Books like Black Girl Magic Sprinkles

I have always been passionate about Black authors and Black children being writers and writing about their experiences or their children’s experiences since I was a young adult. Ever since the Trayvon Martin incident years ago, these Black history stories and books have been so meaningful to the Black community. I used to read just Urban fiction AA books back in high school, but ever since I became a writer/author I have taken a liking to reading children's books about self-love, fear, and going to college, especially for young black children. I read these books to remind me that we are strong-minded people. That no one can take our light from us.

I have always been passionate about Black authors and Black children being writers and writing about their experiences or their children’s experiences since I was a young adult. Ever since the Trayvon Martin incident years ago, these Black history stories and books have been so meaningful to the Black community. I used to read just Urban fiction AA books back in high school, but ever since I became a writer/author I have taken a liking to reading children's books about self-love, fear, and going to college, especially for young black children. I read these books to remind me that we are strong-minded people. That no one can take our light from us.

I have always been passionate about Black authors and Black children being writers and writing about their experiences or their children’s experiences since I was a young adult. Ever since the Trayvon Martin incident years ago, these Black history stories and books have been so meaningful to the Black community. I used to read just Urban fiction AA books back in high school, but ever since I became a writer/author I have taken a liking to reading children's books about self-love, fear, and going to college, especially for young black children. I read these books to remind me that we are strong-minded people. That no one can take our light from us.

I have always been passionate about Black authors and Black children being writers and writing about their experiences or their children’s experiences since I was a young adult. Ever since the Trayvon Martin incident years ago, these Black history stories and books have been so meaningful to the Black community. I used to read just Urban fiction AA books back in high school, but ever since I became a writer/author I have taken a liking to reading children's books about self-love, fear, and going to college, especially for young black children. I read these books to remind me that we are strong-minded people. That no one can take our light from us.

My own rise through the workplace didn’t come without roadblocks. I was a divorced single mom with 3 children and no education. Yet I found myself taking a career journey where I made a lot of the same mistakes so many individuals make. I realized after about 20 years leading human resources for fast-growth companies, that I had a unique view to help others shortcut their own mistakes. I finally left my corporate desk to work the other side of the desk–helping the individual. The Job Doctor was born in late 2020, and one million followers later, I feel like I’ve found my own career calling in helping individuals navigate their own career journeys. 

I’ve had a passion for poetry since my early childhood, when I fondly remember listening to my elders recite—specifically, my teachers reading rhymes by Shel Silverstein and Dr. Seuss. As I grew into my adolescence and adulthood, my interest in literature only amplified with my introduction to works by Maya Angelou, R.H. Sin, and Rupi Kaur. Now, as a self-published poet and self-proclaimed enthusiast of the genre, I continue to spend my time browsing shelves, attending readings, and supporting writers/artists debuting work into the world. I hope you enjoy the books on my list.

As a queer, fat disabled Black woman in America, I am all too familiar with the experiences and history that these 5 aforementioned authors detail when it comes how deep fatphobia is embedded in this country. And how it harms us everyday—even if you’re not fat. I remain passionate about the eradication of fatphobia in our society because too much is at stake in terms of housing discrimination, employment discrimination, disability discrimination, healthcare discrimination and etc. for one not to care. - Clarkisha Kent, author and culture critic.

Eugenia Kim’s debut novel, The Calligrapher’s Daughter, won the 2009 Borders Original Voices Award, was shortlisted for the Dayton Literary Peace Prize, and was a critic’s pick by the Washington Post. For that novel, which is set during the Japanese Colonial Period in Korea, 1910-1945, and for her second novel (below), whose first half is set during the Korean War, 1950-1953, she read more than 500 books and twice traveled to Korea in order to accurately depict these little-known slices of history.

I like books driven by characters who ride the same emotional rollercoaster as we all do in real life. Characters who love the wrong people or who lose the people they were right to love or who fail to match the norms expected by society. Characters I can empathise with, root for, and learn from. A fairytale happy ending is not necessary and can detract from the magic of a book. But I do like to be left with a feeling of hope. If a fictional character can learn to approach life more positively, then maybe I can too! This is what I try to achieve in my own books.

I have long been an ardent admirer and student of works that transgress boundaries and extend the frontiers of literature. A blurring and subversion of genres, or fusion of forms and modalities, arouses my imagination and inspires me to see differently, to read differently, to travel to places within myself that otherwise might remain undiscovered and uncharted. To me, writing is an ongoing experiment, a series of progressions and adventures which ask me to stay open, supple, and curious. There is no set formula—each book demands its own form, and both as writer and reader, I most desire to be engaged in what is a solitary ritual of interaction.