Books like Bone Jack

I grew up in a confusing, chaotic household, and magic was always an escape for me. Books were my place to dream about other worlds and bigger choices. Stories of forgotten, invisible, or odd people who found their way to each other, found courage and talents they didn’t know they had, and then banded together to fight some larger foe even though they were scared. Was it possible that dragons and witches and gnomes were real and very clever at hiding in plain sight? What if I had hidden talents and courage and could draw on them with others just like me?

I am a multiple award-winning YA author with over a decade of experience in writing for adolescents, teaching creative writing, and writing critically about stories. Fantasy is my first love, and the way in which the young imagination is formed by stories is a particular passion of mine. I am the co-founder and CEO of Owl’s Nest Publishers, an up-and-coming independent publishing house exclusively catering to adolescent readers and the writers who want to publish for them. I have published ten fantasy and science fiction novels with my eleventh book releasing in spring 2022. I hope you enjoy my fantasy Bildungsroman picks! 

I’m a writer and also a history nerd. I love historical fiction—learning about the past through a story just makes the world come alive in a way that non-fiction doesn’t. As I child, I was entranced by middle-grade historical novels like The True Confessions of Charlotte Doyle and The Shakespeare Stealer. But I also love fantasy novels and how they use magic to make the truths of our world bigger and bolder, turning the elephant in the room into a dragon that can’t be ignored. Mixing history and fantasy together is my book version of peanut butter and chocolate.

As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.

I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!

I write speculative fiction books that feature hidden or secret locations. I enjoy writing about closed communities where different rules apply, and they are less susceptible to outside intervention. Places where those in power can ‘get away with things’. I base the topography on real locations and adapt them for my purposes. I can visualise the locations, which are an amalgam of the real and the imaginary. For consistency, I draw maps incorporating real physical landmarks.

When in unfamiliar settings, people often feel isolated. This makes it easier to portray them as exposed or insecure, creating an atmosphere of fear or suspicion and opening up plot possibilities.

While I love books that reflect strong family values, I don’t like sugary sweetness to the point of unrealism. I prefer to read about real people who can make fun of themselves and the world. That sarcastic and biting edge seems to tap into a deeper honesty about life while making me roll around on the floor and break all my furniture.  

I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.

From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.

I read a lot of first-person books because I write a lot of 1st person books. I was a creative writing teacher for twenty years and I wanted my students to ‘own’ their material—to write about what they saw and felt and empathized with and loved and feared. These book recommendations below are only a handful of immensely brilliant books that have strong character/narrator voices that put you inside the skin of the narrator. These are the books that are recklessly beautiful and ruthlessly genuine-- and by example teach you how to write honestly and how to capture your own readers.