical problems in clinical care, and writing about individuals living with mental illness and those growing older. Recently, my own chronic illness, physical pain, and surgeries have somehow opened me to multiple mystical moments of beauty and feelings of oneness with all that exists. I have become a Spiritual Director and am constantly looking for perspectives, practices, and advice about cultivating spiritual growth in myself and others. I am inspired by an ancient Talmudic story: “When each of us is born, an angel swoops down and whispers, ‘Grow.’
I am inspired by Armstrong’s urgent reminder that that we must move beyond seeing nature as a resource and learn to experience it again as holy.
I strongly agree that our future as a planet depends on recovering the sacred in nature and nurturing it in ourselves and our relationships. Cultivating gratitude, moving beyond our narrow egos, celebrating wonder—these are things I hope to exemplify in my own life and stimulate in others.
'A rich and subtle exploration of the sacredness of nature, filled with a timeless wisdom and deep humanity' Guardian
In this hugely powerful book, Karen Armstrong argues that it isn't enough to change our behaviour to avert environmental catastrophe - we must rekindle our spiritual bond with the natural world. From gratitude and compassion to sacrifice and non-violence, Armstrong draws themes from the world's religious traditions to offer practical steps to reconnect you with nature.
Speaking to anyone interested in our relationship with nature, worried about environmental destruction, or searching for new actions to save our planet, Sacred Nature will…