Here are 74 books that Blindsight fans have personally recommended if you like
Blindsight.
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I am a professor in Urban Mobility Futures and, as such, am fascinated by how we think about our mobility present and past and how this limits us in imagining different futures. The problems in our mobility system are so urgent and overwhelming that I like to actively search for alternative ways of seeing and acting and teach others to do the same. Personally, I love to experience the incredible freedom of mind that I find in doing this. Also, see the Shepherd list of recommendations by my co-author, Thalia Verkade.
Why have so many schemes to improve the human condition not worked or even backfired? In this brilliant work, I learned how we need to simplify the world if we want to govern it.
In any domain for which we aim to develop policies, we are forced to define relevant indicators and create a carbon copy of reality full of arbitrary choices. I loved how Scott makes this visible with examples from forests to cities. And how these choices lead to a variety of unexpected consequences that often render interventions ineffective.
The book makes you see that the problem is not that the chosen simplifications are wrong, but that ANY simplification is wrong. The only meaningful forward is a return to embracing the full complexity of the world around us.
"One of the most profound and illuminating studies of this century to have been published in recent decades."-John Gray, New York Times Book Review
"A powerful, and in many insightful, explanation as to why grandiose programs of social reform, not to mention revolution, so often end in tragedy. . . . An important critique of visionary state planning."-Robert Heilbroner, Lingua Franca
Hailed as "a magisterial critique of top-down social planning" by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail-sometimes catastrophically-in grand efforts to engineer their society or their…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I grew up intending to become an astronaut. The cosmos always felt within reach of my backyard, from where I could watch the Space Shuttle launch. As I grew up, I began to realize that the space our rockets reached was exceedingly close compared to the rest of the universe. And I became obsessed with what else was out there. I went on to study radio astronomy, fascinated by the parts of the cosmos that our senses can’t detect. After that, I became a science journalist, writing about how space influences Earth and vice versa.
Who doesn’t love to think about how the universe—so big, so old already—will ultimately end? Reading the book encouraged me to look at the universe as its own thing, of which I and all of Earth, were tiny parts, and tiny parts that would end long before the cosmos itself would. Katie Mack explores what five such conclusions might look like, getting everybody a little more comfortable with the idea that every story has an ending, even if we don’t know what this one looks like.
NAMED A BEST BOOK OF THE YEAR BY THE ECONOMIST, OBSERVER, NEW SCIENTIST, BBC FOCUS, INDEPENDENT AND WASHINGTON POST
'Weird science, explained beautifully' - John Scalzi
'A rollicking tour of the wildest physics. . . Like an animated discussion with your favourite quirky and brilliant professor' Leah Crane, New Scientist
From one of the most dynamic rising stars in astrophysics, an eye-opening look at five ways the universe could end, and the mind-blowing lessons each scenario reveals about the most important ideas in cosmology
We know the universe had a beginning. But what happens at the end of the story?…
I’m passionate about decision intelligence because our world is more complex than ever, and democracy depends on people understanding that complexity. Direct cause-and-effect thinking—adequate for our ancestors—falls short today. That’s why I invented decision intelligence: to help people navigate multi-step consequences in a way that’s clear and actionable. It’s like systems thinking but distilled into what matters for a specific decision—what I call “compact world models.” There’s nothing more thrilling than creating a new discipline with the potential to change how humanity thinks and acts in positive ways. I believe DI is key to a better future, and I’m excited to share it with the world.
This book gave me a profound realization: humans aren’t rational decision-makers—we’re copiers. We survive by inheriting “packages of expertise” passed down through generations, but over time, those packages lose their rationale. When circumstances change, blindly following tradition can become a liability.
My work is about helping people use AI, data, and collaboration to think through the consequences of their actions. This book explains why that’s so difficult—reasoning isn’t what got us here. We memorize and repeat what worked before, even when the world shifts beneath us.
In an increasingly volatile world, that strategy is failing, and this book makes it clear why new approaches to decision-making are needed. If you’ve ever wondered why people resist logic and innovation, this book will change how you see human behavior.
Humans are a puzzling species. On the one hand, we struggle to survive on our own in the wild, often failing to overcome even basic challenges, like obtaining food, building shelters, or avoiding predators. On the other hand, human groups have produced ingenious technologies, sophisticated languages, and complex institutions that have permitted us to successfully expand into a vast range of diverse environments. What has enabled us to dominate the globe, more than any other species, while remaining virtually helpless as lone individuals? This book shows that the secret of our success lies not in our innate intelligence, but in…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
As a physicist by education and therefore fundamentally interested in how things work, my early career was spent in secure communications before moving into finance, specifically payments. I helped to found one of the leading consultancies in the field and worked globally for organizations ranging from Visa and AMEX to various governments and multiple Central Banks. I wrote, it turned out, one of the key books in the field, Identity Is The New Money (2014), and subsequently, Before Babylon, Beyond Bitcoin (2017), about the history and future of money. The Currency Cold War (2020) was a prescient implication of digital currencies, particularly CBDC.
I see David Greaeber’s book as a landmark in the field. He completely changed my understanding of and views on money’s role in society and its evolution. I had the good fortune to meet David a few times (in fact, I made a podcast with him) and feel like I learned from every conversation.
Until I read David’s book, I had assumed that the Barter theory of money and the double coincidence of wants was the natural and unchallenged explanation for how money came to be and what roles it performed. David’s and subsequent authors' work has shown that this view is simplistic and outdated.
The groundbreaking international best-seller that turns everything you think about money, debt, and society on its head—from the “brilliant, deeply original political thinker” David Graeber (Rebecca Solnit, author of Men Explain Things to Me)
Before there was money, there was debt. For more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era that we also first encounter a society divided into debtors and creditors—which lives on in full force to this day.
When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
Climate change aside, what scares me the most about technology today is the capacity for bioengineering to run amok.
What happens when scientists monkey around with deadly viruses—and one escapes from the lab? What if some rogue researcher creates an entirely new lifeform that proves toxic to humans? Or some experimental microbe—an effort to save the world’s butterflies, for instance—proves to kill off bees instead?
This novel, which won major awards, depicts a frightening future world wrought by bioengineering. And you wouldn’t want to live there anymore than I do.
WINNER OF THE HUGO, NEBULA, LOCUS, JOHN W. CAMPBELL AND COMPTON CROOK AWARDS
The Windup Girl is the ground-breaking and visionary modern classic that swept the board for every major science fiction award it its year of publication.
Anderson Lake is a company man, AgriGen's calorie representative in Thailand. Under cover as a factory manager, he combs Bangkok's street markets in search of foodstuffs long thought to be extinct. There he meets the windup girl - the beautiful and enigmatic Emiko - now abandoned to the slums. She is one of the New People, bred to suit the whims of…
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.
For me, Hyperion epitomizes the Gothic space opera.
It may not sound like it on the surface, with the book often being described as a sci-fi spin on the Canterbury Tales, but the devil’s in the details, and Hyperion has many details indeed, with each character’s story bringing us deeper into both their personal darkness and the darkness of the larger world: the labyrinthine Time Tombs; the Cruciform parasite that turns immortality into a curse; and of course, the eldritch godlike entity known as The Shrike.
As an easily-bored reader, I was floored by how easily Hyperion held my attention, as each of the characters’ stories not only made me care about them more, but also contributed to the adventure they shared...especially when it all came to a head in the sequel, Fall of Hyperion.
Spanning multiple worlds, time periods, and philosophical ideas, Hyperion has everything I want…
From early on, I found myself captivated by the concept of a dystopic future for humanity. Years later, a 20+ year police career cemented the notion that people are not inherently good and that if a dystopic future is at all possible–we as a species will make it a reality. My love of science fiction, especially all forms of dystopia, combined with a hard-earned street-level grit and a love of action. Whether writing solo or with my amazing co-author, Dr. Gareth Worthington, I often inject these elements into my stories. I hope you enjoy the books on this list as much as I did!
I don’t think cyberpunk as we know it would exist without William Gibson’s Neuromancer. If PKD jump-started the genre, then Gibson advanced it in ways previously unimaginable.
I love the tone and texture of this book. Written in a gritty urban style, the mixture of atmosphere and wacky characters vividly paints the concept of high-tech and low-life that underpins the cyberpunk genre. Plus, it has “street samurai”–I mean, let’s go!
The book that defined the cyberpunk movement, inspiring everything from The Matrix to Cyberpunk 2077.
The sky above the port was the color of television, tuned to a dead channel.
William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the Cyberpunk movement.
More than three decades later, Gibson's text is as stylish as ever, his noir narrative still glitters like chrome in the shadows and his depictions of…
Having spent thirty years working as a chef, I was always going to have working-class heroes in my stories. When someone said this is uncommon in science fiction, I didn’t believe them. But then I couldn’t think of any. I started searching through my bookshelves, and still, I couldn’t find enough to fill this list. I asked on socials and eventually found five books.
It would seem natural that in a science fiction world of adventure and exploration, the professionals would be at the forefront. But I am pretty sure that the toilet cleaners on the Death Star would still have a story or two to tell.
It became obvious to me early in this book that Nophek Gloss was written by someone who works with their hands. Not only in how the action was choreographed but also in how the world was described.
This brings a real world feel to the writing as we join Caiden helping his father with the menial tasks that keep a farming community running. Soon after, his whole world is destroyed. But as Caiden escapes and throws in with a ragtag bunch of aliens and a ship with a conscience, we can appreciate his point of view as someone who has seen so little of the universe but is suddenly exposed to multitudes of new and unusual things as he adventures into the unknown.
This book is for sci-fi fans who enjoy great worldbuilding, interesting aliens, and action throughout.
'AN EXCEPTIONAL DEBUT . . . READS LIKE A BECKY CHAMBERS NOVEL CROSSED WITH FIREFLY' Michael Mammay, author of Planetside
'A SUCKER PUNCH TO THE SENSES . . . A KILLER STORY WITH REAL HEART AND SOUL' Alastair Reynolds
In this dark, dangerous, roller coaster of a debut, a young man sets out on a single-minded quest for revenge across a breathtaking multiverse filled with aliens, mind-bending tech, and ships beyond his wildest imagining. Essa Hansen's is a bold new voice for the next generation of science fiction readers.
Caiden's planet is destroyed. His family gone. And, his only hope…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a human being who struggles with feeling human. When I was 17, I got my brain pretty shaken up after a traumatic event, causing a swathe of memory loss and mental health problems. How do you regain a sense of yourself when chunks of your childhood memories, your skills, and your sense of self have disappeared? Here are some books that grapple with that question, and others.
I grew up with and write horror stories, so it’s very difficult for a book to unnerve me; this is one of the only books I can think of that earns the honor. It is half an ecological text and half a horror story, with its romantic prose balanced by intense natural research to create a surreal, unnerving description of the natural world.
This book made me hyper-aware of everything from the grass outside my window to the cells that make up my body, and I love how it uses both existential horror and the real, biological horror of being a living creature to leave a lasting unease. Are you aware you’re breathing? Can you feel your tongue in your mouth? Your heart’s nonstop beating? You can, now.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.