Books like The Girl Who Fell from the Sky — picked by fans

Brit Bennett writes with a steady hand as she immerses us into the minds and lives of three people. Nadia and Aubrey are haunted to womanhood by maternal abandonment. They are friends as well as rivals for the affection of the same man. Luke would have made a mother out of Nadia had they chosen to parent, and he eventually makes a wife and mother of Aubrey. His mother is the first lady of the church that plays a prominent role in their lives. The mothers in Bennett's exceptional novel are hurt and betrayed by callous men and by each other. I rooted for each of them to persevere, but like many of my favorite novels, this is not a happily ever after for everyone type of story.

What sticks with me most about this beautiful book is the fiercely tender bond between Dana Lynn and her mother, Gwen. Right from the opening lines, I was all in on their emotionally complex mother-daughter relationship. In some ways, Dana Lynn and her mom are like sisters, the two of them keeping a whopping secret for Dana Lynn’s father, and yet, they are always aware of their position as mother and daughter.

Gwen grieves the ways her husband’s secret plunders their daughter’s innocence, even as Dana Lynn struggles to make peace with what their world would look like if the truth were out. As a reader, I mourned with them and rejoiced, too, that they had each other.

The Star Side of Bird Hill is about two sisters, one a preteen and the other on the verge of womanhood, sent from Brooklyn to Barbados to spend a summer with their grandmother. This temporary arrangement becomes permanent when their severely depressed mother kills herself. The children of Bird Hill are still friends in the making. Their grandmother is an unbending woman with strange ways, not the adored woman who raised them. Adapting to a new home takes time and reluctant willingness. I spent my earliest years with my grandparents on my mother’s side on the island of Anegada while my parents set up roots in NY before bringing me to a new home. This gave me an immediate connection to Naomi Jackson’s wonderful novel. Her skillful writing did the rest.

As a teenager, Sophie leaves behind all that she knows in Haiti to be reunited with her mother. In New York, she falls for a man closer in age to her mother than herself. Her mother rages against him, or any man deemed unsuitable. Desire to guard Sophie's purity drives a wedge between them. The patriarchy of Haiti has lingering effects, resulting in maternal protection that resembles cruelty. Sophie tries to make a marriage work out in different ways and for different reasons than the women (mother, aunt, grandmother) who raised her and formed her ideas of womanhood. Stories of family often center on the differing priorities and expectations of different generations. This aspect of the gracefully written Breath, Eyes, Memory is what drew me in and kept me hooked.

Finally, a campus novel with a female protagonist who’s also an undergraduate. Batuman does a wonderful job of immersing the reader in her main character’s point of view. And what a fascinating perspective she offers–I was so enthralled with her way of thinking and the amusing things she notices about the people and places around her!

The writing constantly surprised and engaged me while taking me along on the journey of Selin’s first year of college.  

I first listened to this book in audio and immediately bought the print copy. Good Me Bad Me has such a compelling voice that this is a book you will end up reading way past your bedtime. 

The story is told by a fifteen-year-old girl who has gone through so much trauma, your heart breaks…but then it twists, leaving you gasping for air because you can’t believe what just happened. I have read this story over and over again and it still haunts me to this day!

This novel-in-stories follows a quartet of friends—Dub, Rollo, Rye, and Gio—as they party, fight, love, and occasionally even consider leaving Rhode Island. Gio, the group’s storyteller, observes, comments, and guides the reader through a hard-edged world of race and class oppression. Guns and drugs flood Gio’s world, but these forces are offset by bonds of family, friends, and friends who become family. Never has the overlooked town of Pawtucket been so lovingly portrayed, and I’ll not soon forget Holmes’ mouthwatering descriptions of Portuguese Catholic feast days in East Providence. A keen observer of toxic masculinity, Holmes shows how misogyny holds this group of young men together while it also holds them back.

Although published long ago, it is remarkable how easy it is to become involved in this book and be charmed by its main character, Tom.

Orphans abound in 18th and 19th-century fiction. What happens to him in an upper-class environment is inevitably unfair and hypocritical, so when he gets on the road—whether as a result of desire or force—the fun truly begins.

Tom says at the beginning that his tale has the purpose of understanding “human nature”, and after spending time with him on his adventures, from the estate where he grows up to his romp in London, we have a sense of the good nature of human nature. Tom’s sense of life infuses his life on the road, offering a character to celebrate despite his flaws.

I have a soft spot for characters who find strength by dint of superhuman effort, and the way this fifteen-year-old takes charge after the 1906 earthquake—haltingly, uncertainly, as is only plausible—makes me wish I’d met her.

Her path is steeper than the San Francisco hills, yet her refusal to ask for pity wins me over. I also admire how Edgarian uses her protagonist’s coming of age to represent San Francisco’s, a parallel delivered with a light touch.

But above all, the novel explores the fraught relation between women and power; and how Vera walks that tightrope makes compelling fiction.

I love books that are 1. Set in exotic locations, and 2. Based on true people or events (because I’m exceptionally lazy about learning history any other way), and 3. Epistolary. 

This book is set in a heavily tropical area of Mexico, and it’s the journal entries of a teenager based on Peggy Guggenheim’s daughter. This fictionalized girl has every material thing she could ever want, along with a houseful of artist guests who have arrived to escape Hitler’s tightening regime. But what remains constantly out of reach for the girl is the attention of her beautiful, mercurial mother. This book nailed that feeling of longing.