Here are 100 books that Black Faces, White Spaces fans have personally recommended if you like
Black Faces, White Spaces.
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I am passionate about the selected books because they have a unique way of broadening one's horizons and inspiring change in life. Their diverse narratives and profound insights invite all of us to discover new perspectives, challenge our beliefs, and deepen our understanding of the world.
Klein focuses on the most crucial issue we face today, climate change, fueled by a system obsessed with profits and constant growth, which resonated very deeply with me. This book is imperative because it shows how the consumption of resources and materials is what drives powerful states around the world to dominate and make modern colonies of weaker countries in the name of profit and at any cost.
I really liked how Klein breaks down ways that show us how our current economic system is at the heart of this crisis and that change will have to be made. I loved the insights she gave, and they made me think about how we can truly turn things around and create a sustainable world. I like how she explains clearly why late capitalism cannot be sustainable. This book is must read, especially by those who…
Naomi Klein, author of the #1 international bestsellers, The Shock Doctrine and No Logo, returns with This Changes Everything, a must-read on how the climate crisis needs to spur transformational political change
Forget everything you think you know about global warming. It's not about carbon - it's about capitalism. The good news is that we can seize this existential crisis to transform our failed economic system and build something radically better.
In her most provocative book yet, Naomi Klein, author of the global bestsellers The Shock Doctrine and No Logo, tackles the most profound threat humanity has ever faced: the…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a writer, artist, and historian, and I’ve spent much of my career trying to blow up the powerful American definition of environment as a non-human world “out there”, and to ask how it’s allowed environmentalists, Exxon, and the EPA alike to refuse to take responsibility for how we inhabit environments. Along the way, I’ve written Flight Maps: Adventures with Nature in Modern America and "Thirteen Ways of Seeing Nature in LA"; co-founded the LA Urban Rangers public art collective; and co-created the “Our Malibu Beaches” phone app. I currently live in St. Louis, where I’m a Research Fellow at the Sam Fox School at Washington University-St. Louis.
A self-critical and often hysterically funny account of what happens when you plant a garden to be “one with nature” and nature has other ideas. Still my favorite Pollan book (his first!), which is saying a lot. Favorite bit: his journey from “living in harmony” with a resident groundhog to an albeit ill-considered act of firebombing.
I’m a writer, artist, and historian, and I’ve spent much of my career trying to blow up the powerful American definition of environment as a non-human world “out there”, and to ask how it’s allowed environmentalists, Exxon, and the EPA alike to refuse to take responsibility for how we inhabit environments. Along the way, I’ve written Flight Maps: Adventures with Nature in Modern America and "Thirteen Ways of Seeing Nature in LA"; co-founded the LA Urban Rangers public art collective; and co-created the “Our Malibu Beaches” phone app. I currently live in St. Louis, where I’m a Research Fellow at the Sam Fox School at Washington University-St. Louis.
“Where do my coffee and newspaper come from?” Cohen muses one morning in her favorite coffee shop…and she’s off and running, to find the unseen nature and labor that make our everyday lives possible. The most gorgeous, lyrical explanation of alienation and fetishization you’ll ever find, and a model for how to drag nature writing into the 21st century.
Once upon a time we knew the origins of things: what piece of earth the potato on our dinner plate came from, which well our water was dipped from, who cobbled our shoes, and whose cow provided the leather. In many parts of the world, that information is still readily available. But in our society, even as technology makes certain kinds of information more accessible than ever, other connections are irrevocably lost.
In Glass, Paper, Beans, Leah Cohen traces three simple commodities on their geographic and semantic journey from her rickety table at the Someday Café to their various points…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I’m a writer, artist, and historian, and I’ve spent much of my career trying to blow up the powerful American definition of environment as a non-human world “out there”, and to ask how it’s allowed environmentalists, Exxon, and the EPA alike to refuse to take responsibility for how we inhabit environments. Along the way, I’ve written Flight Maps: Adventures with Nature in Modern America and "Thirteen Ways of Seeing Nature in LA"; co-founded the LA Urban Rangers public art collective; and co-created the “Our Malibu Beaches” phone app. I currently live in St. Louis, where I’m a Research Fellow at the Sam Fox School at Washington University-St. Louis.
An oldie but a goodie, and a classic. Cronon’s lead essay “The Trouble with Wilderness” roused ‘90s environmentalism like a brilliant party crasher—but don’t miss Richard White’s “Are You an Environmentalist or Do You Work for a Living,” Giovanna Di Chiro’s “Nature as Community,” and, well, my own “Looking for Nature at the Mall.”
In a lead essay that powerfully states the broad argument of the book, William Cronon writes that the environmentalist goal of wilderness preservation is conceptually and politically wrongheaded. Among the ironies and entanglements resulting from this goal are the sale of nature in our malls through the Nature Company, and the disputes between working people and environmentalists over spotted owls and other objects of species preservation.
The problem is that we haven't learned to live responsibly in nature. The environmentalist aim of legislating humans out of the wilderness is no solution. People, Cronon argues, are inextricably tied to nature,…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Among many wonderful things about this book, I consider it a climate novel and a climate justice story in particular. Hurricane Katrina wipes out a Black working-class family who are flooded out of their house. I was deeply attached to the narrator, the teen daughter in the story, and I loved her even more for having hope that things could change.
_______________ 'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times 'Fresh and urgent' - New York Times 'There's something of Faulkner to Ward's grand diction' - Guardian _______________ WINNER OF THE NATIONAL BOOK AWARD Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;…
I’ve lived in the same place for a long time—a complicated yet beautiful place that I love and love to observe. I’ve seen a lot of change, and a lot of folks come and go in my neighborhood and within the walls of my own house. Looking at a building down the street, I can see it two paint jobs ago, the moods of former owners and friends still imprinted there. I’m becoming a relative old-timer here—while the neighborhood sees repeated turnover, I dig in harder. My long track of settledness has nurtured a tendency to chronicle this humble place, to write one version of its story.
I often wonder about the generations of people who lived in my house before me, but for better or worse, that context is lost to history. Conversely, Sarah M. Broom is privy to 60 years of intimate history of her childhood home in New Orleans East.
Making a home is an act of love; sustaining one hinges on determination, work, and community. It also helps to be treated like you matter by those in power. Broom’s tribute to her tenacious mother and family, who kept their home through times of security and lack thereof, only to lose it to Hurricane Katrina, is stunning. The house still exerts a tumultuous pull on Broom and her family. The crossing threads of love and heartbreak are sewn through this vivid, haunting memoir.
A NEW YORK TIMES BESTSELLER WINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION
'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book Review
In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Though I was born in the U.S., I didn’t wind up living here full-time till I was almost 10. The result? I have always been curious about what it means to be an American. In one way or another, the books on my list explore that question. More than that, all (well, nearly all) insist that black history is inextricably intertwined with American history and that American culture is a mulatto culture, a fusion of black and white. After years of making my living as a journalist, editor, and book reviewer, I left newspapers to write fiction and non-fiction, exploring these and other questions.
I might not have written my own family history without the example of this book. I was enthralled when I read this compelling, well-researched, and well-written “family memoir” (as Murray calls it) years ago.
Everything about it drew me in, Murray’s compelling voice, the depth of her research, her descriptions of her relatives, and the vanished world they inhabited. Magisterial in every sense of the word, this is family history as American history, by a woman who was a lawyer, activist, and, in 1977, at age 67, the first black woman ordained an Episcopal priest.
Her book continues to inspire me to strive to meet her example.
First published in 1956, Proud Shoes is the remarkable true story of slavery, survival, and miscegenation in the South from the pre-Civil War era through the Reconstruction. Written by Pauli Murray the legendary civil rights activist and one of the founders of NOW, Proud Shoes chronicles the lives of Murray's maternal grandparents. From the birth of her grandmother, Cornelia Smith, daughter of a slave whose beauty incited the master's sons to near murder to the story of her grandfather Robert Fitzgerald, whose free black father married a white woman in 1840, Proud Shoes offers a revealing glimpse of our nation's…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
Because the buying and selling of enslaved people was enormously profitable and entirely legal in the United States before the Civil War, even free Black people lived in fear that they might be kidnapped, sold illegally as slaves, and never heard from by their friends and families again. Though many Americans are familiar with the experience of Solomon Northup, as relayed in his memoir Twelve Years a Slave and the film of the same name, Richard Bell demonstrates how kidnapping was widespread in the nineteenth century and how thin the line could be between freedom and slavery.
This “superbly researched and engaging” (The Wall Street Journal) true story about five boys who were kidnapped in the North and smuggled into slavery in the Deep South—and their daring attempt to escape and bring their captors to justice belongs “alongside the work of Harriet Beecher Stowe, Edward P. Jones, and Toni Morrison” (Jane Kamensky, Professor of American History at Harvard University).
Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they are…
I love writing stories for young people in that “in-between” age: age 12, 13, and 14, when kids are figuring out who they are and who they want to become. For many young people, crushes are a huge part of this coming-of-age process—I know they were for me! When I was this age, there weren’t many books that explored crushes and the first romance for LGBTQ+ kids. I’m thrilled to be part of a wave of authors writing these stories now. And I’m so excited for a future where we have a wealth of books about the joy, heartbreak, and humor of all kinds of young love.
I thought this was such a gorgeous book with complex, relatable characters and a really profound portrayal of the sweetness and depth of first love! Thirteen-year-olds Andi and Zora are dealing with grief, the complexities of friendships and family pressure, and the hyper-competitive world of their elite music camp.
This is one I had to really savor—I kept re-reading sentences because the writing was just so lovely and really brought the characters’ feelings to life. There were also several references to songs and performing artists I love, adding an extra layer of connection with the story!
In Grand Rapids, Michigan, Andi is grappling with grief following the death of her mother. Zora is exhausted by trying to please her success-oriented parents. Both feel very much alone. Until a summer music camp brings them together.
The only two Black girls at camp in a sea of white children, Andi and Zora slowly begin to connect and reveal their deepest fears and dreams. While Andi is a natural on trumpet, Zora doesn't know if she wants to be a floutist since she also loves to dance.
As Andi and Zora struggle to figure out who they really are,…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I have spent an entire career, via reading, research, and teaching, helping people realize their dreams. For me, it represents “paying it forward,” thanking those who helped a girl from an ethnic, working-class background become an internationally recognized scholar. Studying optimism and goal-seeking has taught me that dreaming and optimism are important—but they are simply not enough to move someone forward. Dreams must become projects motivated by mentoring, planning, and hard work. Not everyone has those resources available to them. The curse of social inequality can indeed destroy hopes and dreams in the very early lives of the socially disadvantaged—with devastating consequences for society as a whole.
This book shows how powerful are the tenets of the American Dream. It also shows how our society has failed to live up to those tenets.
My most important take-away is that the growing racial divide in achieving dreams will lead to deeper and deeper fractures in the fabric of American Society.
The ideology of the American dream - the faith that an individual can attain success and virtue through strenuous effort - is the very soul of the American nation. This book argues that Americans have failed to face up to what that dream requires of their society, and yet they possess no other central belief that can save the United States from chaos. This text attributes America's national distress to the ways in which white and African Americans have come to view their own and each other's opportunities. By examining the hopes and fears of whites and especially of blacks…
