52 Books Like Boldly Go

Charles Beaumont was close friends with Richard Matheson, and they worked together on such projects as the Roger Corman Edgar Allan Poe films and Rod Serling’s original Twilight Zone. Beaumont’s stories are as rich and varied as Matheson’s, with delightfully witty language and fantastic plot twists. If you love classic Matheson short stories like “Nightmare at 20,000 Feet” and “Death Ship,” you’re bound to love Beaumont.

Despite some people’s fears, watching a lot of TV as a kid was a gateway to reading for me, not a deterrent. Seeing reruns of old horror anthology series and TV movies made me curious about who had written the stories on which the shows were based.

I discovered Richard Matheson, whose works were among the most adapted by The Twilight Zone and others. This collection features some of his classic imaginative tales that also became classic TV, including “Nightmare at 20,000 Feet” (pre-Star Trek William Shatner saw a demon on an airplane wing on The Twilight Zone), “Duel” (Dennis Weaver was menaced by a killer truck in Steven Spielberg’s famous 1976 TV movie) and “Prey” (Karen Black fought a demon doll in one of the Trilogy of Terror).

My second pick is also an impressive, wide-ranging author - from generation-spanning sagas to prison diaries to collections of short stories. Among his several books of short stories, I find this the best as each story in the collection has a very interesting—literally—twist in the tail. These twists hit more and closer to the reader’s heart as the reader is really invested in the well-fleshed-out characters, such as the relatable mechanic-turned-reluctant-chef in ‘A la Carte.’ 

Though Jeffrey Archer is the master of pulp fiction, I find his pacing crisper in his short stories. They are fast-paced and breezy and smack you hard on the back on your way out.

This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!  

I have revisited Darkover Landfall often, but it never loses its hold on my imagination. It’s the Darkover novels’ origin story, telling what happens when an interstellar colonizing starship goes off course and crash-lands on an uncharted planet. In essence, this is Science Fiction, except that the earth-like planet has fantastic creatures, some of them with paranormal powers.

The castaways include a few hard-nosed scientific professionals who expect to lead many industrious generalists who plan to colonize a new world. All must recognize that the technology that brought them to Darkover will not sustain them unless they adapt, learn, and unlearn. It’s a story to make us wonder what we really need from our planet and each other.

If The Twilight Zone Companion was my original bible, then the Deep Space Nine Companion was its extensively expanded new testament. The alpha and omega for what a book about the making of a television show could be, this massive compendium was made possible by the unparalleled access the authors had to everyone as the show was in production. This book blew my mind with all the details it included and all of the aspects examined. Simply a treasure for all Star Trek: Deep Space Nine fans. That said, this is an authorized book, meaning nothing was published without the studio’s oversight, which differentiates it from the earlier books on this list. Nonetheless, it’s the one I strove to match when I compiled my own study on the making of Gene Roddenberry’s Andromeda entitled Sailing the Slipstream (a book I plan to re-format and re-release in an anniversary edition). 

Before writing this little gem, the author produced some of the most notable Star Trek novelizations. Then she decided to create her own version of Star Trek and do the stuff she couldn’t do there. The first volume of a series, it kicks things off when the science crew of the good ship Starfarer, upon learning that their brand-new ship is about to be turned over to the military and become a warship, decides to take matters in their own hands and hijack their own starship. Space adventure at its best. 

I read this because it mentioned space pirates. Who doesn’t love space pirates? It’s also got a kick-ass heroine and an equally kick-ass hero. Both characters have a history and aren’t particularly fond of each other. Then she’s tasked with shipping the wronged hero back to Earth on her pirate ship, but someone doesn’t want him to stand trial. Being stuck together on her ship together makes for some interesting situations. Three guesses how that goes. 

Ah, Captain Kathryn Janeway of the Federation Starship Voyager. A fictional character from Star Trek: Voyager who has managed to become my (and many others) mentor in life, leadership, and careers. Mosaic tells the backstory of our beloved Captain, from her home life in Indiana to her time as a science officer and eventually becoming Captain of her own starship. This story by Jeri Taylor (who served as Executive Producer on Voyager for five seasons) captures Janeway in a way rarely seen outside of Kate Mulgrew herself. As a bonus, you can listen to an abridged version read by Kate as well!

The book starts small(ish).

A single starship crewed by three different species and captained by a human explores space using a series of wormholes created by… whom, exactly? No one knows.

Then an unknown ship with no visible propulsion system drops out of a wormhole and we're catapulted into an adventure that brings us to the mind-twisting origins of the universe as we know it.
Rob Sawyer lives across the river from me in Canada, and we ran into each other at several local science fiction conventions.

He gave me a copy of Starplex, and I accepted it with a vague, “I look forward to reading it.” I didn’t actually intend to. But a couple weeks later, I idly flipped it open and started reading—and couldn’t stop.